BNFF12 REVIEW: Aloneliness [2011]

“I’m at the front door” It’s hard to believe that Sid Bodalia‘s Aloneliness is a student film. After living in New Jersey and eventually attending the Maryland Institute College of Art for degrees in design and painting, the young artist moved all the way to Mumbai, India in order to pursue a career in filmmaking at Whistling Woods International. I can only imagine the wealth of talent and collaboration between departments and disciplines that allowed for such a stunning psychological thriller to look and feel as though made with studio…

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BNFF12 REVIEW: Dot Got Shot [2011]

“Stop walking me home” Making its rounds through underground film festivals, Honey Lauren‘s Dot Got Shot brings a relevant psychological punch with its ultra low-budget aesthetic. The acting is not the greatest and the cinematography choices may be a bit too artsy at times, but the story of Dotā€”a decorated policewoman haunted by the nightmares of reliving the moment she was shot in the head breaking up a domestic squabbleā€”is unique enough to overcome its faults. Written, co-directed with Carlos Ramos Jr., and starring Lauren, the short crime drama finds…

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BNFF12 REVIEW: Tarantula Moonrocket [2011]

“Break a paparazzo’s camera; smash up a hotel room” Before he moved to Los Angeles to live the dream, I had the pleasure of seeing Jack Hunter perform the Richard Burton role in a local Buffalo production of Who’s Afraid of Virginia Woolf? His turn contained a perfect amount of gravitas while the intimate setting of Irish Classical Theatre’s ‘in the round’ layout allowed all to see the nuance in his detailed characterization. So, when learning he starred in a short film donning the KISS-like make-up of a bygone era’s…

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If I were satisfied, I wouldn’t keep doing it ā€¦ Babelā€™s Zadie Smith

Not to overshadow the presence of British novelist Zadie Smith ushering in 2012’s year of Babel, the sobering news that Just Buffalo Literary Center‘s Michael Kelleher was stepping down as Artistic Director to head up a position at Yale came with some shock and a well-deserved standing ovation. The man who really spearheaded the series five years ago was taking the next step in his professional career and was able to give one last glowing introduction for the night’s international guest artist despite choking up a bit during his thank…

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BNFF12 REVIEW: Departures [2011]

“Ne’ wick?” It’s the kind of story you hear about oftenā€”spouses separated by continents in order to work towards making a better life for their family. A breadwinner wins the opportunity for immigration to the United States while his/her second half must remain home for years before the chance for reunion presents itself. But whether it takes one, five, or in this instance ten years to once more achieve the loving embrace that feels but a fleeting memory after so much time, the joy of being together again trumps all…

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BNFF12 REVIEW: YERT: Your Environmental Road Trip [2011]

“We’re driving the bed, right?” With a goofy acronym for a nameā€”YERT: Your Environmental Road Tripā€”and a tagline promising to be ‘An Environmental Documentary That’s NOT Depressing!’, you can imagine a lot of eye-rolling and trepidation when sitting down to see just how true a statement that marketing line could be. But then you meet Mark Dixon and Ben Evans, two guys living their lives with a yearning to do more as their world disintegrates around them. Quitting their jobsā€”the former leaving the comforts of his cubicle and the latter…

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BNFF12 REVIEW: Dan Zimmerman: Musician, Painter, Cosmic Patriot [2009]

“The phrase that each of us is unique and irreplaceable is so powerful” A man caught between the spiritual world of his faith and the material one of his craft, Dan Zimmerman has lofty ideals to support his work and life. In Thomas Florek‘s short documentary Dan Zimmerman: Musician, Painter, Cosmic Patriot, we experience the thought process behind the New Jersey-based surrealist through his own words. Every second contains either the artist in interview or his voice in song melodically touching our soul as the camera pans over high-resolution photos…

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BNFF12 REVIEW: The Pact [2011]

“You officially have a stalkerā€”ME!” It’s the kind of gentlemen’s agreement you can see yourself making in the heat of a drunken bout with self-pity: swear off the opposite sex for a year in order to cleanse your soul of the one who left. For brothers Grant (Neil Brookshire) and Ancel Fox (Aaron Toronto) it’s a blood pact to reclaim their manhood and find success through independence. Well, maybe just for Grantā€”earning a promotion at work and meeting girls to have fun with as friends without constantly wonder about the…

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BNFF12 REVIEW: 2 Kings [2011]

“You Left Me” After reading the letter that came with my screener for Jon Alex‘s 2 Kings, I was excited to see what magic was wrought by this young creative who wrote, directed, starred, and did everything but write the song. The praise was high and the name-dropping intriguingā€”both Norman Mailer and James Cromwell made the cut to recommend the budding auteur through proxy either knowingly or not. Even the premise of identical twins dealing with one’s descent into insanity begged to be treated with an open mind and I…

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REVIEW: My Week with Marilyn [2011]

“Let’s say I sleep in nothing but Yardley’s Lavender” After the all awards season hoopla, I guess I expected more from My Week with Marilyn. My favorite kind of bio picā€”depicting a finite amount of time in a famous person’s life rather then the full durationā€”it’s interesting that I find it closest in alignment to one that’s not. Much like my excitement to watch La vie en rose post-Oscar win for Marion Cotillard, I really wanted Simon Curtis‘ film to strike a cord with its microcosm look inside Marilyn Monroe‘s…

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REVIEW: Shotgun Stories [2008]

“That’s the last time you ever stay out of a fight” Watching the end credits of Shotgun Stories brought with it the realization that David Gordon Green was a producer. This shouldn’t be a surprise for those familiar with the writer/director’s early, best work, but in light of the low brow comedies Your Highness and The Sitter one might wonder if the indie darling will ever return to the dramatic subject matter he once mastered. His is a cautionary taleā€”I know it’s selfish of me to say this considering Green…

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