REVIEW: Garden State [2004]

“I’ll take a hug” Sometimes a movie comes along at the perfect time. Maybe it’s a story you can relate to, a work firing on all cylinders aesthetically, or something that pulls you into its emotionality and refuses to let go. Garden State was that film for twenty-two year old, college graduate me embracing my first job in the field I hoped to one day call my career. As a working graphic designer my palette for the arts was exponentially expanding through cinema and music in ways it never had…

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REVIEW: Obvious Child [2014]

“Let’s do it on Valentine’s Day” It seems like a slight on the film since it’s a comedy, but I sincerely applaud Obvious Child for taking the subject of abortion seriously. Or maybe I should say naturally because while I never felt preached at from either side of the issue, I did laugh hard and often. There’s no flippant joke showing a protestor outside the clinic a la Juno or any espousing of a political agenda like the end of The Visitor turning immigration compassion into system vilification—it simply lets…

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REVIEW: The Fault in Our Stars [2014]

“Pain demands to be felt” We all die. Heaven, Hell, Purgatory, Oblivion: they’re all destinations that connote life has ceased to be. This is the constant; what you do during the interim is not. So whether you’re healthy, sick, sad, or happy, you have the power to make the best of any situation. You do. Not your parents, friends, loves, idols. You. Nothing teaches this lesson in literature better than the kind of cancer tome John Green hoped to put his own unique spin on with The Fault in Our…

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REVIEW: The Immigrant [2014]

“The things you do to survive” While we may not possess that ideal “good” so many want to believe is intrinsic to humanity, sometimes even the worst of us can at the very least find a shred of remorse. “Sorry” will never be enough, though. It never can. But that lapse of amorality unearthing contrition from the darkest of corners could unexpectedly ensure an end to the cycle of pain wrought by previous selfish desire. It won’t erase what came before, nor can it serve as penance for the horror…

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REVIEW: Only Lovers Left Alive [2014]

“A diamond emitting the music of a giant gong” In the age of Twilight its good to know an auteur like Jim Jarmusch can render contemporary vampires as the romantic ideals of immortality, wisdom, and survival any thought-provoking interpretation should. Gone is the CW brood from “The Vampire Diaries”, ostentatious displays of supernatural power courtesy of “True Blood”, and the heightened sexuality of all their bloodsucking quasi-porn sizzle. Replacing them is a dying breed of intellectual artists held over from centuries gone, men and women without interest in the current…

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REVIEW: Broken [2013]

“Nice shot” A Frenchman who has been working as an assistant director in Hollywood since 2009, Mathieu Turi is leveraging his experiences into a budding career as an original filmmaker too. His second short entitled Broken is a visually arduous movie that takes place almost entirely inside a stuck elevator trapping two strangers together: English-speaking Spaniard Michael (Iván González) and French-speaking Julie (Isabel Jeannin). It’s a confined space that Turi makes interesting by fading-in to different vantage points—showing them with the door at their backs, in front of the walls,…

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REVIEW: Endless Love [2014]

“Should I take off my shoes or somethin’?” If this year’s Valentine’s hopeful Endless Love does anything right it’s that it doesn’t sweat the small stuff. The crucial moment that fractures any chance of David Elliot (Alex Pettyfer) winning the approval of his girlfriend Jade Butterfield’s (Gabriella Wilde) father Hugh (Bruce Greenwood) comes as a result of petty jealousy. The kids are moonlighting after hours (read trespassing) at the local zoo when one of the group phones the cops because “boohoo” she isn’t getting any loving. Rather than waste time…

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REVIEW: Winter’s Tale [2014]

“For even time and distance are not what they appear to be” Can you buy a world where angels and demons walk alongside humans, gently coaxing us onto a path of righteousness or evil in order to tip the scales of eternity their way throughout time infinite? What about the idea that we each have a miracle to give to the one person we are meant to love unequivocally if only we’re destined to meet him/her? How about two Russian immigrants being deported back home who’d lower a model ship…

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REVIEW: Lust for Love [2014]

“Water off a duck’s back” First-time writer/director Anton King‘s Lust for Love is primed for audience consumption two years and change after its Kickstarter campaign went live. A labor of love for a group of creative friends—previously brought together on Joss Whedon‘s “Dollhouse”—this indie rom/com is a cutely funny tale refusing to hide its conclusion from frame one. Anyone who has ever seen a movie knows that a guy asking a girl to teach him how to win back his ex inevitably sparks something between them that neither party saw…

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REVIEW: Her [2013]

“Hey, do you want to have a Sunday adventure with me?” The first thing I wondered upon hearing Spike Jonze‘s new film concerned a man who falls in love with his computer’s intuitive operating system was how he’d thematically comment on the lack of physical connectivity inherent to such a pairing. What didn’t cross my mind until watching Her, however, was how shortsighted and selfish that worldview was in context to an ever-evolving universe populated by myriad personalities and beings. To see this sort of science fiction relationship as absurd…

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REVIEW: L’inconnu du lac [Stranger by the Lake] [2013]

“I won’t get tired so fast” Lust is a powerful drug that makes us do stupid things. We mistake it for love, brainwashing ourselves into thinking truths about the object of our affection don’t matter because what you have together is special. Did he treat his ex badly? Is he a jerk unwilling to see his obvious faults yet too much of a fairy tale embodiment of absolute beauty for you to care? How far would you go to be with you’re infatuation once he smiles at you? How much…

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