REVIEW: Beside Still Waters [2014]

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“Nothing, buddy. You keep on … sulking.” When a feature length debut bows at only 76-minutes you think two things. One: it barely contains a short film worth of content and has been pumped full of fat. Or Two: it’s a shallow piece that goes nowhere and inevitably feels incomplete. It’s a horrible thing that […]

REVIEW: The Color of Time [2014]

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“I have things I want to do” I wonder if James Franco showed his NYU class Terrence Malick‘s The Tree of Life because it appears the twelve students he handpicked to write and direct what became the C.K. Williams biography The Color of Time saw it and sought to remake it. Instead of musings on […]

REVIEW: The Theory of Everything [2014]

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“The little one has done it” To me Stephen Hawking has always been synonymous with physics I will never understand and that ubiquitous computerized voice cracking snide jokes. Until I saw the trailer for James Marsh‘s The Theory of Everything I never even knew he was once able to walk. It was kind of a […]

REVIEW: Thou Wast Mild & Lovely [2014]

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“My lover knows how to love me” She is not kidding when she says: “To those who feel that their cruelty is too cruel, their sadness too sad, I dedicate this film: an embrace.” Writer/director Josephine Decker means every single word because she herself has laid bare her own cruelty and sadness with Thou Wast […]

REVIEW: Always Woodstock [2014]

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“Don’t love anyone that makes you hate your art” The feature debut of writer/director Rita Merson is mired in convention. Think to yourself about five cinematic tropes that could be found in a romantic dramedy and I’ll bet you at least four are present in Always Woodstock. But that’s not telling you anything you wouldn’t […]

REVIEW: Gone with the Wind [1939]

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“All we’ve got is cotton and slaves and … arrogance” For years I’ve thought Gone with the Wind some grand, epic romance. How else could anyone take its smoldering poster of Clark Gable ready to ravish Vivien Leigh as her dress falls helplessly from her shoulders? This advert proves as manipulative as the woman positioned […]

REVIEW: God Help the Girl [2014]

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“Find the face behind the voice” Utilizing the creed “go big or go home”, Belle & Sebastian lead singer/songwriter Stuart Murdoch definitely didn’t seek to simply dabble in cinema when it came to his debut feature God Help the Girl. Beginning as a suite of songs written in the band’s downtime, he worked tirelessly to […]

REVIEW: Lilting [2014]

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“Kissing is kissing” There’s no better title for Hong Khaou‘s feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with memory and reality fading together within a single camera pan for a joltingly emotive effect. It also illustrates each character’s cautious trepidation amidst tragedy and their […]

TIFF14 REVIEW: Spring [2015]

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“I’m not drunk enough to sleep in your mother’s deathbed” The first words in Colin Geddes’ TIFF description for Vanguard selection Spring are, “Before Sunrise gets a supernatural twist.” You read that as a cinephile and you push everything aside to check out what it could mean. A horror romance co-director Aaron Moorhead described in […]

TIFF14 REVIEW: October Gale [2015]

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“Sorry. I have to put my gum in your belly button for a second.” After enjoying Ruba Nadda‘s Inescapable and hearing a ton of praise for Cairo Time, I went into her latest effort October Gale with high expectations. Whether this fact tainted my experience or not, those hopes were not met. For whatever reason […]

TIFF14 REVIEW: Prends-moi [Take Me] [2014]

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“You’re needed in the intimacy room” Short film collaborators Anaïs Barbeau-Lavalette and André Turpin-this is their third work as a duo-focus Prends-moi [Take Me] on a job very few are fit to complete. I’ve volunteered with handicapped people as a bowling scorekeeper and have seen a wide variety of group home workers come and go […]