REVIEW: The Voices [2015]

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“I know karate” Don’t let the wide-eyed giddiness of Ryan Reynolds‘ Jerry Hickfang fool you. There’s darkness inside him that simply hasn’t yet been coaxed out into the open. It may take a little while to see it in full force so you can truly comprehend what is going on with the Edward Scissorhands-esque bright […]

REVIEW: Da Sweet Blood of Jesus [2015]

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“You have not because you ask not” I backed Spike Lee‘s Kickstarted Da Sweet Blood of Jesus because I was intrigued by an auteur of his stature being left to his own devices on a project as captivating as what he’d set forth. He said it was “a new kind of love story”—one about human […]

REVIEW: Pitch Black [2000]

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“Looks clear” People weren’t kidding when they used Chronicles of Riddick‘s expanded budget to blame for its box office demise. I always knew its predecessor was made with much tighter purse strings, but the level of ingenuity necessary to make it still look good surpassed any expectations I might have had. Not only does co-writer […]

REVIEW: Butter on the Latch [2014]

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“Because she sat on Pinocchio’s head” I’m going to run with this quote from director Josephine Decker: “I think an ending is much more exciting if even I don’t know what it ‘means’.” For all intents and purposes she’s giving permission for me to make of her fiction narrative feature debut Butter on the Latch […]

REVIEW: Berenice [2014]

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“I wanted it to hurt” One chapter from the horror anthology Creepers, Jeremiah Kipp‘s adaptation of Edgar Allen Poe‘s disturbing short story Berenice finds itself hindered by what I can only guess was a shoestring budget. A director who has excelled at creating stunning pitch-black tone with ambiguously delicious mystery in carefully composed thrillers, this […]

REVIEW: Tusk [2014]

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“I believe we’re all tea people” I want to dismiss Kevin Smith‘s second foray into horror as total bullshit. I really do. Not only was Tusk created on a lark because one of his and Scott Mosier‘s internet Smodcasts recorded them discussing a crazy Gumtree ad offering a room for rent if the lodger agreed […]

TIFF14 REVIEW: Spring [2015]

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“I’m not drunk enough to sleep in your mother’s deathbed” The first words in Colin Geddes’ TIFF description for Vanguard selection Spring are, “Before Sunrise gets a supernatural twist.” You read that as a cinephile and you push everything aside to check out what it could mean. A horror romance co-director Aaron Moorhead described in […]

REVIEW: Cam2Cam [2014]

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“r u alone?” This year’s most tonally out-of-place ending goes to Cam2Cam. A horror/thriller pitting the murderer of a young American in Bangkok against the victim’s sister for either vengeance or a smart getaway somehow finds itself culminating in a weirdly romantic vibe of lost loves sending gifts via post to remember the lovely time […]

REVIEW: Oculus: Chapter 3 – The Man with the Plan [2006]

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“This is definitely the wrong way to do this” Had I watched writer/director Mike Flanagan‘s short Oculus: Chapter 3 – The Man with the Plan when it was released in 2006, I might have found myself reacting much differently. Being eight years later and a world post Sinister and The Conjuring success, however, I can’t […]

FANTASIA14 REVIEW: Preservation [2014]

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“The bear went over the mountain” When Christopher Denham‘s Preservation shows recently discharged vet Sean Neary (Pablo Schreiber) telling sister-in-law Wit (Wrenn Schmidt) about how playing war as a kid allowed him to be killed and still find his way home when the game ended, I couldn’t help think of underrated Canadian film I Declare […]

FANTASIA14 REVIEW: Ejecta [2014]

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“Something came to me” Many might take my comparing Ejecta to The Fourth Kind as a slight, but I actually enjoy that film a lot. While Chad Archibald and Matt Wiele‘s science fiction horror doesn’t pretend it’s real, the crosscutting between time and styles similarly keeps us off-balance enough to buy into the escalating danger […]