REVIEW: Children Without Parents [2013]

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“Who even said you were my kid?” The tagline for Casey Puccini‘s autobiographical fiction Children Without Parents is a disturbing proposition in context with its subject matter. As a film dealing with a quartet of siblings coming together at the house of their father days after his suicide, the words “this film will be a […]

REVIEW: Bad Hurt [2016]

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“It’s kind of a forgotten place” The kitchen sink’s thrown against the wall with bathtub, toilet, and whatever else made of easily-shattered porcelain in the house following right behind—this is Mark Kemble‘s Bad Hurt. Adapted from his semi-autobiographical play “Bad Hurt on Cedar Street” with the help of Jamieson Stern, the film depicts a dysfunctional […]

REVIEW: 旺角卡門 [Wong gok ka moon] [As Tears Go By] [1988]

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“I found that glass” Writer/Director Kar Wai Wong hit the scene in 1988 with gangster drama 旺角卡門 [Wong gok ka moon] [As Tears Go By] in a way that many compare to Martin Scorsese‘s debut splash Mean Streets. It’s a gritty look at the streets of Hong Kong populated by men who are nothing without […]

REVIEW: Hail, Caesar! [2016]

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“It’s all in the hips, the lips, the eyes, and the thighs” You don’t think much when you read the Coen Brothers have been bouncing Hail, Caesar! around since 2004. After all, they’re prolific auteurs that often write scripts for other directors, so a decade-long gestation period is nothing to scoff at. Only when you […]

REVIEW: Shopping [1994]

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“Don’t get caught” I don’t know what it is about Paul W.S. Anderson, but I very rarely dislike his flicks no matter the critical consensus or fandom drubbings. He isn’t the best director out there but he has created some interesting vehicles despite it—enough to accept the fact that Hollywood studios will continue giving him […]

REVIEW: Poison [1991]

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“I’ve just captured the sex drive” Winner of the Grand Jury Prize at Sundance, Todd Haynes‘ directorial debut Poison is a wild, outside-the-box ride. It reminded me of David Lynch‘s Eraserhead with a surreally experimental aesthetic and odd relationships sparked between over-the-top and perhaps parodied “freaks” standing-in as metaphors for humanity’s intolerance towards the “different”. […]

REVIEW: Fear and Desire [1953]

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“Rafts always float” I love that legendary filmmaker Stanley Kubrick began his career with a dud so misguided he was rumored to have tried to destroy every print in existence. In his words it was a “bumbling amateur film exercise” and he’s not wrong. But that isn’t necessarily a bad thing considering he was a […]

REVIEW: The Runaround Club [2016]

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“What exactly is your father capable of doing up there?” Directed by Matt Rindini and written Andrew Gleeson, The Runaround Club shows a lot of promise. The former has a good visual sense and paces the dramatic thriller well; the latter weaves a web of complex characters crossing paths and interacting in ways conventional thinking […]

REVIEW: Faust: Eine deutsche Volkssage [Faust] [1926]

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“The greatest miracle of all is man’s freedom to choose between good and evil” Director F.W. Murnau left Germany with a bang thanks to his big budget visual masterpiece Faust. Adapted like so many other versions from Johann Wolfgang von Goethe‘s classic take (Gerhart Hauptmann and Hans Kyser provide the titles), this rendition sets itself […]

REVIEW: Velvet Goldmine [1998]

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“It’s funny how beautiful people look when they’re walking out the door” What if Citizen Kane wasn’t about Charlie’s Foster Kane but instead the interviewer tasked with speaking to those in Kane’s life, mining for the meaning of “Rosebud”? This is sort of where director Todd Haynes (co-written with James Lyons) begins his fictional account […]

REVIEW: Alles wird gut [Everything Will Be Okay] [2015]

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“We’ve come too far to turn back” It’s interesting how the phrase “everything will be okay” carries such a stigma of pandering deflection now. The words are for all intents and purposes meaningless in their true context, transformed instead to connote a sense of insecurity through hopeful platitudes without any sense of whether or not […]