REVIEW: Big Eyes [2014]

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“I’m just a Sunday painter” It’s a paint-off. Literally. Will the winner be the charismatic salesman peddling his wife’s art as his own or the soft-spoken woman slaving away in a turpentine-filled room that’s been dominated and belittled into allowing him to do so? Who will earn the right to say they were the creators […]

REVIEW: Cake [2014]

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“Forgive me” It may not be the best film utilizing its melancholic subject matter, but Cake is not as bad as the critical sphere appears to want us to believe. The credit for this goes to screenwriter Patrick Tobin for distilling his character’s grief, depression, and malaise into a precisely calculated 102-minute rebirth. We receive […]

REVIEW: Still Life [2015]

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“It’s not too late” Oscar nominated producer (for The Full Monty) Uberto Pasolini‘s second film as writer/director isn’t easily categorized. Aptly labeled with the hybridized compromise “dramedy,” distributor Tribeca Films for some reason has attempted to also pitch it as a bit of a romance with both their current trailer and synopsis. This is a […]

REVIEW: Blackhat [2015]

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“How badly do you need this guy?” Is there a way for a village to get wiped out—buildings and people—and still ensure the dogs are safe? No. So why do Michael Mann and Morgan Davis Foehl write Blackhat in a way that forces its lead to speak unnecessary truths intrinsic to his initial declarations? Talk […]

REVIEW: American Sniper [2014]

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“Dude, that’s evil like I’ve never seen before” It doesn’t matter if you’re Chris Kyle or any one of the countless war veterans readjusting to civilian life stateside, half the country will call you a hero and the other a killer. While the reality lies somewhere in between, it’s almost impossible to find a war […]

REVIEW: Libertador [The Liberator] [2014]

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“I am the people” I think I may have snorted a bit when the short list for foreign film Academy Award nominations came out with Libertador [The Liberator] as one of its paltry ten. They wouldn’t have placed the movie with those melodramatic character posters shrouded in a dark brooding atmosphere above critical darlings like […]

REVIEW: Selma [2014]

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“God was the first to cry” A civil war waged on Alabaman soil in 1965 whether President Lyndon B. Johnson felt holding off on a bill negating the South’s tactics to bar African American citizens from voting would prevent one or not. It was fought under his and the country’s eyes in the streets, on […]

REVIEW: Deux jours, une nuit [Two Days, One Night] [2014]

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“You mustn’t cry” Leave it to Marion Cotillard to take an otherwise workmanlike film and make it into a must-see. On the surface Deux jours, une nuit [Two Days, One Night] is simply a series of emotionally reactive moments responding to a decision unfairly placed on the shoulders of blue-collar employees at the local solar […]

REVIEW: Foxcatcher [2014]

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“John du Pont is … kind of a mentor to me” Now here’s a film with immaculate construction in production design, sound design, acting, and direction. The only thing Foxcatcher lacks is the breathing room to stand as a cohesive whole worthy of the talent pouring its heart and soul in. The story of John […]

REVIEW: Nymphomaniac: Vol. II [2014]

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“I’m a virgin. I’m innocent.” I had heard there was a drop off in quality with Nymphomaniac: Vol. II compared to the first half, but I wasn’t quite prepared for how far. A much crueler portion of the tale, the second part of Lars von Trier‘s sex epic is also more outlandish as new characters […]

REVIEW: Nymphomaniac: Vol. I [2014]

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“Mea Vulva. Mea Maxima Vulva.” I don’t intend it to be a smirk at those who think otherwise, but Lars von Trier‘s Nymphomaniac: Vol. I is much tamer than I expected. I’m not sure why I thought it would simply be gratuitous sex from start to finish—I guess I let the hype surrounding it taint […]