REVIEW: Hunter Gatherer [2016]

“I’m talking about the power of positivity” I guess a little positivity goes a long way after three years in prison. One must remain hopeful because the alternative is simply a journey back into despair. So why not call all your old friends for a celebration of freedom? Why not roam over to your beau’s […]

REVIEW: Pickup [2016]

“I’m waiting for you” Self-destruction is hardly a new concept. It’s simply more accessible now. Before the internet you had to feed your addictive nature in the physical world with monetary compensation rather than moral. Now, however, anything you want is a button push away. Social media and numerous applications meant to connect us in […]

REVIEW: Loving [2016]

“You need to get you some civil rights” It took one viewing of Nancy Buirski‘s documentary The Loving Story to recruit Jeff Nichols into writing and directing a biopic of Richard (Joel Edgerton) and Mildred Loving’s (Ruth Negga) journey from newlyweds to Supreme Court precedent. But don’t think Loving is a courtroom drama. I’d estimate […]

REVIEW: Gosford Park [2001]

“I’m the perfect servant: I have no life” Watching Gosford Park again conjured thoughts about it being quintessential Robert Altman, thoughts I couldn’t conjure in 2001 considering it was my first true experience watching one of his films. It proves the perfect evolutionary end to a way of filmmaking he began over twenty years previous […]

REVIEW: Nocturnal Animals [2016]

“Sometimes it’s not good to change things so much” One movie stood out in 2009: fashion designer Tom Ford‘s unlikely directorial debut A Single Man. It had style to spare and amazing performances (Colin Firth‘s Oscar loss was vindicated a year later), but its emotionality was its greatest strength. Ford created this tragic whirlwind and […]

REVIEW: Allied [2016]

“Look for the hummingbird” Sometimes that story you’ve had bouncing around your head needs time to gestate and your career the opportunity to blossom before it can be released upon the world. For Steven Knight it was a bit of both. Already nominated for an Oscar back in 2004 for the brilliant Dirty Pretty Things, […]

REVIEW: Billy Lynn’s Long Halftime Walk [2016]

“What else is there?” Here’s an Oscar-winning director doing something no one else has—shoot an entire film at 120 frames per second (standard is 24, the previous high 48 with The Hobbit)—and movie theaters couldn’t accommodate. At a time when it’s difficult to get butts in seats with Netflix and VOD, an opportunity for a […]

REVIEW: Arrival [2016]

“A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked […]

REVIEW: The Edge of Seventeen [2016]

“You should look out for run-on sentences” If you ever wondered what a John Hughes movie would look like without the cutesy cliché and overblown 1980s caricatured comedic appeal, Kelly Fremon Craig‘s The Edge of Seventeen is it. So don’t treat the talk about it being a “twenty-first century Hughes” film as hyperbole or a […]

REVIEW: Numb [2016]

“See you at the next meeting?” Story construction becomes crucial when you only have ten minutes to move from start to finish and oftentimes a linear progression is best. I use Penelope Lawson‘s Numb as an example because the bones of its plot are good despite its unorthodox orchestration ruining its potential to resonate. Set […]

REVIEW: Prêt-à-Porter [Ready to Wear] [1994]

“Taking advantage of others’ insecurities” I didn’t love The Player as much as I thought I would. Sometimes Robert Altman utilizes too many characters within a story that cannot sustain them as perfectly as we’d hope. It often works best in one-locale work like A Wedding and Gosford Park where the satirized theme is cohesive […]