REVIEW: ハウルの動く城 [Hauru no ugoku shiro] [Howl’s Moving Castle] [2004]

He’s just throwing a tantrum. At one point during Hayao Miyazaki‘s Hauru no Ugoku Shiro [Howl’s Moving Castle], as adapted from Diana Wynne Jones‘ 1986 novel, Sophie (Emily Mortimer in youth; Jean Simmons in cursed old age) asks Howl (Christian Bale) if the large warship in the sky above their serene field of flowers is “on their side or ours.” His resigned response, “What difference does it make?” In his mind no side of this or any war has a righteous claim when the result is an indiscriminate amount of…

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ANOMALY20 REVIEW: The Legend of Baron To’a [2020]

Welcome to the ‘sac. More than just a wrestling hero for young Polynesians the world over, Baron To’a (John Tui) was a bona fide hero in his neighborhood. He always had time for the kids. He made sure the streets were clean. And he wasn’t afraid to take off a sandal to hit someone risking the community’s wellbeing over the head … sometimes after beating them senseless first. Did Baron want to fight? No. He sought peace through words. It was only when they failed that he was left no…

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REVIEW: Mortal [2020]

Do you believe me now? In a world more than ten years into an historic Marvel Cinematic Universe run, the only word to describe someone outside the Hollywood system deciding to make a film about a young man with the same powers as Norse mythology’s most iconic God is bold. Why? Because it won’t really matter whether André Øvredal‘s Mortal is good or not. He’s willfully going up against the zeitgeist and many audience members will scoff at whatever direction he’s taken simply because it diverts from what they think…

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REVIEW: Love and Monsters [2020]

Man, Todd loved that goldfish. We’re seven years past the apocalypse. Eight years since the world banded together to send every nuclear missile on Earth into the sky to stop an asteroid hell-bent on destroying all life. Things obviously didn’t work out too well if the latter wasn’t able to stop the former. Ends up that that much radioactivity falling back down through the atmosphere was just as cataclysmic—killing off a lot of the population and mutating cold-blooded animals/insects into giant monsters that ultimately killed the rest. Ninety-five percent of…

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TIFF20 REVIEW: Shadow in the Cloud [2021]

Be safe. Shape up. Stay on task. Try as they might, Max Landis‘ name is still there on the big screen when the opening titles to Roseanne Liang‘s Shadow in the Cloud begin to roll. They’ve scrubbed it from the press notes save a single mention in the full credit list, IMDB hasn’t added it to their page (yet), and star Chloë Grace Moretz has gone out of her way to ensure everyone knows Liang (who shares that screenwriting credit) rewrote the original draft multiple times. That Landis hasn’t been…

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TIFF20 REVIEW: Wolfwalkers [2020]

Half wolf, half witch, half people. The woodsmen are clearing out the forest to expand Kilkenny, Ireland’s farmland circa 1650 under orders of Lord Protector Cromwell (Simon McBurney)—an Englishman. He and the British crown see these Irish folk as a people in need of taming so it’s only fitting that he try his hand at ridding the countryside of wolves first. This is something these peasants can get behind because they fear what those beasts might do if left unchecked. They clamor for the soldiers to protect them. They willingly…

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FANTASIA20 REVIEW: The Paper Tigers [2021]

Kung Fu without honor is just fighting. Like the warring Japanese dojos depicted throughout the Karate Kid franchise, a growing disconnect exists between those who wish to learn a fighting style as a means of physical and emotional growth and those who simply seek the ability to punish their adversaries without mercy. It’s respect and honor versus strength and superiority—something even the most devout and sacred of Chinese Kung Fu masters like Sifu Cheung (Roger Yuan) can’t always instill in their pupils. No matter how much they strive to trust…

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REVIEW: The Tax Collector [2020]

Family is sacred. I often wonder how writer/director David Ayer‘s films will hold up considering so many of them deal with race relations on the streets and dirty cops. I have to believe Fury (my favorite of his) will stand up best, but what about Harsh Times? What about End of Watch? What about the script that vaulted him up the Hollywood depth chart, Training Day? I’m afraid to find out since I loved each one of them upon their release. I therefore hoped The Tax Collector would help me…

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REVIEW: Lake Michigan Monster [2020]

I’m docking your pay. Charm goes a long way for some films—particularly those of the DIY variety where it becomes crucial as a means of deflecting the work’s obvious shortcomings. By leaning into those deficiencies to make them a purposeful part of the aesthetic rather than an unavoidable casualty, you turn them to your advantage. This winking intent also provides a blank canvas with which to free your imagination because “bad” has suddenly transformed into “good.” Whereas a serious film has to consider authenticity, an absurd oddity declares itself allergic…

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REVIEW: My Spy [2020]

It’s a fine line between friendly and desperate. Like Hulk Hogan, Arnold Schwarzenegger, Vin Diesel, and Dwayne Johnson before him, former wrestler and MMA fighter Dave Bautista has found himself starring alongside a child in a family-friendly vehicle using the juxtaposition between adolescent innocence and muscle-clad heroics as a comedic right of passage towards potential (Hollywood Hogan left his short-lived cinematic career in the 90s) superstardom. Whereas Mr. Nanny, Last Action Hero, The Pacifier, and Tooth Fairy hit the big screen to varying box office success, however, Bautista’s bid to…

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REVIEW: Becky [2020]

You can’t stay angry forever. Becky (Lulu Wilson) is hurting. It’s been almost a year since her mother passed away from cancer and she’s yet to move on in part because her father (Joel McHale‘s Jeff) already has. So she acts out, drowns him out, and can’t wait to get out. Not only has he put the lake house that holds so many of her memories with Mom on-sale, he’s also become very serious with his new girlfriend Kayla (Amanda Brugel) and her young son Ty (Isaiah Rockcliffe). The worst…

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