Category: Film Reviews

REVIEW: Mother & Brother [2015]

Jared Mobarak

“You want me to be happy for you two fools?” There’s a lot of drama to be tapped from the relationship between parent and child, especially those with a dynamic clouded by abuse. It doesn’t have to be physical or sexual to leave a lasting mark either—constant verbal disapproval despite doing everything in your power to help is devastating in its own right. This is where we meet the nuclear family at the heart of Dustin Cook‘s Mother & Brother. Too sick to walk on her own with oxygen tank…

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REVIEW: Felt [2015]

Jared Mobarak

“I’m never safe” Today’s sexual climate needs a film like Felt to turn a mirror back. Whether it’s the long-hushed Quaalude-rape escapades of Bill Cosby finally coming to light or recent allegations pointed towards infamous party-boy and man-of-bad-decisions Patrick Kane, thinking the public can ignore society’s pervasive patriarchy and victim-blaming is dying. I won’t say it’s dead since who knows if that day will ever come. But sexual abuse is heading into the mainstream media to empower prey in seeking justice to ensure no one else gets hurt as well…

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TIFF15 REVIEW: Quiet Zone [2015]

Jared Mobarak

“These are the thoughts that we grow up with” This is the type of experimental movie I can get behind because it doesn’t specifically hinge on form and form alone. What David Bryant and Karl Lemieux have done is distort their film with contextual purpose (not that others don’t, it’s just not merely abstract here). The over-exposed fields and darkened waves of burned celluloid trap us inside the head of Ondes et silence’s [Quiet Zone] narrators Nicols Fox and Katherine Peacock. Both women suffer from electromagnetic hypersensitivity—think Michael McKean‘s character…

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TIFF15 REVIEW: Rock the Box [2015]

Jared Mobarak

“I’m out to destroy that virgin whore dichotomy” The story Katherine Monk brings us in Rock the Box isn’t necessarily unique when you only have to look at the Pop charts to see Miley Cyrus—or Lady Gaga to a more art-house abstraction—doing much of the same thing. What’s different between them and Rhiannon Rozier (DJ Rhiannon) is that EDM (Electronic Dance Music) is far from the same universe as Pop. While it’s become the biggest moneymaking sector in the industry, its not-so-radio-friendly tunes and messages keep it from gaining the…

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TIFF15 REVIEW: Mobilize [2015]

Jared Mobarak

One piece of a quartet entitled Souvenir—an anthology by Indigenous artists in Canada addressing Aboriginal identity and representation—ITWE Collective member Caroline Monnet‘s Mobilize proves an invigorating sort of time lapse look at the propulsion of life from hand-made disciplines in nature to the steel behemoths of modern cities set to Tanya Tagaq‘s “Uja”. Composed entirely of outtakes from the National Film Board of Canada’s archives of over 700 films, the staccato sounds resemble breathe heaving forward sharp and focused as snowshoes are strung before being used to walk in the…

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TIFF15 REVIEW: BAM [2015]

Jared Mobarak

While Howie Shia‘s aesthetic is accurately labeled gritty, that grit is less about being aggressive or “dirty” than it is about lending it an experimental film beauty gorgeous to behold against polished Hollywood studio fare. Just like its main character, BAM becomes a powder keg of duality with its two halves clashing to create something wholly unique and impossible to categorize. Greek Gods in giant blue form loom over the proceedings as the young boy they watch wrestles with an implicit brute force he cannot reconcile against a quiet contemplative…

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FANTASIA15 REVIEW: リアル鬼ごっこ [Riaru onigokko] [Tag] [2015]

Jared Mobarak

“Watch the ripple” If リアル鬼ごっこ [Tag] were any indication of writer/director Sion Sono‘s warped mind, I’d almost believe he films without rhyme or reason besides excess. Based upon the Japanese novel Riaru onigokko by Yûsuke Yamada—coined by some as the Stephen King of Japan—this surreal tale of three girls in one traversing a nightmarish landscape of evil pursuers taking whatever form is most absurd lives on the edge of falling into complete randomness. You have to embrace the ride or else you’ll check out very early on because while watching…

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FANTASIA15 REVIEW: Catch Me Daddy [2015]

Jared Mobarak

“Why did I create you?” Even though he’s absent until the film’s final sequence because the estranged daughter he’s hired bounty hunters to find is foremost in our attention, director Daniel Wolfe‘s quote explaining his story as “a man imprisoned by his own narrative” couldn’t be truer. Pakistani mobster—the only label befitting him after experiencing the violence wrought in his name—Tariq (Wasim Zakir) is behind everything from scared Laila (Sameena Jabeen Ahmed) and her white boyfriend Aaron (Connor McCarron) scraping together a trailer park life in hiding to son Zaheer…

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REVIEW: The Man from U.N.C.L.E. [2015]

Jared Mobarak

“Inside every Kraut is an American trying to get out” Writer/director Guy Ritchie is like that band all my friends dismiss because they think every song in their discography sounds the same to which I reply, “But I like that song.” With the exception of Swept Away—because I’ve never seen any reason to actually watch it—I’ve enjoyed all of the high-octane, visually kinetic action comedies he’s brought forth into this world. Whether an original Cockney tale like his earlier work or a Hollywood property adapted to his sensibilities of late,…

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REVIEW: Dark Places [2015]

Jared Mobarak

“What do you want to be when you grow up?” If Gillian Flynn wasn’t the “It” author after the phenomenon that was Gone Girl the book, she surely was once David Fincher adapted it into a huge moneymaking win. What’s interesting, though, is that Gone Girl wasn’t the first of her novels to head into production cinematically. That honor goes to her sophomore effort Dark Places, which began shooting one month sooner in August 2013. Scripted and directed by Frenchman Gilles Paquet-Brenner, who last helmed the critically acclaimed Sarah’s Key,…

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FANTASIA15 REVIEW: Bridgend [2015]

Jared Mobarak

“There’s a new girl in town” When 79 people between 2007 and 2012 commit suicide—many teens and most without a note—within a single town, there’s definitely a story to tell. Welcome to Bridgend, South Wales. No evidence has yet been found to link them together and some parents blame the media for reporting the tragedies in a way that glamorized them and perhaps inspired others to follow. It’s the kind of baffling and depressing mystery that conjures thoughts towards cults, the occult, and the supernatural. Anything to explain the nightmare…

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