REVIEW: That’s My Boy [2012]

“Secret tickle time” Just when you thought Adam Sandler had hit bottom and could only improve upon a lackluster string of film’s that have to make you question the quality of his earlier gems, he proves it can always get worse. From Sean Anders (the director of Sex Drive) and David Caspe (creator of “Happy Endings”) comes one of the most unoriginal comedies in years. Recycling the ‘disastrous wedding’ trope that I’m sad to say was actually done better in Meet the Parents—a film I also abhor—we’re made to watch…

Read More

REVIEW: Rock of Ages [2012]

“Actually, I told him the gig was last night. So he’s a day late.” Listening to Night Ranger‘s “Sister Christian” sung by a bus full of strangers a la Almost Famous was a pretty good way to start Rock of Ages, the big screen adaptation of the Tony Award nominated musical. Julianne Hough‘s ‘Sherrie’ Christian’s blandly starry-eyed wonder was acceptable; Hollywood circa 1987 took shape via hookers, muggers, and over-zealous cops; and the hyper-real Broadway sensibilities came out as extras broke into song and dance while a sweaty, sex-infused rock…

Read More

INTERVIEW: Nacho Vigalondo, writer/director of Extraterrestrial

After finding great international success with his debut feature film Timecrimes in 2007, writer/director Nacho Vigalondo performed a bit of a 180 for his sophomore effort. Coming to the Toronto International Film Festival last year with a romantic comedy set to the backdrop of an alien invasion, his Extraterrestrial showed he would not be pigeonholed to dark thrillers with twists a la M. Night Shyamalan. It’s a move that showed his versatility and creative story-telling approach—two things that must have appealed to Hollywood with him now attached to direct an…

Read More

REVIEW: Prometheus [2012]

“How far are you willing to go?” **Potential thematic spoilers** The age-old question has always been an unanswerable, “What is the meaning of life?” It’s a query that could easily be solved on an individual basis as far as wealth, family, success, fame, etc., yet so many desire the all encompassing knowledge we were possibly never meant to have. Gods are created and worshiped to give us purpose—be they deities, idols, or even ourselves. We all strive for more and hope to accomplish whatever it takes to reach whatever form…

Read More

REVIEW: Alien: Resurrection [1997]

“You’re a beautiful, beautiful butterfly” An obvious predecessor to screenwriter Joss Whedon‘s revered “Firefly”, Alien: Resurrection breathes new life into a franchise that could have easily been left alone. Reviving the iconic Ellen Ripley through the hot button topic of cloning, his script found a way to coax Sigourney Weaver back with a uniquely dark spin on the character. Part alien, part human, and all Petri dish, ‘Number 8’ is cognizant of her former self’s rage against the xenomorphs two hundred years before while also acknowledging her role as mother…

Read More

REVIEW: Alien3 [1992]

“We’re on the honor system” After James Cameron reinvigorated the Alien franchise to huge success with his action-packed sequel Aliens, Twentieth Century Fox’s desire to keep going shouldn’t have surprised. Looking to retain the level of craftsmanship and professionalism of the first two installments, they tried bringing original director Ridley Scott back to helm an ambitious two part continuation from producers David Giler and Walter Hill—eventual cowriters with Larry Ferguson also—to no avail. So with sci-fi writer William Gibson hired to script them way back in 1987, Alien3‘s lengthy gestation…

Read More

REVIEW: Aliens [1986]

“Game over, man. Game over!” Leave it to über action champion James Cameron to turn a darkly serious sci-fi thriller into a brutally fun romp successful enough to spawn two more sequels and a separate spin-off series that has kept H.R. Giger‘s grotesque xenomorph relevant today. Fresh off the success of Terminator 2, Cameron joined original Alien producers David Giler and Walter Hill to flesh out a new concept that would take the saga into another genre and wider audience appeal. Proving a strong female lead could carry a film…

Read More

REVIEW: Alien [1979]

“What is Special Order 937?” When you hear the title Alien, images are conjured up of Bill Paxton having a mental breakdown, Lance Henriksen rapidly stabbing a knife through his fingers, and Sigourney Weaver‘s Ripley inside a mechanical forklift suit engaging a slobbering, hulking monster. The most fascinating thing about this comes not from how iconic the franchise has become, but instead the realization that none of these moments occurred in the original film. Somehow James Cameron‘s action-packed sequel has usurped its predecessor’s slow, cerebral horror in our consciousness to…

Read More

REVIEW: Extraterrestre [Extraterrestrial] [2012]

“Maybe the spacemen will give us diplomas” You wake in a strange place without memory of arriving. You see light’s curved shadows on the wall through clouded eyes while a chorus of clanging is heard in the next room. Disoriented, mildly frightened, and without a clue to what is going on, you’re lost trying to recall the erased minutes of an alcohol-infused evening eerily similar to a crackpot’s account of alien abduction. But rather than a greyed creature with probe in hand, the figure moving in the kitchen is an…

Read More

REVIEW: The Sweet Hand of the White Rose [2010]

“I’m happy when I play alone” Dealing with the tragic nature of death and the myriad split-second decisions we make to set us on our inevitable courses towards mortality, Davide Melini‘s The Sweet Hand of the White Rose becomes both a cautionary tale and memorial to those lost. Shown as a diptych of two parallel existences fatefully intertwined as perpetrator and victim, the subject matter is obviously a personal one with the writer/director. Mark’s (Carlos Bahos) late-twenties bar patron drinking away his sorrows and White Rose’s (Natasha Machuca) youthful child…

Read More

REVIEW: The Puzzle [2008]

“You always spend my money on stupid things” If you hadn’t read a synopsis of Davide Melini‘s short film The Puzzle, you may be confused as to what is happening onscreen. I myself was in the dark until the end credits explained the relationship between the two characters I had just watched come together. But even then the subject matter’s purpose remains slightly out of reach. Opening on an older woman played by Cachito Noguera walking towards her bedroom, we become disoriented once she angrily ends a phone conversation dealing…

Read More