REVIEW: Presenting Princess Shaw [2016]

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“Why am I going in the same direction with no direction?” Even though Presenting Princess Shaw isn’t a film about filmmaking, you can’t help wondering about the logistics of its creation considering director Ido Haar is listed as the project’s sole cinematographer. The story of Princess (Samantha Montgomery) and Kutiman (Ophir Kutiel) focuses on music […]

REVIEW: Sing Street [2016]

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“Happy sad” Writer/director John Carney emotionally stripped ex-The Frames bandmate Glen Hansard bare in his 2007 feature film Once and now he does it to himself. The hiccup that was an attempt to recreate lightning in a bottle despite the conscious addition of polish and star appeal with Begin Again is thankfully a distant memory […]

REVIEW: Born to Be Blue [2016]

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“Hello fear. Hello death.” I’m not a jazz guy. I’ll listen, enjoy, and promptly forget it straight away. It all kind of sounds the same to me, but to each his own. If you can differentiate Miles Davis‘ sound from Chet Baker‘s you’re a better music fan than me. So to hear Robert Budreau‘s biopic […]

REVIEW: What Happened, Miss Simone? [2015]

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“I’ll tell you what freedom is to me: no fear” As someone who heard “Feeling Good” on a Muse album in the early 2000s thinking it was their song until the promotional advertisements for season four of “Six Feet Under” got me researching the female vocalist singing its “new” rendition, a documentary on Nina Simone […]

REVIEW: Hail, Caesar! [2016]

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“It’s all in the hips, the lips, the eyes, and the thighs” You don’t think much when you read the Coen Brothers have been bouncing Hail, Caesar! around since 2004. After all, they’re prolific auteurs that often write scripts for other directors, so a decade-long gestation period is nothing to scoff at. Only when you […]

REVIEW: Velvet Goldmine [1998]

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“It’s funny how beautiful people look when they’re walking out the door” What if Citizen Kane wasn’t about Charlie’s Foster Kane but instead the interviewer tasked with speaking to those in Kane’s life, mining for the meaning of “Rosebud”? This is sort of where director Todd Haynes (co-written with James Lyons) begins his fictional account […]

REVIEW: Chi-Raq [2015]

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“Land of pain, misery and strife” I can comfortably forget Da Sweet Blood of Jesus happened—Spike Lee‘s ambitious yet disappointing Kickstarted vampire flick—now that it appears the director’s back on track with Chi-Raq‘s musical satire. I don’t get around to every Lee “joint” but it’s probably not far-fetched to say this is his best since […]

REVIEW: Love & Mercy [2015]

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“Lonely scared frightened” The best part of a Rock and Roll Music History class that I took in college was learning just how influential The Beach Boys were to music at large. I knew the songs and enjoyed them, but how could surfer pop be held in the same regard as The Beatles? It didn’t […]

TIFF15 REVIEW: I Saw the Light [2016]

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“Remember: they can kill you, but they can’t eat you” The opening to Marc Abraham‘s I Saw the Light holds a lot of intrigue. Based on Colin Escott‘s biography about hillbilly legend Hank Williams, the start goes from a faux black and white newsreel interview with producer Fred Rose (Bradley Whitford) recounting how one-of-a-kind the […]

REVIEW: Cobain: Montage of Heck [2015]

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“You better buckle-up because you are not ready for this” The mythos surrounding Kurt Cobain will never be contained. Revered the world over, his suicide at twenty-seven proved a devastating event in music and pop culture history—more so even than Jimi Hendrix and Janis Joplin whose deaths preceded him at that same age. Conspiracy theories […]

REVIEW: Gimme Shelter [1970]

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“Like lemmings to the sea” And to think they only wanted to follow The Rolling Stones around America on tour. I wonder what Albert Maysles, David Maysles, and Charlotte Zwerin hoped to find in the edit via their “reactive” filmmaking philosophy because it surely wasn’t what resulted. Who could have known how dangerous things would […]