REVIEW: Eyes Wide Shut [1999]

“Fidelio” Would you gamble everything for lust? Is thinking about infidelity as egregious an offence as the act itself? After all, faithfulness isn’t merely a construct of the physical world—our trust and respect goes beyond the exterior into the very fibers of our being to make the words “I’d never cheat on you” flow effortlessly and involuntarily from our lips even when thinking about the person we’d commit it with in a heartbeat. But lust clouds our judgment. It makes us do things we wouldn’t normally do. It allows for…

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TIFF16 REVIEW: Boys in the Trees [2016]

“Can’t end a story without a dead body” We’ve all lost friends whether from naturally parting ways or an avoidable blow-up proving petty in hindsight. Age advances and tastes evolve—we don’t often think much of the phenomenon because they find peers more attuned to who they’ve become just like you. But sometimes the severed relationship carries with it pangs of guilt. Maybe the fracture was triggered by lame excuses like the concept of survival of the fittest, you joining your oppressors in order to stop being oppressed. Perhaps you cut…

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REVIEW: Gremlins [1984]

“What’d you call this? The putrid stage?” There had been gremlins in existence before the diminutive green monsters screenwriter Chris Columbus, director Joe Dante, and creature creator Chris Walas imagined and yet theirs are the ones we immediately think about when the word is uttered. The design is a far cry from Bugs Bunny’s colorful adversary in 1943’s “Falling Hare” or the human sized counterpart opposite William Shatner in the 1963 “Twilight Zone” episode “Nightmare at 20,000 Feet” and by far the creepiest. From their reptilian skin, mucus covered sharp…

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REVIEW: The Muppet Christmas Carol [1992]

Heeeeyyy. You’re not Charles Dickens. Not having seen The Muppet Christmas Carol in over a decade made me forget how effective an adaptation it is of Charles Dickens‘ classic tale. It helps that I’ve seen other iterations in the meantime, especially the one from 1951 starring Alastair Sim which Brian Henson‘s version works hard to closely mimic. There are obvious excisions such as Ebenezer Scrooge’s sister and additions like manufacturing Jacob Marley a brother named Robert so Statler and Waldorf can both get in on the fun, but for the…

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REVIEW: Carol [2015]

“How many times have you been in love?” Director Todd Haynes‘ latest period romance Carol is nothing short of impeccable. From the acting to the cinematography to the art direction to Carter Burwell‘s gorgeous score, this thing is flawless in execution to the point where it should be rendered a clinically cold piece devoid of the immense emotion captured within each scene. Somehow these meticulous camera set-ups and intense expressions retain the warmth necessary to experience its characters’ love—a love in its purest form. The story is brimming with complex…

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TIFF15 REVIEW: Hellions [2015]

“Blood for baby” There’s a lot I like about Bruce McDonald‘s latest horror Hellions. Just as much also has me scratching my head, though. While this sometimes enhances the experience by cajoling you into wanting to watch it again to catch any little details you may have missed, I’m not sure this is one of those times. Unfortunately, right when the creepy factor breaks through its gauge to push me over the edge, it suddenly devolves into silliness. I don’t think it’s of the intentional kind either because screenwriter Pascal…

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REVIEW: Toy Story That Time Forgot [2014]

“Limitations are the shackles that we bind to ourselves” Following the success of last year’s Toy Story of Terror special, Disney and Pixar have presently tackled a holiday more on the nose: Christmas. Toy Story That Time Forgot opens two days after the presents have been torn apart and each new addition to the posable family introduced. A bit of cheer remains as Bonnie (Emily Hahn) has affixed antlers onto her triceratops Trixie’s (Kristen Schaal) horns to transform her into the unsuspecting victim of a terrible faux dinosaur played by…

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REVIEW: National Lampoon’s Christmas Vacation [1989]

“Look around you, Ellen. We’re at the threshold of hell.” While I enjoy A Christmas Story‘s 1940s holiday aesthetic like the rest—when it’s not on 24-hour TBS repeat—I prefer my dysfunctional yuletide spirit to hit a little closer to home. This is where Christmas Vacation comes in, National Lampoon’s 1989 classic continuation of the Griswold clan’s shenanigans that takes place the same decade as the one when I was still young enough to awaken every December 25th extra early to see what Santa brought. While the details aren’t exactly the…

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REVIEW: Bad Santa [2003]

“Fraggle-stick car?” I tried to put a decade behind it and me, but not even that could turn my opinion on Bad Santa around. It’s just a mean-spirited, way-too-random account of a stereotypical alcoholic populated with other characters as ruthless as him or worse. The only role with a modicum of humanity is a borderline retarded kid who asks a ton of questions through a naïvely childish view on a perpetually cruel world. There’s a problem when the film’s biggest laugh comes courtesy of this boy running down the stairs…

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REVIEW: Scrooged [1988]

“Cupid’s arrow, right between the eyes” While there have been countless iterations of Charles Dickens‘ seminal novel A Christmas Carol—with the 1951 Alastair Sim starrer proving the best and modernized retreads like Ghosts of Girlfriends Past supplying the worst—one sometimes overlooked comedic gem from 1988 has always been this writer’s personal favorite. Titled Scrooged, screenwriters Mitch Glazer and Michael O’Donoghue went meta with the concept of its ubiquity by telling us a tale of a man who is quite literally “scrooged” while producing a legitimate adaptation of the real story…

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REVIEW: Cold Turkey [2013]

“It’s like a Jewish girl’s version of subtle” The lesson to be learned from Will Slocombe’s Cold Turkey is that you should never confide family secrets with the uncontrollable loose cannon of the bunch. Because no matter how many stupid things you’ve done, or how many times Dad saved your bacon by bailing out your incapacity to take responsibility for your actions, it’s the crazy psycho messenger who should get the blame. And while I initially meant that statement as sarcasm, I know now that at least the third part…

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