Day: October 6, 2011

VIFF11 REVIEW: Inni [2011]

Jared Mobarak

“We’re a very serious heavy metal band—and we worship the devil” If you go into Inni thinking you’ll receive Heima Part 2, you either be sadly disappointed or extremely grateful because it is anything but. Rather than show us Sigur Rós’ atmospherically sumptuous music against the gorgeous expanse of their Icelandic homeland, director Vincent Moriset captures the bombastic energy of one performance in a monochrome, scratchy gray. Shot with intimate compositions of abstract shapes and completely unbalanced framing, we experience the assault of being at the concert hall. Through a…

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VIFF11 REVIEW: Take This Waltz [2012]

Jared Mobarak

“August 15, 2040, 2pm” Films dealing with break-ups have the trouble of easily falling into two camps. Either the work is genuine and emotionally devastating like a Blue Valentine or faux romantic and absolutely trite like The Break-Up. Having already wowed the world with her debut feature of complete authenticity dealing with Alzheimer’s destructive power on love, Away From Her, I hoped Sarah Polley had her finger on the pulse of heartache and would carry it through to her sophomore work, Take This Waltz. Unfortunately, although it is brilliantly acted…

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VIFF11 REVIEW: 倭寇的踪迹 [The Sword Identity] [2012]

Jared Mobarak

“What else can we do for fun?” With his screenplay for The Grandmasters coming to the big screen next year by Wong Kar Wai, writer/director Haofeng Xu gives us the first taste of his creativity with an adaptation of his own novella, 倭寇的踪迹 [The Sword Identity]. A mix of comical playfulness and serious martial arts, the script has some impressive camera compositions to allow for intriguing visuals, acting that is consistently earnest throughout, and fight choreography that’s a joy to experience. All those things do little to help from wondering…

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