• conjuring201

    REVIEW: The Conjuring 2 [2016]

    “This is the closest to Hell I ever want to go” When a formula succeeds as well as that of James Wan‘s The Conjuring and its real life subjects have as extensive a Rolodex of haunting investigations as Ed and Lorraine Warren, the prospect of a sequel arrives as both inevitability and an initial pause. […]

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    REVIEW: Holy Hell [2016]

    “Maybe it’s worth it” Every story containing religious or spiritual content inherently brings with it supporters and detractors beholden to personal agendas either from experience or unwavering positions of faith. It’s difficult subject matter to truly expose objectively because religion and spirituality are by definition subjective when compared against an infinite number of other similar […]

  • midnightspecial01

    REVIEW: Midnight Special [2016]

    “Where do you belong?” Is young Alton Meyer (Jaeden Lieberher) the savior of the human race, born to unsuspecting parents inside a cult known as The Ranch in order to bring them salvation? Is he somehow an expert hacker infiltrating the NSA’s foolproof satellite transmissions courtesy of an uncanny technokinetic power no one can explain? […]

  • wingsofdesire01

    REVIEW: Der Himmel über Berlin [Wings of Desire] [1987]

    “Why am I me, and why not you?” What does it mean to be human? This is the question the Angel Damiel (Bruno Ganz) wonders from his eternal perch on high surveying, subtly steering, and always listening. He sees humanity’s joy and laughter, jealous of their ability to live, feel, and touch. Even amongst the […]

  • paristexas01

    REVIEW: Paris, Texas [1984]

    “Don’t go yet” The first word my mind conjured after watching Wim Wenders‘ Paris, Texas was honesty. It’s delivered from lead Harry Dean Stanton all the way down to Robby Müller‘s gorgeous cinematography of untouched Mojave Desert isolation and graffiti-filled urban concrete. Nothing appears inauthentic and that’s not an easy accomplishment when you think about […]



film reviews

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REVIEW: Aguirre, der Zorn Gottes [Aguirre, Wrath of God] [1972]

“Meat is floating by” Talk about the heart of darkness. It’s completely unsurprising that Francis Ford Coppola would admit to using Werner Herzog‘s Aguirre, der Zorn Gottes [Aguirre, the Wrath of God] as inspiration for his Apocalypse Now because they epitomize the stark moral depravity of warped conquering “heroes”. The quiet rage underlying every action […]

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REVIEW: Oh Boy [A Coffee in Berlin] [2012]

“Are you still serving coffee?” German Academy Award-sweeping Oh Boy [A Coffee in Berlin] is a day in the life of a Berliner slacker named Niko Fischer (Tom Schilling). He’s a law school dropout that’s been living off the thousand-dollar-a-week allowance his father continuously supplies under the auspices that it’s being used for college. He […]

nowyouseeme201

REVIEW: Now You See Me 2 [2016]

“You may not be having fun, but I am” The problem with giving a film steeped in misdirection a sequel is that the mysteries have already been uncovered. You can’t put the genie back in the bottle to achieve the same success. Now You See Me had a great magic premise wherein the theatrical audience […]

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REVIEW: De Palma [2016]

“I’m driven by unrealistic ideas” I’ve seen twelve Brian De Palma films in my lifetime—a seemingly healthy number when you consider the industry. A guy like Terrence Malick began his career just five years after Brian and it’s only his seventh film that hit DVD this week. Unfortunately for me, twelve doesn’t come close to […]

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REVIEW: Central Intelligence [2016]

“You can’t look a guy in the eye and say something like that” Writer/director Rawson Marshall Thurber is finally back to the zany, off-the-wall, and over-the-top antics that made him a hot commodity back in 2004 after the release of Dodgeball. He took a genre (the underdog sports tale), brought it down from its lofty […]

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REVIEW: Sound/Vision [2016]

“I continued my studies and the music stopped” Music is a powerful force—a sensory cause leading towards an effect of memory, emotion, and spirit. It brings us together beyond labels of race, gender, or religion with a commonality able to strip us down to our purest humanity. And as Ludwig van Beethoven proved through his […]

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REVIEW: Weiner [2016]

“We don’t care about the personal garbage. We’re from the Bronx.” Here’s the rub on the whole Anthony Weiner scandal(s): Bill de Blasio’s approval rating just fell to 41% on May 24th. Would Weiner have been better? Who knows? Would he have won if not for a faulty timeline between his final sexting partner and […]

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REVIEW: The Phenom [2016]

“You give it a name and it might want to stick around” I admittedly didn’t think too much on The Phenom after watching its trailer. There was a good cast, its look behind the curtain of fame seemed intriguing, and there’d probably be some darkly honest depictions of sports abuse at the hands of over-zealous […]

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REVIEW: Friday [1995]

“Ya’ll ain’t never got two things that match” By age twenty Ice Cube had proven himself an originator of gangsta rap with the seminal Straight Outta Compton from N.W.A and AmeriKKKa’s Most Wanted as a solo artist. Two years later his role in Boyz n the Hood garnered enough critical acclaim to cement the Los […]

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REVIEW: Finding Nemo [2003]

“You mean the swirling vortex of terror?” There’s a lot happening in Finding Nemo, a fact that hindered my appreciation for it back in 2003. At its core is a story about an over-protective clownfish father and his adventurous boy yearning to break free of the constant fear that’s ruled their lives for too long. […]

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REVIEW: Maggie’s Plan [2016]

“‘Like’ is a language condom. Trust me.” The character of John (Ethan Hawke) within Rebecca Miller‘s Maggie’s Plan is writing his first fiction novel not-so-loosely based upon his life—a loveless marriage with a bigger narcissist (Julianne Moore‘s Georgette) than he that’s up-ended by a hopeful affair with a control freak (Greta Gerwig‘s titular Maggie) just […]

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REVIEW: Dheepan [2015]

“Be nice. That’s all.” It was a surprise when Palme d’Or winner Dheepan wasn’t chosen as France’s Oscar pick for the 2016 Academy Awards (interestingly enough the country selected Mustang, another film whose main language isn’t French). Even more surprising is how long it’s taken to open stateside as ten months sit between its debuts […]

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REVIEW: Lo and Behold, Reveries of the Connected World [2016]

“Did you get the ‘G’?” Documentarian Werner Herzog‘s latest film Lo and Behold, Reveries of the Connected World peers into the longer than expected history of our uncontrollable phenomenon known as the internet. The word uncontrollable doesn’t, however, allude to this network having created an artificial intelligence—although, as one subject states, who’s to say an […]

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REVIEW: Romance [2013]

“Aim low and you won’t be disappointed” With the impending cinematic adaptation of Chuck Palahniuk‘s Lullaby about to swing into pre-production once its Kickstarter campaign finishes, it became time to look into its director Andy Mingo. His filmography includes one independent feature film and a few shorts—the obvious standout on paper being Romance, based upon […]

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REVIEW: Bulldog [2016]

“Who does drugs in their own home?” It can get tiresome watching movie upon movie projecting supposedly authentic glimpses of life’s complexities progress towards having its troubled central character find love, clarity, or redemption with a bow on top. So tiresome in fact that we find ourselves waiting for the moment to come as a […]