REVIEW: How to Save Us [2014]

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“Have you seen mom and dad yet since they’ve died” A plague has decimated Tasmania to the point where everyone is either dead or evacuated. Everyone but Sam Everett (Coy Jandreau), the youngest of three siblings yet to cope with the death of his parents, present to visit his family’s old vacation home on the […]

REVIEW: Resolution [2013]

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“They said they were researching folktales” ***Possible Spoilers*** Films like Justin Benson and Aaron Moorhead‘s Resolution can’t help but get under your skin and risk never letting go. Any issues you may have about production quality, plot holes, pacing, and performances fall away because of one genius detail planting the seeds of curiosity. Then, when […]

REVIEW: What We Do in the Shadows [2014]

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“Get up and stand on the ceiling like a man” In great mockumentary fashion, What We Do in the Shadows bears to mind the work of Christopher Guest. It has eccentric characters, constant mugging for the camera, and a perfectly dry delivery ensuring those watching will laugh even harder at each joke—if that’s their cup […]

REVIEW: Lucid [2015]

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“In my dreams you’re trying to kill me” As a proof of concept for what is currently in development as an episodic series, Kevin K. Shah‘s short film Lucid provides a psychological wallop of quick cuts and disorientation. It’s ending reveals itself as a beginning for something larger—an unexplained answer to the questions we’ve been […]

REVIEW: It Follows [2015]

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“How about that woman in the yellow dress?” It was only a matter of time before horror literally made an STD monster. With the trope of sex leading to one’s demise so prevalent in the genre, it makes sense to create a predator that jumps from one potential victim to the next via intercourse. What […]

REVIEW: A Girl Walks Home Alone at Night [2014]

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“Are you a good boy or not?” The comparisons are so spot-on that I knew critics before me had made the same parallels before even looking. Ana Lily Amirpour‘s debut feature A Girl Walks Home Alone at Night is Jim Jarmusch cool with Quentin Tarantino swagger—an Iranian Vampire Western calling to mind Dead Man and […]

REVIEW: The Voices [2015]

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“I know karate” Don’t let the wide-eyed giddiness of Ryan Reynolds‘ Jerry Hickfang fool you. There’s darkness inside him that simply hasn’t yet been coaxed out into the open. It may take a little while to see it in full force so you can truly comprehend what is going on with the Edward Scissorhands-esque bright […]

REVIEW: Da Sweet Blood of Jesus [2015]

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“You have not because you ask not” I backed Spike Lee‘s Kickstarted Da Sweet Blood of Jesus because I was intrigued by an auteur of his stature being left to his own devices on a project as captivating as what he’d set forth. He said it was “a new kind of love story”—one about human […]

REVIEW: Pitch Black [2000]

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“Looks clear” People weren’t kidding when they used Chronicles of Riddick‘s expanded budget to blame for its box office demise. I always knew its predecessor was made with much tighter purse strings, but the level of ingenuity necessary to make it still look good surpassed any expectations I might have had. Not only does co-writer […]

REVIEW: Butter on the Latch [2014]

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“Because she sat on Pinocchio’s head” I’m going to run with this quote from director Josephine Decker: “I think an ending is much more exciting if even I don’t know what it ‘means’.” For all intents and purposes she’s giving permission for me to make of her fiction narrative feature debut Butter on the Latch […]

REVIEW: Berenice [2014]

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“I wanted it to hurt” One chapter from the horror anthology Creepers, Jeremiah Kipp‘s adaptation of Edgar Allen Poe‘s disturbing short story Berenice finds itself hindered by what I can only guess was a shoestring budget. A director who has excelled at creating stunning pitch-black tone with ambiguously delicious mystery in carefully composed thrillers, this […]