• arrival01

    REVIEW: Arrival [2016]

    “A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked […]

  • cameraperson01

    REVIEW: Cameraperson [2016]

    “You’re making me cry even though I don’t understand the language” The camera doesn’t lie. It captures private moments, immortalizes public, and adds ten pounds (so maybe it does). It shows a world we can never see: at once untouched perfection and fabricated by the operator’s gaze. And as those among us age and forget, […]

  • fits01

    REVIEW: The Fits [2016]

    “Home of the Lionesses” For those who like to declare how there’s no original cinema these days: I present you Anna Rose Holmer‘s coming-of-age dance drama The Fits. Yes, the most over-used genre of all received a uniquely wonderful rendition in 2016 through the eyes of an eleven-year old girl trying to find her way […]

  • americanhoney01

    REVIEW: American Honey [2016]

    “What about you? What’s your dream?” Welcome to our disenfranchised youth. That’s exactly what Andrea Arnold puts front and center with her latest film American Honey: miscreants getting high, road tripping, and lying their way to a few bucks meant to continue the nomadic journey’s unending party. Led by outside-the-box entrepreneur Krystal (Riley Keough), this […]

  • bluejay01

    REVIEW: Blue Jay [2016]

    “You leaving room for Jesus?” While we wait the requisite nine years hoping for another installment in Richard Linklater‘s seminal Before saga, Mark Duplass is here to fill the void early with his own intimate, two person reunion of past love and current strife entitled Blue Jay. Many will scoff at this declaration and say […]



film reviews

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REVIEW: Loving [2016]

“You need to get you some civil rights” It took one viewing of Nancy Buirski‘s documentary The Loving Story to recruit Jeff Nichols into writing and directing a biopic of Richard (Joel Edgerton) and Mildred Loving’s (Ruth Negga) journey from newlyweds to Supreme Court precedent. But don’t think Loving is a courtroom drama. I’d estimate […]

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REVIEW: Gosford Park [2001]

“I’m the perfect servant: I have no life” Watching Gosford Park again conjured thoughts about it being quintessential Robert Altman, thoughts I couldn’t conjure in 2001 considering it was my first true experience watching one of his films. It proves the perfect evolutionary end to a way of filmmaking he began over twenty years previous […]

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REVIEW: Before the Flood [2016]

“It kind of looks like Mordor” You have to give Leonardo DiCaprio credit because he’s taken his title of UN Messenger of Peace with focus on climate change to heart. He spent three years traveling the world (when not shooting The Revenant in a contextually relevant location experiencing a warm enough winter to necessitate a […]

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REVIEW: SiREN [2016]

“You can’t miss a memory you’ll never remember” Adapted from the segment “Amateur Night” from anthology film V/H/S, Gregg Bishop‘s SiREN intrigued me mainly because he didn’t create the original. That’s how impactful producers felt this vignette proved, enough to spark interest for an expansion beyond its creative team. David Bruckner—the source material’s director and […]

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REVIEW: Trolls [2016]

“I think I had sarcasm once” Depending on what you read, the genesis of Trolls is quite fascinating as original director Anand Tucker was to helm an adaptation of Terry Pratchett‘s Bromeliad trilogy about tiny humanoids in 2010. Did that project ultimately evolve into the glitter vomit Walt Dohrn and Mike Mitchell provide us today? […]

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REVIEW: Moana [2016]

“Beat the drum” It’s tough to give two white guys the benefit of the doubt when it comes to spearheading a blockbuster feature-length animated film about Ancient Polynesian mythology, but you cannot deny that Disney stalwarts Ron Clements and John Musker did what they could to ensure Moana stayed true to their subject’s traditions and […]

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REVIEW: Inner Workings [2016]

“Boring, Boring & Glum” When the title of the film is Inner Workings and its conceit is to personify a human character’s internal physiology, comparisons to Inside Out are unavoidable. Not even the delineation that Leonardo Matsuda‘s short deals with organs rather than emotions can help if you have your mind set on an ill-advised […]

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REVIEW: Allied [2016]

“Look for the hummingbird” Sometimes that story you’ve had bouncing around your head needs time to gestate and your career the opportunity to blossom before it can be released upon the world. For Steven Knight it was a bit of both. Already nominated for an Oscar back in 2004 for the brilliant Dirty Pretty Things, […]

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REVIEW: Billy Lynn’s Long Halftime Walk [2016]

“What else is there?” Here’s an Oscar-winning director doing something no one else has—shoot an entire film at 120 frames per second (standard is 24, the previous high 48 with The Hobbit)—and movie theaters couldn’t accommodate. At a time when it’s difficult to get butts in seats with Netflix and VOD, an opportunity for a […]

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REVIEW: Nosferatu, eine Symphonie des Grauens [Nosferatu] [1922]

“Does this word not sound like the deathbird calling your name at midnight?” Every copy of F.W. Murnau‘s Nosferatu, eine Symphonie des Grauens [Nosferatu] should have been destroyed. It was with good reason too considering the German based production house Prana hired Henrik Galeen to “loosely” adapt Bram Stoker‘s Dracula without permission. The estate sued […]

arrival01

REVIEW: Arrival [2016]

“A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked […]

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REVIEW: The Edge of Seventeen [2016]

“You should look out for run-on sentences” If you ever wondered what a John Hughes movie would look like without the cutesy cliché and overblown 1980s caricatured comedic appeal, Kelly Fremon Craig‘s The Edge of Seventeen is it. So don’t treat the talk about it being a “twenty-first century Hughes” film as hyperbole or a […]

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REVIEW: Numb [2016]

“See you at the next meeting?” Story construction becomes crucial when you only have ten minutes to move from start to finish and oftentimes a linear progression is best. I use Penelope Lawson‘s Numb as an example because the bones of its plot are good despite its unorthodox orchestration ruining its potential to resonate. Set […]

cameraperson01

REVIEW: Cameraperson [2016]

“You’re making me cry even though I don’t understand the language” The camera doesn’t lie. It captures private moments, immortalizes public, and adds ten pounds (so maybe it does). It shows a world we can never see: at once untouched perfection and fabricated by the operator’s gaze. And as those among us age and forget, […]

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REVIEW: Fantastic Beasts and Where to Find Them [2016]

“Worrying means you suffer twice” After seven books, eight movies, and a play, the Harry Potter universe has become an expansive property no one wants to see die. Pottermore kept the fandom alive online with exclusive stories and quizzes bringing you into Hogwarts while author J.K. Rowling‘s textbooks added flavor and raised over seventeen million […]