• Top 100 Albums of 2016

    Honorable Mention: #100: Above Water by Gibbz #99: Muzik by Delorean #98: Lonely Is a Lifetime by The Wild Feathers #97: iii by Miike Snow #96: Let Them Eat Chaos by Kate Tempest #95: Good Will Prevail by GRiZ #94: Blackstar by David Bowie #93: Everything You’ve Come To Expect by The Last Shadow Puppets […]

  • REVIEW: Get Out [2017]

    “Magic isn’t real” If you ever watched “Key & Peele” you’d know the line between comedy and horror is very fine. Their sketches would often devolve into a horrific situation that you’d have to cry about if you weren’t already laughing. I think of “Aerobics Meltdown” where there’s this hilarious conceit of Keegan-Michael Key and […]

  • The 89th Oscars recap through tweets …

    pic.twitter.com/oGJkXytnQ2 — PwC LLP (@PwC_LLP) February 27, 2017 So that actually happened. Warren Beatty opened the Best Picture envelope, furrowed his brow, and looked for another card. He’s thinking, “This is wrong.” He stalls—his body language coming off as a joke in the moment, the audience and his co-presenter Faye Dunaway laughing at what appears […]

  • REVIEW: Toni Erdmann [2016]

    “That was real fear” I wasn’t sure what to think upon realizing it was Maren Ade who directed Toni Erdmann, the wild comedy that took Cannes by storm. Her previous film Alle Anderen was very much a drama—a fantastic one at that—and this switch brought intrigue. Now that I’ve finally seen it, however, it’s easy […]

  • REVIEW: Logan [2017]

    “Does she remind you of anybody?” Calling any X-Men adaptation a gamble seems stupid considering the mass appeal comic book movies still hold at the box office, but Hollywood has a way of making those sentiments true when artists start bandying about the R-rated label. The standalone Wolverine films have seen what shying away from […]



film reviews

REVIEW: The Texas Chain Saw Massacre [1974]

“If I have anymore fun today, I don’t think I’m gonna be able to take it” Depending on your source, the budget for The Texas Chain Saw Massacre ballooned from $60,000 to as much as $300,000 by its completion. Some shady dealings allowed profit shares to be sold with intentionally misleading percentages, production ran a […]

REVIEW: Córki dancingu [The Lure] [2015]

“Would you eat him?” Not all fairy tales must be for children as their lessons resonate with ages young and old. There’s a reason many original forms of such tales deliver more blood and horror than Disney counterparts—that sense of fear allowing adults to find dramatic value and kids a scare to remember the moral […]

REVIEW: The Blackcoat’s Daughter [2017]

“I look for Him in the unlikely things that happen” It maybe but a dream, yet it feels so real. Fifteen-year old Katherine (Kiernan Shipka), readying for a week’s vacation from her Jesuit boarding school, experiences one sparking a sense of foreboding. Parents will be arriving on Thursday to watch the children’s talent show before […]

REVIEW: Twin Peaks: Fire Walk with Me [1992]

“And the angels wouldn’t help you cause they’ve all gone away” Without European money, American auteur David Lynch wouldn’t have many features to his name. His style isn’t necessarily conducive to our general population’s tastes, its surrealistic and highly sexualized depictions of the darkness underlying American society’s false façade of harmony a hard sell. So […]

REVIEW: Dèmoni [Demons] [1985]

“I’ll hold your hand if it’s scary” The concept behind Lamberto Bava‘s Dèmoni [Demons] is pretty great. It’s a reinvention of the rise of demons trope for an age of pop culture devotees within the 1980s era of its making. Rather than deal with cemeteries or rituals, Dardano Sacchetti‘s story (the script is credited to […]

REVIEW: Life [2017]

“Its curiosity outweighs its fear” Calling Daniel Espinosa‘s Life an Alien retread is the easy thing to do. Both are tensely claustrophobic science fiction films with a violent extraterrestrial that’s loose and in search of the crew. But it’s also a very reductive comparison considering they are nothing alike beside genre conventions. The missions are […]

REVIEW: Shoot Me Nicely [2017]

“Was it really that small?” A good cause and effect tale is hard to come by within an era of more is more popcorn fluff filled with contrivances nobody can feasibly ignore. But that’s exactly what Elias Plagianos delivers with short film Shoot Me Nicely. This is not to say there aren’t any coincidences involved […]

REVIEW: CHIPS [2017]

“Shoulda cuddled, bro” I’ve never watched an episode of “CHiPs” so I don’t care whether or not the original Jon Baker (Larry Wilcox) and Francis Poncherello (Erik Estrada) pulled their guns during six seasons of television as some on social media have enjoyed touting they didn’t since the trailer hit. I will, however, admit I’m […]

REVIEW: Julieta [2016]

“Remember, you don’t like goodbyes” It began as many things: an adaptation of Nobel Prize winning Canadian writer Alice Munro‘s three connected short stories from her book Runaway (“Chance,” “Soon,” and “Silence”), Pedro Almodóvar‘s English-language debut with its venue switching from Vancouver to New York, and a starring vehicle for Meryl Streep. But Julieta eventually […]

REVIEW: Geride Kalanlar [Leftovers] [2017]

“Let’s hope it’s not her” We each possess a blind spot, one seeking to shield the horrors of life we know exist regardless. It manifests a sense of optimism in that we are safe because we live morally or that those we trust are inherently good. The opposite—to live in constant paranoia believing tragedy is […]

REVIEW: 路边野餐 [Lù biān yě Cān] [Kaili Blues] [2016]

“You took a photo and stole my soul” While the calling card for Gan Bi‘s feature debut 路边野餐 [Lù biān yě Cān] [Kaili Blues] is its magnificent 41-minute long take, that scene is but a movie within a movie. Its brilliance is in the way it takes his main character Chen Sheng (played by the […]

REVIEW: Psychic Murder [2017]

“Yes. I realize I look … like the Hamburger Helper.” The idea of a “deal with the devil” tale is to show how—if at all—the victim caught with his/her soul on the line can escape. The fun is in the torture of this latest riff on Faust by his malicious benefactor and the payoff the […]

REVIEW: April Flowers [2017]

“I’m not afraid of love if that’s what you mean” When writer/director Christopher Tedrick scholarly describes his film April Flowers as being based on the idea that the 21st century is an “Era of Choice”—a term coined by Temple Associate Professor Edward C. Rosenthal in an MIT-published paper—romance isn’t necessary the first thing that springs […]

REVIEW: Night Job [2017]

“People just use the night as an excuse to be someone completely different” Write what you know. These are fortune cookie words of wisdom, but they aren’t wrong. Our own lives are often strange and interesting enough to form the basis of a sitcom because they’re simultaneously universal and unique. Viewers relate to a sense […]

REVIEW: The Deja Vuers [2017]

“Perhaps you should keep your deja vus to yourself” It’s nice to find a entertaining little gem every once in a while that doesn’t require you to think too far beyond its premise. This sounds like a backhanded compliment, but I don’t mean it as one. I think director Chris Esper would agree that his […]