REVIEW: I Give It a Year [2013]

“I’d ruin Bieber” Clumsy and cute—that’s my concise review of regular Sacha Baron Cohen collaborator Dan Mazer’s directorial debut I Give It a Year. It’s actually a perfect embodiment of the central marriage for which the bride’s sister indifferently declares the titular sentiment. They bore each other in equal measure while providing the one thing they each thought they desired. Josh (Rafe Spall) is the type of security Nat (Rose Byrne) covets at this time in her life and she is the perfect woman he’s been bred to want through…

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REVIEW: RED 2 [2013]

“I was very touched that you cried at my funeral” For DC Comics imprint Homage’s RED, screenwriters Jon and Erich Hoeber turned Warren Ellis and Cully Hamner’s original work into a surprise box office hit with an inspired cast of aged, former CIA operatives presently labeled “retired: extremely dangerous”. The goal with any successful comic book adaptation is then to greenlight a sequel in the hopes lightning will strike twice in a bigger and better way. Like many before them, however, the task of expanding on a winner is never…

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REVIEW: The Way Way Back [2013]

“You just surprised me” Fresh off their Best Adapted Screenplay Oscar for The Descendants, writing duo Jim Rash and Nat Faxon return with a wholly original work to serve as their directorial debut. Well, original in the sense they created it without any previous material to jump off from besides a century plus worth of cinematic coming-of-age tales. The honest truth: The Way, Way Back will seem very, very familiar. But this is a fact that helps audiences realize how good it is. Like what Greg Mottola‘s Adventureland did for…

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REVIEW: Mallas, MA [2013]

“Believe me, it’s worth it” Created as part of the 48 Hour Film Project’s 2013 installment in Boston, Sean Meehan’s Mallas, MA had four stipulations: his team Fix It In Post had the genre of “Buddy Film” and were made to use a character named Brian or Bonnie Higgins, a net as a prop, and the line of dialogue above. From there the sky was the limit for Meehan and his cowriters Daniel Berube and Todd Mahoney, the idea of a superstitious town and the pair of con artists sifting…

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REVIEW: The Heat [2013]

“She’s looking for my balls” The simple fact producers worried a film like The Heat wouldn’t find an audience because females don’t like action and males don’t like women leads is more a commentary on society’s absurd lack of faith in itself than it is on the industry. It’s 2013 and we haven’t yet looked past gender tropes to accept that universal thing called comedy underneath? Whether or not the movie is good shouldn’t take a backseat to the fear of alienating a group of people money managers treat as…

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REVIEW: Despicable Me 2 [2013]

“Do not do your business on the petunias” When we last saw super villain Gru (Steve Carell) in Despicable Me he had just returned the moon to its rightful place in the sky, retired from evil, and become a father to the three sweetest little girls ever: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Kate Fisher). He had turned over a new leaf after youthful innocence thawed his heart a la how Cindy Lou helped the Grinch grow his in the classic Dr. Seuss tale. It’s the kind…

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REVIEW: Much Ado About Nothing [2013]

“Get thee a wife!” Writer/director Joss Whedon finished principal photography on the most expensive and complex project of his career only to find himself starring a contractually obligated vacation in the face before beginning post-production. The Avengers had him contending with multiple superstar celebrities inside a computer-effects heavy world the likes of which a television career that utilized much of the same talent never came close to reaching. While no one would have blamed him for holing up on some beach to relax with his family, Whedon had other ideas.…

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REVIEW: Some Girl(s) [2013]

“Guys always mean well right before they screw someone over” Often labeled a misogynist misanthrope, Neil LaBute has made a career of writing self-absorbed characters completely ruining the lives of those around them for the fleeting second of giddy happiness resulting from knowing they’re in absolute control. Whether its two men actively seeking to destroy a handicapped coworker or a woman obsessed with proving she has the ability to manufacture the perfect man, his plays shed light on the shadowy corners of human nature in a heightened, darkly comic way.…

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REVIEW: Monsters University [2013]

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers Robert L. Baird and Daniel Gerson have up their sleeves? How would they fill the inevitable gaping hole of not bringing back the adorable Boo from Monsters, Inc. due to their newest installment’s status as…

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REVIEW: Monsters, Inc. [2001]

“Kitty!” If there is one film type where a laundry list of screenwriters can actually help the finished product, it’s the animated feature. Sparked by the simple idea of “Let’s make a movie about monsters”, Pete Doctor’s directorial debut evolved immensely from its brainstorming lunch origins in 1994. What would ultimately become Pixar Studios’ second most inspired fantasy world piggybacked on the shoulders of a child’s imagination—the first being Toy Story’s brilliant concept of toys living full lives when humans weren’t looking—Monsters, Inc. took us inside the dark, scary closets…

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REVIEW: This is the End [2013]

“Is the power of Christ compelling me? Is that what’s happening?” Way back in 2007 there was a YouTube trailer for a short film entitled Jay and Seth Versus the Apocalypse that whetted fans’ appetites only to never seen by the public. Time went on, nothing appeared to be happening—which wasn’t necessarily a horrible thing since the trailer wasn’t all that funny—and eventually word came down it was being retooled by the titular Seth Rogen and writing partner Evan Goldberg into their directorial debut This is the End. Now six…

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