REVIEW: Gosford Park [2001]

“I’m the perfect servant: I have no life” Watching Gosford Park again conjured thoughts about it being quintessential Robert Altman, thoughts I couldn’t conjure in 2001 considering it was my first true experience watching one of his films. It proves the perfect evolutionary end to a way of filmmaking he began over twenty years previous […]

REVIEW: Trolls [2016]

“I think I had sarcasm once” Depending on what you read, the genesis of Trolls is quite fascinating as original director Anand Tucker was to helm an adaptation of Terry Pratchett‘s Bromeliad trilogy about tiny humanoids in 2010. Did that project ultimately evolve into the glitter vomit Walt Dohrn and Mike Mitchell provide us today? […]

REVIEW: Moana [2016]

“Beat the drum” It’s tough to give two white guys the benefit of the doubt when it comes to spearheading a blockbuster feature-length animated film about Ancient Polynesian mythology, but you cannot deny that Disney stalwarts Ron Clements and John Musker did what they could to ensure Moana stayed true to their subject’s traditions and […]

REVIEW: The Edge of Seventeen [2016]

“You should look out for run-on sentences” If you ever wondered what a John Hughes movie would look like without the cutesy cliché and overblown 1980s caricatured comedic appeal, Kelly Fremon Craig‘s The Edge of Seventeen is it. So don’t treat the talk about it being a “twenty-first century Hughes” film as hyperbole or a […]

REVIEW: Prêt-à-Porter [Ready to Wear] [1994]

“Taking advantage of others’ insecurities” I didn’t love The Player as much as I thought I would. Sometimes Robert Altman utilizes too many characters within a story that cannot sustain them as perfectly as we’d hope. It often works best in one-locale work like A Wedding and Gosford Park where the satirized theme is cohesive […]

REVIEW: Rules Don’t Apply [2016]

“You’re an exception” Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns to the big screen with a fictionalized biography of Howard Hughes forty years in the making. It’s a passion project and vanity project: two endeavors worthy of an […]

REVIEW: Army of One [2016]

“They don’t call me the psychic wizard for nothing” To hear about Gary Faulkner is to know the meaning of the phrase “stranger than fiction.” This is a Chatty Cathy of a Colorado handyman who was visited by God one afternoon while receiving dialysis and given a mission. Of everyone on planet Earth, Gary was […]

REVIEW: The Player [1992]

“… with a heart” When thinking about a satire on Hollywood, the idea to glorify its luck, ego, and excess rather than vilify probably wouldn’t be the direction your mind gravitates towards. To some extent this may ensure the exercise will prove pointless because the message shifts from showing everything wrong that needs fixing into […]

REVIEW: The Greasy Strangler [2016]

“He likes to shout. I like to smile.” My description of Jim Hosking‘s feature directorial debut The Greasy Strangler: a gross-out, darkly obscure comedy centered on a father and son duo akin to Lloyd Christmas and Harry Dunne from Dumb and Dumber that exists in a deranged parallel universe to Napoleon Dynamite as directed by […]

REVIEW: En man som heter Ove [A Man Called Ove] [2015]

“Sometimes, however, honesty needs a little assistance” Despite being rated PG-13 due to a liberal use of the word “shit,” En man som heter Ove [A Man Called Ove] is still one of the most full-hearted family-friendly dramedies of the year. I’d even say it’s the live action version of Up you’ve waited for since […]

REVIEW: L’ultimo bacio [The Last Kiss] [2001]

“With pounds of cellulite and all your insecurities” I really want to love Gabriele Muccino‘s Italian blockbuster of a rom-com L’ultimo bacio [The Last Kiss] because it is funny, charming, complicated, and hopeful. My issue lies in the fact that it’s also awful in its depictions of selfish ego and weak indifference. Maybe this is […]