REVIEW: Million Dollar Arm [2014]

“That better have been filtered water” The seventh and final season of “Mad Men” has begun yet star Jon Hamm is only now getting his first leading man role in a feature film. So why does what should be an auspicious event considering his obvious talent seem less than noteworthy? As good at comedy as drama, no one can deny he owns chauvinistic smarm on TV or has the chops to play a business-first sports agent who exclusively dates models while scheming to earn his next buck. The problem lies…

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REVIEW: X-Men 2 [2003]

“Nature laughs last” This is the one—the superhero movie unequaled in the decade since. The Dark Knight comes close, but it’s hard to hold Christopher Nolan‘s trilogy on par with the rest when it exists as a beast all its own. Only The Avengers and Captain America: The Winter Soldier found a way to match its scale and precision, falling ever so short on the emotional depth chart. X-Men 2 is simply a perfect storm of everything you could want in a film let alone one steeped in comic lore.…

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REVIEW: X-Men [2000]

“What do they call you? Wheels?” It’s hard to believe-fourteen years gone-that X-Men was the comic book property used to usher in our current “golden age” of superhero movies. I guess I shouldn’t be surprised considering it’s probably the most relatable due to its being devoid of flying aliens, radioactive spiders, and Gods. No, short of Batman transforming the memory his parents’ murder into the life of a vigilante, mutants are the most “human” creation Marvel or DC has created (at least to someone with barely a cursory knowledge of…

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REVIEW: Rushmore [1998]

“I saved Latin. What did you ever do?” Writer/director Wes Anderson‘s style was officially born on his sophomore effort Rushmore. That’s not to say his debut was devoid of the trademarks we associate him with today, it was simply set in a world possessed by more authentic rules. He’s since made a career out of skewed storybooks of selfish characters wandering a landscape they misguidedly feel power over as they take their missteps in stride with over-the-top reactions steeped in a heightened state of the absurd. His stories take upper…

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REVIEW: The Amazing Spider-Man 2 [2014]

“You still blow dry your hair every morning?” It’s time to embrace the comic aspect of comic book films. I’m sorry, but it is. Christopher Nolan‘s time on the Dark Knight Trilogy is over and while we’d like the comic genre’s big brother graphic novel to imbue the dark conflicted nature of an Oscar worthy film, it doesn’t necessarily mimic the medium’s tone. We’re talking costumed heroes fighting a rogue’s gallery of mutated baddies with special powers who wreak havoc, never die, and engage in a never-ending cycle so that…

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INTERVIEW: Richard Ayoade, cowriter/director of The Double

I didn’t know who Richard Ayoade was until 2010 and boy was it the perfect time to find out. My introduction was courtesy of the brilliant British television show “The IT Crowd” and his fantastically drawn Maurice Moss. I had tried watching the show a couple years previously only to forget about it after the pilot. This time, however, I mainlined the first three series and eagerly awaited the fourth only to see co-star Chris O’Dowd journey to mainstream acclaim with Bridesmaids less than a year later. When would Ayoade’s…

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Posterized Propaganda May 2014: ‘Godzilla’, ‘Amazing Spider-Man 2′, ‘Maleficent’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. Is it officially Summer yet? Blockbuster poster campaigns for Spidey, Magneto, Godzilla, and Seth MacFarlane would lean towards yes. Buy your popcorn and candy now because we’ve got computer generated…

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