Film Reviews | www.jaredmobarak.com

REVIEW: Dr. Feelgood: Dealer or Healer? [2016]

2016/12/292016/12/29 Jared Mobarak

“Choose the best face that describes how you feel” I’ve been lucky to have never used painkillers whether as a result of high pain tolerance or simply not having experienced enough to deem it necessary. I know people who have, though, and it is a Godsend at times whether opium-based or not. So I couldn’t blindly say Oxycontin and Dilaudid should be outlawed. Morphine has always seemed so commonplace that any prescription drug compared to it has brought along a stigma of “good” rather than “bad” for me despite heroin…

REVIEW: 13th [2016]

2016/12/28 Jared Mobarak

“… blacks get hurt worse than whites.”– Lee Atwater While 13th—Ava DuVernay‘s documentary about the criminal justice system and mass incarceration being used to extend slavery via a loophole in the Thirteenth Amendment—is far from perfect, it is crucial to commence a conversation and relevant in a way John Oliver simply cannot equal thanks to the color of his skin. If you’ve watch “Last Week Tonight with John Oliver” during its run on HBO you’ve learned a cursory amount of what DuVernay’s extensive list of talking head educators, politicians, and…

REVIEW: Neruda [2016]

2016/12/27 Jared Mobarak

“He’s the king of love” Pablo Neruda was a Chilean legend. He was a poet who won the Nobel Prize in Literature in 1971, a diplomat holding multiple posts including that of Senator for the Communist Party, and ultimately so feared by President González Videla and President Augusto Pinochet that his death is rumored to have been murder hidden underneath a cancer diagnosis. It’s a diverse and implausible life that could just as easily have been fiction rather than the reality it was. He rallied together a country desperate to…

REVIEW: Sing [2016]

2016/12/252016/12/26 Jared Mobarak

“Don’t let fear stop you from doing the thing you love” After helming The Hitchhiker’s Guide to the Galaxy and Son of Rambow, it’s easy to forget writer/director Garth Jennings started his career as one half of music video masters Hammer & Tongs. Pair his knowledge of music with some great past examples of family-friendly aesthetics (Supergrass‘ “Pumping on Your Stereo” puppets, Blur‘s “Coffee & TV” stop-motion) and the notion he’d eventually gravitate towards a feature-length animated children’s film doesn’t seem far-fetched. In fact, the only thing about his third…

REVIEW: Assassin’s Creed [2016]

2016/12/232016/12/24 Jared Mobarak

“Not everyone deserves to live” The Knights Templar and their numerous myths about secret societies and grand political aspirations have rendered the organization primed for villainous roles in multiple forms of media. One example is Ubisoft’s videogame Assassin’s Creed wherein a violent war has waged for centuries between the Templars’ drive for world domination (peace via control) and the Assassins’ desire to stop them (peace via free will). The series sprinkles in real historical figures and does its best to make it seem as though it could all be true—besides…

REVIEW: Paterson [2016]

2016/12/232016/12/23 Jared Mobarak

“Without love, what reason is there for anything?” Doctor William Carlos Williams includes a line inside his epic poem “Paterson” that states: “no ideas but in things.” When writer/director Jim Jarmusch was asked what this meant, he replied: “that you start with the things around you and the details of daily life and you find beauty and resonance in them—poetry grows out of that.” By those terms poetry is forever all around us in the tiny details of life that too many let pass them by without a second thought.…

REVIEW: Elle [2016]

2016/12/222017/01/11 Jared Mobarak

“It was necessary” Director Paul Verhoeven has made a career of pushing the envelope whether through violence, sex, politics, or all three wrapped together. It’s hardly surprising then that his buzzword of choice on the promotional trail for his latest Elle has been “controversial.” The word choice is appropriate considering David Birke‘s script (adapted from Philippe Djian‘s novel Oh…) plays with taboos in ways that subvert public consciousness, but there’s an even more appropriate adjective: dangerous. Controversy is needed to shake us out of our doldrums, but it can also…

REVIEW: Eyes Wide Shut [1999]

2016/12/202017/11/30 Jared Mobarak

“Fidelio” Would you gamble everything for lust? Is thinking about infidelity as egregious an offence as the act itself? After all, faithfulness isn’t merely a construct of the physical world—our trust and respect goes beyond the exterior into the very fibers of our being to make the words “I’d never cheat on you” flow effortlessly and involuntarily from our lips even when thinking about the person we’d commit it with in a heartbeat. But lust clouds our judgment. It makes us do things we wouldn’t normally do. It allows for…

REVIEW: L’avenir [Things to Come] [2016]

2016/12/202016/12/20 Jared Mobarak

“Can we put ourselves in the place of the other” No one is making movies with as much depth of character as Mia Hansen-Løve—so much depth that you may wonder where the plot is considering everything is hinging on a single trajectory. But that’s how our lives progress. How we experience our own evolution stems from our actions and our interpretations of others’ actions. She focuses on her lead so acutely that we begin to know them as though a long lost friend. We feel for their struggle and hope…

REVIEW: Fences [2016]

2016/12/192016/12/23 Jared Mobarak

“A fastball on the outside corner” It seems that many people have been docking points from Denzel Washington‘s latest directorial effort Fences by labeling it as “too theatrical.” Well, that’s somewhat hard to avoid when you’re dealing with August Wilson‘s Pulitzer Prize and Tony Award-winning play and its wall-to-wall dialogue touching upon love, responsibility, race, and politics on an emotionally resonate level beyond much of what Hollywood delivers “cinematically.” I’ve personally never held a stagey aesthetic against a film as long as the performances prop up the script’s location shortcomings…

REVIEW: Lion [2016]

2016/12/162016/12/22 Jared Mobarak

“Did you really look for my mum?” The Weinstein Company is lucky Google hasn’t moved into the film production game yet like tech giant Amazon (unless you count YouTube Red) or else they may not have secured the rights to one of 2016’s most upliftingly heart-wrenching movies of the year in Lion. We’re probably lucky too because had Google found a way to produce the true story of Saroo Brierley‘s improbable search themselves, a lot more time may have been spent on Google Earth’s role rather than the more pressing…