REVIEW: Not Okay [2022]

Can’t offensive be, like, a brand? I’m not saying you couldn’t want to pivot careers from photo-compositor to writer, but to make it seem like A) the former is just a matter of loosely using the lasso tool in Photoshop to make a perfect mask that’s good enough to fool the world and B) that it’s a stepping-stone job shunted to the corner and treated like an internship because “anyone can do it” put me in a bad mood right away. I get it, though. Writer/director Quinn Shephard needs her…

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FANTASIA22 REVIEW: The Artifice Girl [2023]

Forever and always with pride. Amidst all the high concept computer programming speak and moral/ethical implications surrounding the creation of artificial life, the smartest line of dialogue in Franklin Ritch‘s The Artifice Girl is when Gareth (Ritch) admits, “I honestly don’t know how I did it.” Not only does it absolve the filmmaker of having to make something up to justify the complex progression of his sci-fi premise, but it also speaks to the reality that technological innovation often occurs accidentally. We can’t therefore know what we don’t know or…

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FANTASIA22 REVIEW: Sissy [2022]

Be there or die. There’s some delicate subject matter at the heart of Hannah Barlow and Kane Senes‘ Sissy. It’s unavoidable when you’re spring-boarding off an objectively tragic event that occurred during childhood. Because, while young Sissy may have been the one who physically assaulted Alex when they were age twelve, that isolated and impulsive act of violence was ignited by months or years of psychological torment inflicted by the injured. Does the event make Sissy a monster regardless of those circumstances? Or can society look beyond the visual aftermath…

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FANTASIA22 REVIEW: Glorious [2022]

You might actually be a bathroom talker. The universe has a favor to ask. Well, it’s the universe’s would-be destroyer who’s asking on its behalf. After an eternity hidden in the ether watching the life that sprang from a wound inflicted by his brothers and sisters evolve, this ancient titan (J.K. Simmons‘ Ghat) realizes his role as his father’s (the creator of existence) reset button isn’t something he looks forward to fulfilling. Unfortunately, he doesn’t have much of a say in the matter. If Dad escapes his prison and finds…

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REVIEW: My Old School [2022]

Who touched my Chardonnay? When you have a story as wild as the one surrounding the sixteen-year-old Canadian student “Brandon Lee” enrolling in Glasgow’s Bearsden Academy, it truly is impossible to believe a movie hasn’t already been made. It wasn’t for a lack of trying, though. Alan Cumming was attached to play the lead role twenty-five years ago only to see the project evaporate. So, it’s fitting that writer/director Jono McLeod (a former classmate of “Lee’s” who witnessed the whole ordeal himself) would enlist the actor to play him now—this…

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REVIEW: Sous le ciel d’Alice [Skies of Lebanon] [2021]

No one is brave enough to stay. When historical events are too complex and sprawling to do them justice in a ninety-minute film, the best thing to do is shrink the aperture. So, rather than try to cram in years’ worth of religious, political, and geographic conflict such as that of the almost two decades-long Lebanese Civil War, focus on its impact instead. What was it like to live in Beirut as an emotionally and culturally rich life is suddenly turned upside-down by bombings and gunfire as numerous militias are…

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REVIEW: Alone Together [2022]

Don’t forget yourself. People died, businesses closed, and health and science became politicized to a point of no return, but what about the good that COVID accomplished? What about those relationships that needed a global pandemic to provide the next logical progression of conflict resolution on the extensive list John (Derek Luke) shares with June (Katie Holmes) to describe all they’ve overcome—definitive proof their one-year love is real and worth saving? Trials (he’s apparently a lawyer), holidays, regular days, and … health crisis? If your union can survive COVID, it…

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FANTASIA22 REVIEW: 범죄도시2 [The Roundup] [2022]

And no balsamic vinegar. Set four years after the events from The Outlaws (known as Crime City in Korea), new director Sang-yong Lee and screenwriter Min-Seong Kim bring Detective Ma Seok-do (Ma Dong-seok aka Don Lee) back to the big screen with The Roundup (or 범죄도시2 [Crime City 2]). A standalone film with a couple characters returning via tongue-in-cheek reveals, you really don’t need to know anything beyond what we learn at the start. While Jeon Il-man (Gwi-hwa Choi) is the police captain, he knows it’s better to get out…

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FANTASIA22 REVIEW: Next Exit [2022]

I can start with one minute. While a viral video of a young boy playing cards with his dead father captured the nation so profoundly that suicides and murders have skyrocketed due to humanity no longer fearing death, allowing every single ghost to be seen by every single human on Earth would be quite the logistical issue for first-time feature film writer/director Mali Elfman. She first started crafting Next Exit ten years ago and thus has had plenty of time to tweak and hone her script in a way that…

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FANTASIA22 REVIEW: All Jacked Up and Full of Worms [2022]

I think I just killed my own childhood. Is first-time feature film writer/director Alex Phillips trying to say something with All Jacked Up and Full of Worms or is he just looking to make viewers wish they were as high on hallucinogenic worms as the characters on-screen? Ask his target audience and they’ll probably laugh in your face for daring to presume they care. All they want is that out-there insanity writhing around in the slimy discharge left behind by a journey between nightmare and reality. Ask everyone else and…

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FANTASIA22 REVIEW: L’employée du mois [Employee of the Month] [2021]

The most dangerous thing here is you. It’s review day and everyone is laughing about what raises and bonuses they’re going to request this year. Nico (Alex Vizorek) jokes about asking for an SUV and money because it worked for someone else in the past. And why not? EcoClean Pro’s manager Patrick (Peter Van den Begin) decided to give his latest intern (Laetitia Mampaka‘s Melody) a stack of papers to shred on her first day, so it’s not much of a leap to assume the books have been cooked to…

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