REVIEW: Julieta [2016]

“Remember, you don’t like goodbyes” It began as many things: an adaptation of Nobel Prize winning Canadian writer Alice Munro‘s three connected short stories from her book Runaway (“Chance,” “Soon,” and “Silence”), Pedro Almodóvar‘s English-language debut with its venue switching from Vancouver to New York, and a starring vehicle for Meryl Streep. But Julieta eventually […]

REVIEW: Geride Kalanlar [Leftovers] [2017]

“Let’s hope it’s not her” We each possess a blind spot, one seeking to shield the horrors of life we know exist regardless. It manifests a sense of optimism in that we are safe because we live morally or that those we trust are inherently good. The opposite—to live in constant paranoia believing tragedy is […]

REVIEW: 路边野餐 [Lù biān yě Cān] [Kaili Blues] [2016]

“You took a photo and stole my soul” While the calling card for Gan Bi‘s feature debut 路边野餐 [Lù biān yě Cān] [Kaili Blues] is its magnificent 41-minute long take, that scene is but a movie within a movie. Its brilliance is in the way it takes his main character Chen Sheng (played by the […]

REVIEW: Grave [Raw] [2017]

“Two fingers will make it come up easier” We strive to become ourselves in college thanks to that first taste of freedom after adolescence’s long haul packed tightly at home and within part-time jobs and/or classes alongside peers who simply don’t want to be there. This is when we’re able to let loose and buckle […]

REVIEW: Der blaue Engel [The Blue Angel] [1930]

“Beware of blondes. They’re special, every one.” It was interesting to discover Josef von Sternberg‘s career started in Hollywood, directing many late-silent era pictures. I assumed the Austrian-born auteur began in Europe because he was the man behind the camera for Germany’s first feature-length talkie, Der blaue Engel [The Blue Angel]. But his helming it […]

REVIEW: Kedi [2017]

“Without the cat, Istanbul would lose part of its soul” I’m not an animal lover, a reality one subject in Ceyda Torun‘s documentary Kedi presumes means I cannot love anything. Such a sentiment is hyperbolic, but there’s something to be said about people’s interactions with animals exposing how they’ll interact with humans too. You don’t […]

REVIEW: Die innere Sicherheit [The State I Am In] [2001]

“She’s translating menus now too” With his theatrical debut Die innere Sicherheit [The State I Am In], German writer/director Christian Petzold proves his most recent pair of Barbara and Phoenix were born from a mind that had always been ready to tell stories of personal emotional strife within complex circumstances. The way in which he […]

REVIEW: Toni Erdmann [2016]

“That was real fear” I wasn’t sure what to think upon realizing it was Maren Ade who directed Toni Erdmann, the wild comedy that took Cannes by storm. Her previous film Alle Anderen was very much a drama—a fantastic one at that—and this switch brought intrigue. Now that I’ve finally seen it, however, it’s easy […]

REVIEW: Fuocoammare [Fire at Sea] [2016]

“The mountains couldn’t hide us” The story within Fuocoammare [Fire at Sea] is a personal one for director Gianfranco Rosi, himself a refugee from Eritrea during its war for independence at thirteen. He left his parents behind, arriving in Italy on a military plane. So to see statistics about 400,000 men, women, and children leaving […]

REVIEW: Tanna [2016]

“It’s time you learned the meaning of respect” There have been countless renditions of Romeo and Juliet during the past five hundred or so years and yet its themes still haven’t grown stale. Bentley Dean and Martin Butler‘s Tanna isn’t an official retelling considering its tale is based on a real life romance, but it’s […]

BERLINALE17 REVIEW: Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau [Those Who Make Revolution Halfway Only Dig Their Own Graves] [2017]

“People do not yet see they are miserable. We will show them!” There’s universality to Mathieu Denis and Simon Lavoie‘s Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau [Those Who Make Revolution Halfway Only Dig Their Own Graves] even if it is very much a Québécois film. Marking their […]