TIFF16 REVIEW: Colossal [2017]

“I’m sorry. It was a mistake. It won’t happen again.” Whether the existence of time travel or an alien invasion, writer/director Nacho Vigalondo has proven king at dealing with large-scale concepts affecting small-scale characters. Always looking to portray how genre catastrophes are handled by nobodies on the ground without government credentials or scientific degrees, he continues this trend again with his latest monster movie Colossal … for the most part. After certain truths are revealed, it’s easy to discover how two former classmates in a sleepy city with one watering…

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TIFF16 REVIEW: Bleed for This [2016]

“Christ and elephants” There’s something about boxing movies that gets butts in seats regardless of so many being practically the same story. The formula almost always concerns some type of personal and professional redemption and Ben Younger‘s Bleed for This is no exception. Being a true telling of Vinny Pazienza’s (Miles Teller) arduous journey back into the ring after a near-fatal car crash severed his neck, however, means it possesses some substance beyond the old “washed up” bid for revenge against the press or a former coach/manager who’s now inexplicably…

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TIFF16 REVIEW: Carrie Pilby [2017]

“Don’t be such a child” The synopsis for Carrie Pilby can sound atrocious on paper. Most films utilizing an eighteen-year old Harvard graduate do so as periphery color because the trope lends itself to obnoxious pedantry and an unsympathetic notion of “first world problems.” Having your titular lead (played by Bel Powley) be that person is therefore a risky proposition. She’s an introvert bagging on society for willingly lowering their IQ to fit a cesspool of mediocrity despite making no attempt to engage or discover whether that assumption is true.…

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