REVIEW: Pride [2014]

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“Oh good. I haven’t spoken 1950s in ages.” If you’re going to make a film with a sprawling ensemble of characters equally unique and important to the point where your only true lead is a message of solidarity and comradery itself, it’s a good move to look towards the theater. Pride is the screenwriting debut […]

REVIEW: God Help the Girl [2014]

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“Find the face behind the voice” Utilizing the creed “go big or go home”, Belle & Sebastian lead singer/songwriter Stuart Murdoch definitely didn’t seek to simply dabble in cinema when it came to his debut feature God Help the Girl. Beginning as a suite of songs written in the band’s downtime, he worked tirelessly to […]

REVIEW: Hotel Chevalier [2007]

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“I didn’t say you could come here” An unplanned prologue (to his producers) accompanying Wes Anderson‘s fifth film The Darjeeling Limited, Hotel Chevalier tells the story of Jack Whitman’s (Jason Schwartzman) complicated love. You could watch the feature without it and not lose much, but including it in the experience definitely adds something special like […]

REVIEW: Tusen ganger god natt [1,000 Times Good Night] [2013]

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“I’ve been waiting for that call since I met you” Being an embedded photojournalist is a concept I cannot quite wrap my head around. To willingly go into a war zone and risk your life to get a shot, not for plaudits, but to educate the world about atrocities we’d rather turn a blind eye […]

REVIEW: The Living [2014]

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“All we got in life are choices” An interesting choice was made on Jack Bryan‘s film The Living—one that occurred before the camera rolled. If you’re familiar with Fran Kranz‘s emotionally fractured science nerd Topher from “Dollhouse” and Kenny Wormald‘s coolly confident Ren from the Footloose remake, you’d probably have a pretty good idea of […]

REVIEW: The Life Aquatic with Steve Zissou [2004]

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“Esteban was eaten!” It’s ambitious, hilarious, visually complex, and kind of … boring. I hoped that last adjective was merely the distant memory of a twenty-two year old expecting more out of Wes Anderson‘s The Life Aquatic with Steve Zissou when first released in theaters due to his infinite love for The Royal Tenenbaums two […]

REVIEW: The Good Lie [2014]

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“I’m thinking about that chicken” It isn’t easy to write a film around a tragic hot-button issue such as the “Lost Boys of Sudan” without coming across as either exploitative or manipulative. Making the result human is an even loftier goal. I won’t say screenwriter Margaret Nagle and director Philippe Falardeau were flawless in their […]

REVIEW: St. Vincent [2014]

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“It is what it is” The Toronto International Film Festival appears to be embracing the quasi-family friendly odd couple comedy with R-rated color after last year’s Bad Words and this year’s St. Vincent, written and directed by Theodore Melfi and currently receiving theatrical release a month after its debut. Whereas the former went all-in with […]

REVIEW: The Royal Tenenbaums [2001]

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“How interesting. How bizarre!” Nothing Wes Anderson does will ever match the brilliance of his third film, The Royal Tenenbaums. A lot of this has to do with when I first saw it back in the winter of 2002, but I say it objectively too. I was still in college, still in the midst of […]

REVIEW: Gone Girl [2014]

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“Everything else is background noise” Director David Fincher‘s Gone Girl falls prey to the one thing that often prevents me from truly loving a cinematic adaptation of a novel—unquestionable faithfulness. Gillian Flynn does a wonderful job distilling her pulpy thriller into a fast-paced 149 minutes and Fincher stays true to the back and forth vantage […]

REVIEW: The Zero Theorem [2014]

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“Making sense of the good things in life” If the end were empty—as was the beginning—wouldn’t life be meaning in itself? Why do we constantly ask the question and seek its answer if so many believe our present existence is merely a stepping-stone towards eternity? If that’s truly the case one could label life as […]