Category: Film Features

TIFF16 REVIEW: Nikdy nejsme sami [We Are Never Alone] [2016]

Jared Mobarak

“Those afraid to die are afraid to live” Fans of Quentin Dupieux should rejoice because I haven’t seen a film this absurdly hilarious since Wrong. Petr Václav‘s Nikdy nejsme sami [We Are Never Alone] is definitely bleaker, darker, and strangely realist, but it has that same sense of subtle humor to give you pause about the meaning of what’s thus far been viewed. The story concerns two families with certifiably insane patriarchs, a local pimp searching for escape, and the whore he deludes himself into thinking loves him despite her…

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TIFF16 REVIEW: Tereddüt [Clair Obscur] [2017]

Jared Mobarak

“Like a thorn” Life for a woman like Elmas (Ecem Uzun) in Turkey is a living nightmare. An eighteen-year old all but sold to a willing husband (Serkan Keskin‘s Koca) much older than she to clean his house, give her mother-in-law (Sema Poyraz‘s Kaynana) across the hall insulin shots, and—marriage or not—get raped every night, she’s gradually losing her sense of identity and mind. She’s so young and unversed in the world that she makes a game out of folding the sheets atop their bed to see whether a coin…

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TIFF16 REVIEW: Without Name [2016]

Jared Mobarak

“Best to sleep with your pajamas on inside out, yeah?” For someone afraid of loneliness, Eric (Alan McKenna) sure loves putting himself in positions that can’t help isolating him from the world. A land surveyor who specializes in remote areas and works by himself unless apprentice-of-sorts Olivia (Niamh Algar) can tear herself away from her thesis to help, his long hours and extramarital affair (also when Olivia can put down her studies) risk destroying a marriage already on the rocks. He must work to keep his family together and therefore…

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TIFF16 REVIEW: Zacma [Blindness] [2016]

Jared Mobarak

“Hatred conceals faith” The roles have been reversed for Julia Brystygier (Maria Mamona), the once powerful colonel in the USSR’s Ministry. She interrogated countless enemies of the state, namely Catholics who rejected the communist concepts ruling them. The human body was her canvas, torture her paintbrush—nothing was out of bounds as far as acquiring the information she sought. But that was years ago. Now she’s a private citizen like the masses trying to survive. A lucky one too considering many of her superiors during that period are now in jail…

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TIFF16 REVIEW: Fixeur [The Fixer] [2017]

Jared Mobarak

“We’re journalists not activists. It’s not the same thing.” Some people can’t help themselves from striving to be the best whether that means winning a contest, getting a promotion, earning accolades, or proving you’re the only one able to accomplish an impossible task. They want to be relied upon for results. Radu (Tudor Istodor) is all the above. Doing what he’s told isn’t enough—he looks beyond what’s asked to discover what’s needed. And when it comes to career this character trait has served him well. He possesses the connections, intelligence,…

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TIFF16 REVIEW: Tyttö nimeltä Varpu [Little Wing] [2016]

Jared Mobarak

“Varpu Vanamo raspberry nose, teeny weeny toffee toes” The director of Do I Have to Take Care of Everything?, the hilarious 2014 Oscar nominee for Best Short Film, is back with her sophomore feature narrative Tyttö nimeltä Varpu [Little Wing]. Taking on writing responsibilities this go-round, Selma Vilhunen supplies a much more dramatic work than her aforementioned claim to fame. It’s also a lot more personal with young horse enthusiast and central character Varpu Miettinen’s (Linnea Skog) emotionally trying family life being drawn from her own. She is eleven-years old,…

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TIFF16 REVIEW: Jesús [2017]

Jared Mobarak

“Don’t do anything stupid, lad” Adolescent hijinks turn tragic on multiple fronts in Fernando Guzzoni‘s Jesús despite my not being sure there was going to be a solid point to the film until mid-way through. Everything previous merely sat as a slice of life for the titular character, a normal everyday Chilean punk named Jesús (Nicolás Durán) with too much autonomy and not enough direction. He’s practically raising himself after the death of his mother, Dad (Alejandro Goic‘s Héctor) constantly out of town working. So the eighteen-year old roams the…

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TIFF16 REVIEW: I blodet [In the Blood] [2016]

Jared Mobarak

“We’re gonna have a great summer” If forty’s the new thirty, twenty-three can easily become the new thirteen. I think first-time director Rasmus Hiesterberg would agree as the man behind screenplays for The Girl with the Dragon Tattoo (Swedish) and A Royal Affair delves into a med student’s coming-of-age drama in I blodet [In the Blood]. What’s often reserved for younger children moving towards adolescence, eighteen at the oldest shifting from high school to college, the genre truthfully fits any period in one’s life if his/her maturity hasn’t quite sunk…

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TIFF16 REVIEW: Werewolf [2017]

Jared Mobarak

“It’s not your responsibility to keep him alive” Writer/director Ashley McKenzie‘s feature debut Werewolf picks up right where her 2012 short When You Sleep left off. We’re back in Canadian squalor on the poverty line with a couple barely staying afloat as society and addiction continuously seeks to drag them under into an abyss of forgotten souls. Frustration abounds as they hide beneath thick skins necessary to survive bureaucratic paper-pushers citing rules and regulations alongside a populace who’d rather ignore than lend a hand. Vanessa (Bhreagh MacNeil) looks defeated mostly,…

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TIFF16 REVIEW: City of Tiny Lights [2017]

Jared Mobarak

“Death weighs heavier than heartbreak” Small-time private detective Tommy Akhtar (Riz Ahmed) has all the swagger of a hard-boiled snoop: leather jacket on his shoulders and cigarette in his mouth, leaning against London architecture in the darkened night. His office resides above some shops, he makes friendly with local convenience store owner Mrs. Elbaz (Myriam Acharki), and asks new clients where they found him because he’s not advertising in the paper. But while he’s good at his work and enjoys the struggle if only to get out of his father’s…

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LOCARNO16 REVIEW: Reise der Hoffnung [Journey of Hope] [1991]

Jared Mobarak

“You always through stones on the path” It’s been twenty-five years since Xavier Koller‘s Reise der Hoffnung [Journey of Hope] won the Best Foreign Film Oscar and yet watching it today feels urgently contemporary. Between the political unrest in Turkey and volatile international discourse pertaining to refugees as countries vehemently close their borders and American presidential candidate Donald Trump craves an opportunity to send foreigners back where they came, hope has become synonymous with naiveté. It’s not all bad with the Olympics recognizing a refugee team and many stunning tales…

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