“Well I’ll be double-dog damned” It appears Quentin Tarantino has decided to go back to his roots by making his eighth feature film The Hateful Eight in the same vein as his debut Reservoir Dogs—namely keeping sets and actors to the bare minimum for added tension without room for escape. The maneuver couldn’t have come sooner with its predecessor Django Unchained, despite earning an Oscar for Best Original Screenplay, proving to me his weakest work. Not only was it pretty much a watered-down rehash of Inglourious Basterds, it was also…
Read MoreREVIEW: The Hateful Eight [2015]
