REVIEW: The Big Short [2015]

“Trust me. This happened.” I can honestly say I learned something watching The Big Short. That’s no small feat considering it was directed and cowritten by funnyman Adam McKay. His collaborations with Will Ferrell acting like a doofus are generally the exact opposite of educational. But he couldn’t have told this story about the handful of eccentrics who bet against the American economy and won by seeing the mortgage bubble everyone else couldn’t (or fraudulently ignored) without a financial crash course. CDOs, tranches, and sub-primes were as synonymous with gibberish…

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REVIEW: Spy [2015]

“I’ve swallowed enough microchips and shit them back out again to make a computer” The Paul Feig/Melissa McCarthy train continues forward with James Bond spoof Spy after the box office successes of Bridesmaids and The Heat (with Ghostbusters still forthcoming). This installment sees McCarthy as the bona fide star, onscreen for practically the entire duration as CIA analyst turned field agent Susan Cooper. She’s been in the earpiece of top operative Bradley Fine (Jude Law) for so long that she’s probably saved his life more times than he’s killed people,…

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REVIEW: The End of the Tour [2015]

“You might just have to read it” A young writer whose day job involved scribing 500-word reviews of boy band albums during the 90s comes to the decision of pitching his editor something Rolling Stone hadn’t done in years: interview an author. Who better than in-the-moment rockstar David Foster Wallace on the road promoting his magnum opus Infinite Jest? Thus begins a five-day tape-recorded session taking place inside Wallace’s home, his college, multiple airplanes and automobiles, and the Minneapolis, MN hotel hosting his final stop. Even though that initial article…

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REVIEW: Beasts of No Nation [2015]

“You must die before you are reborn” War often leaves as large a psychological scar as physical. Surviving with your life is sometimes not enough to escape the horrors of what’s been done to yourself or those around you. As for what you’ve done—those acts remain forever in nightmare. So when young Agu (Abraham Attah) is asked to share the details of what transpired before and during his time with the NDF rebellion of an unnamed African country, it’s hardly surprising to hear him refuse. This isn’t a bad kid…

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REVIEW: Steve Jobs [2015]

“Computers aren’t paintings” Despite being an Apple guy from way back playing with LOGO the turtle in grade school before eventually swapping out MacBook Pros every five years or so from college on, I never really cared who Steve Jobs was beyond the kindly looking genius in a black turtleneck. To me the appeal was ease of use—I embraced the closed system Aaron Sorkin’s script readily attributes to Jobs—and the design. How can you not love the packaging, look, and logo during the Jobs 2.0 era? It’s impeccable. Whether or…

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REVIEW: The Hunger Games: Mockingjay – Part 2

“They chose you” With The Hunger Games: Mockingjay – Part 2 officially in the books I’m confident in saying Suzanne Collins‘ dystopic trilogy will hold up as one of the most successfully faithful cinematic adaptations ever. And a big part of that is the decision to make it into four movies because, as anyone who’s read the novels knows, Mockingjay is a dense work with little fat where its political and emotional intrigue are concerned. Any issues stem from Lionsgate’s misguided choice of putting a full year’s wait in between…

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REVIEW: Shaun the Sheep Movie [2015]

“Have a … Day Off” Aardman is back after a three-year feature film hiatus with Shaun the Sheep Movie based on their television series “Shaun the Sheep” and it is a delight. It’s incredible to believe this newest entry to the studio’s stable cost only a sixth of critically-panned, computer animation debut Flushed Away‘s budget because of what appears to be a permanent return to stop-motion. I guess it helps to already have the clamation figures ready to go, but you’d think the time alone to capture their movements would…

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REVIEW: The Look of Silence [2015]

“If we didn’t drink human blood, we’d go crazy” Just when you thought a documentary couldn’t get more harrowing than Joshua Oppenheimer‘s look at murderers in The Act of Killing, the director gives editorial power to their victims in The Look of Silence. The descriptive label “companion piece” is apt because they both exist in tandem to find the truth from every angle of the 1965 Indonesian genocide wherein all who opposed a military coup (“Communists”) were rounded up and exterminated. Rather than Oppenheimer behind the camera asking questions of…

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REVIEW: The Good Dinosaur [2015]

“Look who got relevated” You constantly hear about movies needing reshoots, but The Good Dinosaur‘s troubles went beyond cosmetic enhancements into full-blown emergency room triage. I’m talking two years of development before a release date announcement, two more before that date and original director Bob Peterson (who came up with the story alongside his directorial replacement Peter Sohn) were scrapped, and another two wherein the plot got completely retooled until the final film would bare little resemblance to the germ of an idea on which it began. Pixar’s cancelled Newt…

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REVIEW: Sanjay’s Super Team [2015]

“Super Team unite!” Sunday school would be a must-attend for kids of every religion if their church, synagogue, mosque, or temple put a fun, pop culture spin on their Gods—guaranteed. How badass would it be to watch a cartoon Jesus using his magic to raise people from the clutches of the evil Grim Reaper? Sure Islam would be tougher considering you can’t depict Mohammad, but there’s surely ways around that. If it’s good enough for the Greeks with Thor, Hercules, and everyone else Marvel/DC has reappropriated, it should be good…

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REVIEW: 刺客聶隱娘 [Nie yin niang] [The Assassin] [2015]

“She wanted me to see her before she took my life” Without a doubt one of the most gorgeous films of 2015, Hsiao-Hsien Hou‘s 刺客聶隱娘 [Nie yin niang] [The Assassin] is also high on the list for most convoluted. I still have little clue about what happened throughout the story—based on a late ninth century short text by Xing Pei—besides the fact that the titular assassin (Qi Shu‘s Nie Yinniang) was tasked with killing her cousin Tian Ji’an (Chen Chang). Everything else on the periphery of that central plot deals…

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