REVIEW: Cinderella [2015]

“Have courage and be kind” For anyone who cannot stand singing, Disney’s latest iteration of the timeless Cinderella is catered to you. I know Chris Weitz and the other screenwriters on the project before him poured through the fairy tale’s vast lineage for every detail they could cull together into what they surely believe to be the definitive version, but what I saw onscreen is the same thing I saw as a child in cartoon form. Just without the sing-songy “Bibbidi Bobbidi Boos”. There are a couple spoken ones for…

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REVIEW: かぐや姫の物語 [Kaguyahime no monogatari] [The Tale of The Princess Kaguya] [2013]

“That was Heaven telling us who she’d grow into” There is no questioning whether かぐや姫の物語 [Kaguyahime no monogatari] [The Tale of The Princess Kaguya] is an extraordinary work of art. The beauty of its simplistic, watercolor ink-lined drawings is a breath of fresh air within a medium of 3D-rendered characters trying so hard to not look like they’re animated when they should be embracing that fact. It is anime through a traditional lens harkening back centuries for a style to fit the age of the folktale at its back—The Tale…

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REVIEW: Jupiter Ascending [2015]

“The problem with astrology … total bullshit” Sometimes filmgoers simply want to be entertained and often don’t mind when the means of that fun skews towards the headier side of things—no matter how implausible, campy, or convenient that direction proves. Jupiter Ascending isn’t trying to sell itself as some grand magnum opus that cures cancer; it’s merely a new space opera from the blockbuster sci-fi duo Wachowski Starship (Lilly and Lana). They were commissioned by the studio to write exactly that in the hopes of franchise viability. Do I see…

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REVIEW: Song of the Sea [2014]

“You’re going to be the best big brother in the world” Writer/director Tomm Moore received the okay to contemporize his peoples’ folklore from the seanachai he listened to while growing up in Ireland, Eddie Lenihan. A traditional storyteller known for modernizing these same archetypes, Lenihan explained to Moore that adapting them to our time might be the only way for us to keep them alive now that new technology has forced the oral custom of passing down history moot. He’s right too as the two films Moore has thus crafted…

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REVIEW: The Librarian: The Curse of the Judas Chalice [2008]

“We do not profit from the artifacts!” It took two movies with potential for The Librarian franchise to finally deliver on the promise of its premise. Even though The Curse of the Judas Chalice is the most “TV-like” of the trilogy, it also possesses the best example of both its layer of educational value and that of its adventure comedy. Just because it introduces vampires as real world entities doesn’t necessarily prevent it from also giving an authentic history/mythology lesson about Vlad the Impaler and Judas Iscariot and how the…

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REVIEW: The Librarian: Return to King Solomon’s Mines [2006]

“In case of hippos” Well, The Librarian: Quest for the Spear must have been a big hit for TNT because its sequel received a much bigger budget. There are still many instances of poor CGI in Return to King Solomon’s Mines, but the majority of the piece is at least shot on location rather than behind green screen backgrounds (minus a really bad moment with animated bricks revealing a new portion of the Metropolitan Public Library). The opening is a legitimate chase sequence as Flynn Carsen (Noah Wyle) and his…

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REVIEW: The Librarian: Quest for the Spear [2004]

“I should’ve known he was evil. He gave me an A-minus.” With my exposure to Noah Wyle being limited to his role in “Falling Skies”, I can’t necessarily be blamed for assuming his character in The Librarian: Quest for the Spear would be a similar Tom Mason type. After all, both men prove to be an intellectual thrust into perilous situations and leadership positions they never would have original thought they’d be in. And by the look of the poster, Flynn Carsen is quite obviously an Indiana Jones for the…

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REVIEW: Night at the Museum: Secret of the Tomb [2014]

“They’ll burn up like tiny scarabs in Sinai” It appears director Shawn Levy and new screenwriters David Guion and Michael Handelman have thrown the jokey nature of Thomas Lennon and Robert Ben Garant‘s Battle of the Smithsonian away to bring the Night at the Museum series back to what first made it a success. Secret of the Tomb reminded me a lot of the original installment with a thinly veiled metaphor once again providing the dramatic arc for Larry Daley’s (Ben Stiller) adventure, this time showing a need to say…

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REVIEW: Night at the Museum: Battle of the Smithsonian [2009]

“Like a Golden Fleece” While Night at the Museum is by no means a great film above family friendly theatrics, it did have heart. There was a story at its back—one steeped in magic that dealt with redemption and self-worth against insurmountable odds. A cool premise too wherein the exhibits at the Natural Museum of History come to life each night thanks to the golden tablet of Egyptian Akmenrah (Rami Malek), there was enough to entertain viewers of all ages with an eccentric stable of characters engaged in an exciting…

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REVIEW: Into the Woods [2014]

“… And home before dark.” The involvement of Disney on any adaptation of beloved source material can’t help being a double-edged sword. On the one hand their clout and financial backing will ensure the production looks fantastic and attracts the type of talent worthy of the property. On the other their brand brings with it a very specific morality code and target demographic. What this means is that something as dark as Into the Woods and its satirical take on all our favorite fairy tales playing up the lecherous sexuality…

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REVIEW: Night at the Museum [2006]

“Keep a lid on it, Butterscotch” While based on a 1993 children’s book by Milan Trenc portraying a museum security guard discovering how he must protect the people outside from the dinosaur skeletons that come to life inside, Robert Ben Garant and Thomas Lennon‘s cinematic adaptation of Night at the Museum bears more of a resemblance to another family friendly fantasy franchise ending its trilogy the same year as theirs began. I’m talking about The Santa Clause, an enjoyable holiday journey of the heart wherein a divorced dad hoping to…

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