TRIBECA22 REVIEW: Natten har øjne [Attachment] [2022]

Was that somehow my fault? Leah’s (Ellie Kendrick) reasons for being in Denmark are purely academic. At least, that’s what she tells former actress Maja (Josephine Park) upon meeting by accident at a bookshop. It’s a cutely fateful collision, the former with a stack of research and the latter dressed as an elf while running to an engagement to read to a bunch of school children. Maja’s haste causes a mix-up in their attempt to pick everything up, ensuring they must come together once more in calmer circumstances. A mug…

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TRIBECA22 REVIEW: Huesera [2023]

Bleed from the inside. According to Dr. Clarissa Pinkola Estés in Women who Run with the Wolves, the “Bone Woman,” or La Huesera, “collects and preserves that which is in danger of being lost to the world.” A Mexican myth sees her scouring the mountains and riverbeds for the remains of wolves, assembling what she finds to recreate the animal as though an ivory sculpture which will eventually become reanimated and ultimately reborn as a human woman freely laughing towards the horizon. They say she provides a glimpse of the…

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REVIEW: De uskyldige [The Innocents] [2021]

Can I just listen? You’ve seen De uskyldige [The Innocents] before. Whether the telekinetic powers, battle between good and evil, or exploitation of neurodevelopmental disorders like Autism to supply a character a sense of power that contrasts preconceived prejudices, everything Eskil Vogt puts into his script is familiar in some way. What makes it so uniquely different in tone and expectation is therefore the choice to project those tropes onto children. His decision becomes an evolutionary progression forward from Max Landis and Josh Trank‘s Chronicle in that the sort of…

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REVIEW: L’événement [Happening] [2021]

What do I label it? I’m not saying you can’t create a film as unflinchingly raw as Audrey Diwan‘s L’événement [Happening] without having a true-to-life source, but the starting line is surely closer when you do. Not only did Diwan and co-writer Marcia Romano have Annie Ernaux‘s memoir of what happened forty years prior to draw upon, they also had the author herself to talk with and glean additional context to ensure the authenticity of a twenty-three-year-old literature student discovering she’s pregnant weeks before her final exams in 1963. This…

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REVIEW: Vortex [2022]

Stop scaring me. The woman (Françoise Lebrun) at the center of Gaspar Noé‘s Vortex is steadily losing her battle with dementia. Her husband (Dario Argento) is a few years removed from a stroke and saddled with a bad heart that does him no favors when trying to keep a clear head as far as care goes. And neither wants to leave their home no matter how sensible doing so proves. She’s a psychiatrist whose lucidity has her believing everything is under control. He’s a film critic desperate to finish his…

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REVIEW: Les amours d’Anaïs [Anaïs in Love] [2021]

Everything is possible if you want it. There’s nothing discreet about thirty-year old Anaïs (Anaïs Demoustier). We meet her as she’s running to greet her landlady. Anaïs is two months late on rent and her live-in boyfriend has moved out, yet she’s unafraid to let the woman graciously allowing her to stay despite no real evidence that she won’t have to throw her out in a week know this agreed upon conversation is cutting into a party for which she’s also late attending. Candid to a fault, this graduate student…

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REVIEW: Re Granchio [The Tale of King Crab] [2021]

Princes and poor people. While Alessio Rigo de Righi and Matteo Zoppis‘ Re Granchio [The Tale of King Crab] begins with the discovery of a piece of Etruscan gold by a 19th century self-loathing, drunken lover known as Luciano (Gabriele Silli), we don’t meet the character until after being whisked away to the Tuscia, Italy village Vejano and a group of present-day hunters gathering for food, wine, and stories. These are real people as far as I’m aware, men whose words already inspired a prior short and feature length documentary…

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REVIEW: Virus :32 [2022]

Today is not a day to be scared of madness. An unknown virus has spread throughout Montevideo, causing a zombie-like apocalypse scenario. No one knows what it is or where it came from, but signs of aggression leading up to the all-out carnage were there for anyone looking. Iris (Paula Silva) wasn’t. Her existence of late has epitomized not paying attention as a means of survival. She’s retreated from loved ones (Franco Rilla as her husband Javi and Pilar Garcia as their daughter Tata) in order to numb her pain…

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REVIEW: Les Olympiades, Paris 13e Paris, 13th District] [2021]

No need to shout. The lighter side of writer/director Jacques Audiard—known for some pretty heavy dramas—comes out courtesy of graphic novelist Adrian Tomine’s modern romances. Audiard and his co-writers Léa Mysius and Céline Sciamma adapt three-to-four (I’ve seen competing numbers) of Tomine’s stories into a poignant and satisfying look through the private windows of Les Olympiades, Paris 13e [Paris, 13th District]. First there’s Émilie Wong (Lucie Zhang) and her new roommate Camille (Makita Samba). Then there’s Camille and his new real estate colleague Nora Ligier (Noémie Merlant). And, finally, there’s…

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REVIEW: Das Mädchen und die Spinne [The Girl and the Spider] [2021]

But you had tears in your eyes. Lisa (Liliane Amuat) is moving apartments and the building’s children who have come to know her as a friend and companion ask her remaining roommate Mara (Henriette Confurius) whether she’ll still visit. The latter says that she will, but we know the truth is more than likely that she won’t. It won’t be out of malice or even conscious for that matter. It’s just what happens as life carries on. We find ourselves embroiled in new situations with new people and we gradually…

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REVIEW: Gagarine [2021]

We’re dying here. Being the first man to travel into space, cosmonaut Yuri Gagarin’s name became a global commodity. Even a housing project within a communist municipality outside of Paris took it as its moniker and invited the hero to come by and receive the cheers of the French people gathering outside on their balconies for a look. That was 1963, however. A complex possessing 370 apartments like Cité Gagarine was destined to take a beating once infrastructure and economics collided. Its disrepair cemented an eventual demolition by 2014; its…

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