TIFF16 REVIEW: La Mujer del Animal [The Animal’s Wife] [2016]

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“What am I paying for?” Colombia’s tourism department won’t be sanctioning Víctor Gaviria‘s La Mujer del Animal [The Animal’s Wife] anytime soon and I definitely will never be visiting to see how accurate a depiction of life there it proves. This film is two-hours of sadism at the hands of Tito Alexander Gómez Arias’ Libardo […]

TIFF16 REVIEW: Indivisibili [Indivisible] [2016]

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“Can we at least see what’s possible?” It starts off so magically with conjoined twins Dasy (Angela Fontana) and Viola (Marianna Fontana) bringing hope and the word of God to the unfortunate souls languishing in poverty just north of Naples, Italy. They’re blissful when singing, eating up the attention and love from their parents Peppe […]

TIFF16 REVIEW: טהורה לעד [Tehora la’ad] [Forever Pure] [2016]

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“My heart will always stay yellow and black” Just when you think it can’t get worse—that the vocal, racist minority spewing bile will be extinguished in a show of tide-turning empathy—everything is literally engulfed in flames as a city watches it burn to cheers from a cesspool of hate. This is the 2012-2013 season for […]

TIFF16 REVIEW: Bar Bahar [In Between] [2016]

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“Don’t let on that you know what you’re doing” It’s Tel Aviv in 2016 and the parties are wild. Drinking, dancing, snorting, kissing—it’s time for twenty-year olds to have fun and be alive. But whereas in America you’d get looks of jealousy at best or judgment at worst, culture dictates heavier consequences for three Palestinian […]

TIFF16 REVIEW: Kati Kati [2016]

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“You’re here because you’re dead” Most of cinema’s best films are those that do rather than explain. These works are created by artists wielding airtight concepts insofar as attaining their goal of delivering a specific, emotion-fueled message. Kenyan creative Mbithi Masya‘s feature debut Kati Kati is a perfect example of what can be made when […]

TIFF16 REVIEW: Interchange [2016]

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“This is not your story” Something’s happening in Kuala Lampur—something that cannot be explained. Deaths in the vein of Bryan Fuller‘s gorgeously ornate displays of murder from “Hannibal” have arrived without any leads or earthly reason. Detective Man (Shaheizy Sam) jokes that his forensic photographer needs to see a witch doctor after collapsing at the […]

TIFF16 REVIEW: Pyromanen [Pyromaniac] [2016]

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“You can be whatever you want to be” Going in with no expectations besides the recent news that the film had been shortlisted for Norway’s 2017 Oscar selection, director Erik Skjoldbjærg‘s Pyromanen [Pyromaniac] could not have delivered a better start to get me ready. Using extended camera movements to capture subtle detail from a car […]

TIFF16 REVIEW: Souvenir [2016]

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“Like ABBA but not so famous” It starts with bubbles. So many bubbles rising slowly in liquid as the opening credits in script font flash onscreen. And when the camera finally pans out to see what it’s been that’s mesmerized us so? A glass of water with an Alka-Seltzer dropped in, of course. This is […]

TIFF16 REVIEW: Past Life [2016]

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“In tragedy you can’t escape fate” It’s 1977 and you’re the lead soprano in your first international concert. Rapturous applause and a flawless performance later you find yourself hobnobbing with classmates and audience members alike, the famed German composer Thomas Zielinski (Rafael Stachowiak) even enters to the crowd’s delight. But rather than let the electricity […]

TIFF16 REVIEW: Nikdy nejsme sami [We Are Never Alone] [2016]

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“Those afraid to die are afraid to live” Fans of Quentin Dupieux should rejoice because I haven’t seen a film this absurdly hilarious since Wrong. Petr Václav‘s Nikdy nejsme sami [We Are Never Alone] is definitely bleaker, darker, and strangely realist, but it has that same sense of subtle humor to give you pause about […]

TIFF16 REVIEW: Tereddüt [Clair Obscur] [2016]

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“Like a thorn” Life for a woman like Elmas (Ecem Uzun) in Turkey is a living nightmare. An eighteen-year old all but sold to a willing husband (Serkan Keskin‘s Koca) much older than she to clean his house, give her mother-in-law (Sema Poyraz‘s Kaynana) across the hall insulin shots, and—marriage or not—get raped every night, […]