REVIEW: Beverly Hills Cop [1984]

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“We got cocaine and coffee here. We’re gonna get wired and have a big party.” It isn’t difficult to believe why Beverly Hills Cop received an Oscar nomination for Best Original Screenplay. The laughs are huge, the characters more complex than simply facilitators of plot progression, and the central mystery a solid criminal investigation despite […]

REVIEW: Cousin Ben Troop Screening with Jason Schwartzman [2012]

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“Why? Why? I don’t know.” A Funny or Die exclusive promoting the release of Moonrise Kingdom, Cousin Ben Troop Screening with Jason Schwartzman is a two-minute piece directed by the feature’s Wes Anderson with co-writing duties from Roman Coppola. Schwartzman reprises his role as Cousin Ben while the children paying admission to watch his tented […]

REVIEW: The Mule [2014]

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“Who doesn’t want a veranda, eh?” Directors Tony Mahony and Angus Sampson‘s The Mule is not at all what I expected. The marketing materials draw it up as a B-movie romp, something the involvement of Sampson and Saw co-creator Leigh Whannell (they co-wrote this one together from a story by Jaime Browne) helps corroborate. Besides […]

REVIEW: Dodgeball: A True Underdog Story [2004]

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“So what are you dying from that’s keeping you from the finals?” I’m usually the guy who watches the trailer for a stupid raunchy comedy and instantaneously declares it unworthy of my time. For some reason, however, Rawson Marshall Thurber‘s Dodgeball: A True Underdog Story hit every mark necessary to have me believing it could […]

REVIEW: Thou Wast Mild & Lovely [2014]

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“My lover knows how to love me” She is not kidding when she says: “To those who feel that their cruelty is too cruel, their sadness too sad, I dedicate this film: an embrace.” Writer/director Josephine Decker means every single word because she herself has laid bare her own cruelty and sadness with Thou Wast […]

REVIEW: Dumb and Dumber To [2014]

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“I don’t even know cursive” Nope. Not even the movie that started it all can save the fledgling career of the Farrelly Brothers. Despite reading an interview of them speaking about how great the sequel’s script was due to its being almost identical to the first, I entered their last film with an open mind. […]

REVIEW: Dumb and Dumber [1994]

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“You sold my dead bird to a blind kid?” It’s the film that brought us the high concept, gross-out comedy sensibilities of Peter and Bobby Farrelly and it has some of the most memorable laughs of the 90s. The filmmaking brothers would go on to create a mixed bag of obnoxious, offensive, and hit or […]

REVIEW: Always Woodstock [2014]

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“Don’t love anyone that makes you hate your art” The feature debut of writer/director Rita Merson is mired in convention. Think to yourself about five cinematic tropes that could be found in a romantic dramedy and I’ll bet you at least four are present in Always Woodstock. But that’s not telling you anything you wouldn’t […]

REVIEW: Turist [Force Majeure] [2014]

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“You can’t run in snow boots?” Very rarely does an international name change occur for the better, but few titles are more perfect for their respective film than Force Majeure. The original Swedish moniker was Turist, a succinct and appropriate label considering the entire piece portrays a family’s five-day ski vacation in French Alps. Force […]

REVIEW: Birdman or (The Unexpected Virtue of Ignorance) [2014]

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“The truth is always interesting” It’s true what the film’s Times‘ theater critic (Lindsay Duncan) says: an artist should bleed for his craft. Physically, spiritually, metaphorically—blood must be spilt so the world knows he was here, selflessly (selfishly?) making us laugh, cry, and reflect on lives well lived and squandered. This is why those who […]

REVIEW: The Book of Life [2014]

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“Always play from the heart” I’ve held fascination for Día de Muertos ever since seventh grade Spanish class. There’s just something about its love for the dead and ability to turn something scary to so many into this beautiful cultural tradition that makes its juxtaposition of old bones and ornate artistry a uniquely special aesthetic. […]