REVIEW: The Eyes [2017]

“Catered kidnapping with class” The premise is hardly fresh: six people wake in a room tied to chairs, strangers without a clue as to what’s happening. Think Saw. Think Unknown (the 2006 one). Think numerous films, television shows, and other forms of media that fit the bill. So how does Robbie Bryan‘s The Eyes set […]

REVIEW: The Lost City of Z [2017]

“We are all made from the same clay” I should have known The Lost City of Z wasn’t to be your regular old adventure picture of men on an expedition since James Gray was at the helm. He’s always been one for character studies delving deeper than the situation at hand to hit upon the […]

REVIEW: Secretary [2002]

“I like dull work” I had read that Secretary the film was very different from its source material (a short story in Mary Gaitskill’s book Bad Behavior). Even so, I wasn’t prepared for the difference being tone rather than content. Besides a drastically altered ending, everything that happens in text is included almost verbatim. But […]

TFF17 REVIEW: Tilt [2017]

“Can we get away with anything we want?” If only we could go back to the days when mid-life crises happened at fifty-years old and at best meant buying an expensive car (at worst asking for divorce to marry younger). Now this existential breakdown occurs much earlier—let’s say thirty-years old. This is what happens when […]

REVIEW: Unforgettable [2017]

“Time doesn’t exist at your age” There’s a new “erotic thriller” in theaters this week and its called Unforgettable—a title that should keep critics busy figuring out the most unoriginal pun ever to put their colleagues to shame. What’s glorious about this name is the reality that its attempt to inherently force us not to […]

REVIEW: Under sandet [Land of Mine] [2015]

“I’ll make it home” War is a horrific reality that forces people into doing terrible things. Everyone sees him/herself as being on the side of “good” and “righteous”—look at the discrepancies from one history book to another in how education systems describe certain events to shine one’s own nation in a rosier tint than it […]

REVIEW: Tommy’s Honour [2017]

“A man’s got to use every club he has” I’ve never been one for golf—playing or watching. I know many who feel the same and many of those who found themselves becoming fans during Tiger Woods’ heyday anyway. You can’t blame them for it either. Celebrity, national pride, and the excitement surrounding both are tough […]

REVIEW: Ghost in the Shell [2017]

“I give my consent” **Spoilers included** The backlash against Rupert Sanders‘ Ghost in the Shell remake has been fierce and constant—for good reason considering it’s inarguably racist. Is that racism intentional? Not necessarily, but it exists just the same due to choices made. While hyperbolic declarations about it being “the reverse Get Out” are exaggerated […]

REVIEW: Frantz [2016]

“I don’t want to forget him” Loosely inspired by Ernst Lubitsch‘s post-WWI-set film Broken Lullaby (itself an adaptation of Maurice Rostand‘s play), François Ozon‘s latest Frantz similarly deals with a French soldier searching for the family of a German casualty of war. It doesn’t, however, focus upon this foreign stranger entering the nation his army […]

REVIEW: Sand Castle [2017]

“A war story can’t be true unless it’s got some shame attached to it” Similar to lead character PVT. Matt Ocre (Nicholas Hoult), screenwriter Chris Roessner joined the United States Army in July of 2001 to serve in the Reserves and earn college money. Two months later 9/11 changed everything. Suddenly he was thrust into […]

REVIEW: T2 Trainspotting [2017]

“Friends is just another class of victim” Mark Renton (Ewan McGregor) “chose life” twenty years ago—or what he believed was the best chance at having one at the time. This on-again/off-again heroin junkie had just stolen the sixteen thousand pounds he and three friends (Jonny Lee Miller‘s Simon, Ewen Bremner‘s Spud, and Robert Carlyle‘s Begbie) […]