FILM MARATHON: 2014 Schrembs Movie Showcase #3: See No Evil, Hear No Evil [1989]

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The 2014 Schrembs Movie Showcase: Film #3: Richard Pryor and Gene Wilder are the best comic duo in the past 50 years. Certainly a bold statement given who I’ve seen in my generation, but it’s hard to argue. Honorable mentions go to Jack Lemmon and Walter Matthau, as well as Chris Farley and David Spade. […]

FILM MARATHON: Movie Musicals #13: The Sound of Music [1965]

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“They were strawberries! It’s been so cold lately they turned blue!” My enjoyment of Oscar-winning musical The Sound of Music can best be described as the product of subjective expectation. I finally saw it around the age of twelve or thirteen after hearing of its greatness for years only to be left staring at the […]

FILM MARATHON: 2014 Schrembs Movie Showcase #2: The Abyss [1989]

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The 2014 Schrembs Movie Showcase: Film #2: If you have been around me for any a length of time, chances are you became immediately irritated for a number of reasons, especially if the topic of movies came up. It’s worth noting that I have seen less than 10 science fiction movies in my lifetime, that […]

FILM MARATHON: 2014 Schrembs Movie Showcase #1: Canadian Bacon [1995]

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The 2014 Schrembs Movie Showcase: Film #1: In keeping with tradition, I’ve opened up the 2014 Schrembs Movie Showcase with another John Candy film. While I personally believe this film trumps Armed and Dangerous in a variety of ways, Canadian Bacon‘s most interesting attribute is that it was written, directed and produced by Michael Moore. […]

FILM MARATHON: Schrembs’ Spotlight Series #3: Shotgun Stories [2008]

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The Schrembs’ Spotlight Series Premise: In recent years, I have made a conscious effort to try and improve upon the quality of movies I watch on a week-to-week basis. My intentions were certainly good, however, when push came to shove I pretty much failed on all levels. Big name blockbuster films won’t make their way […]

FILM MARATHON: Schrembs’ Spotlight Series #2: Fletch [1985]

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The Schrembs’ Spotlight Series Premise: In recent years, I have made a conscious effort to try and improve upon the quality of movies I watch on a week-to-week basis. My intentions were certainly good, however, when push came to shove I pretty much failed on all levels. Big name blockbuster films won’t make their way […]

FILM MARATHON: Schrembs’ Spotlight Series #1: Armed and Dangerous [1986]

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The Schrembs’ Spotlight Series Premise: In recent years, I have made a conscious effort to try and improve upon the quality of movies I watch on a week-to-week basis. My intentions were certainly good, however, when push came to shove I pretty much failed on all levels. Big name blockbuster films won’t make their way […]

FILM MARATHON: Movie Musicals #12: The King and I [1956]

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“Etcetera, etcetera, etcetera” You don’t get much more dated than the 1956 musical edition of The King and I. Through all the pomp and circumstance, it’s the trite storyline of a wannabe-modern king and the British school teacher who thaws his barbaric ways that comes through. All that’s wrong with the Western world is brought […]

FILM MARATHON: Movie Musicals #11: Victor Victoria [1982]

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“I’d sleep with you for a meatball” You’re down on your luck, famished, and unable to get a job despite having a voice like no other. What do you do? Victoria Grant (Julie Andrews) is asking herself that very question when we see her auditioning for Chez Lui—a dump populated by gangsters and hotheads that’s […]

FILM MARATHON: Movie Musicals #10: Bugsy Malone [1976]

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“I’ve spent my entire life coming back tomorrow” A director with a career infused by music for three decades, Alan Parker’s feature length debut came in the form of Bugsy Malone. Completely populated by kids under seventeen, it’s a gangster film that exists as though in an alternate reality, working on all levels whether treated […]

FILM MARATHON: Movie Musicals #9: Singin’ in the Rain [1952]

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“Dignity, always dignity” With just two Oscar nominations—for supporting actress and musical score—the lack of love for Singin’ in the Rain at its release shouldn’t be too surprising. Crafted by MGM’s Arthur Freed to reuse the songs he and Nacio Herb Brown wrote for a slew of musicals in the 1930s, the film feels like […]