“What am I doing here?” We received two John le Carré adaptations this year, each delivering high production value, effective performances, and somewhat weak plotting. Susanne Bier‘s The Night Manager provides a “hero” between worlds—not a bona fide spy as in A Most Wanted Man or Tinker Tailor Solider Spy, not a regular man at his rope’s end willing to do whatever’s necessary a la The Constant Gardener. Surface appearances presume to be the latter except for the fact he has military training and a penchant for killing despite a…
Read MoreREVIEW: Our Kind of Traitor [2016]
