Romance | www.jaredmobarak.com

REVIEW: A Strange Brand of Happy [2013]

2013/09/122013/09/13 Jared Mobarak

“Is that what I hear you juncturing?” When a film’s stars are a Grammy Award-winning rock gospel singer in Rebecca St. James and an ordained minister in Joe Boyd, it doesn’t take much to realize the “faith-friendly romantic comedy” succinctly described by its poster will be an accurate summation. While this fact doesn’t automatically mean it will turn off the rest of the world who choose to ignore God for a sense of personal control in their lives, however, it definitely isn’t going to sell them on buying a ticket…

TIFF13 REVIEW: The F Word [2014]

2013/09/082013/11/04 Jared Mobarak

“Love is stupid monkeys dancing in a slapstick hurricane” I’m officially a sucker for romantic comedies where guy meets girl by engaging in sarcastically cynical conversation consisting more of glib quips than substantive information. It’s more than likely because that’s exactly what my girlfriend and I do even to this day and most definitely because I’m a hopeless romantic just like the male leads generally are. There is something absolutely relatable to the awkwardly genuine smiles of two introverts connecting with an acquired humor made funnier by the fact everyone…

TIFF13 REVIEW: 2013 Short Cuts Canada Programmes

2013/08/272013/09/16 Jared Mobarak

Programme 1 A far cry from the documentary short Joda—a visual letter to Jafar Panahi—that was included in the TIFF Short Cuts Canada Programme last year, graphic designer turned filmmaker Theodore Ushev’s Gloria Victoria is all about the visceral and aural capabilities of film without something as unnecessary as words. Full of sumptuous textured layers formed by sketch drawings, Russian Constructivist elements, what I believe were faces from Pablo Picasso’s Guernica, and more, the rising crescendo of Shostakovich’s “Invasion” from Symphony No. 7 helps spur on an emotive war in…

REVIEW: The Girl Next Door [2004]

2013/08/172013/08/18 Jared Mobarak

“I’ll always remember … “ A film not necessarily loved upon release—many actually reviled it for “glamorizing” the life of a porn star—Luke Greenfield‘s The Girl Next Door was and still is a hilarious coming of age story for a post-American Pie world. It’s about finding yourself on the cusp of high school graduation without a memory worth telling as hitting the books and being a consummate student leaves you wanting. Matthew Kidman (Emile Hirsch) did everything he was supposed to on his quest to Georgetown and only found a…

REVIEW: Sparrows Dance [2013]

2013/08/152013/08/20 Jared Mobarak

“You can’t let someone else’s genius scare you off your own genius” It only seems appropriate that I reviewed a romantic comedy yesterday where I posited its derivativeness to be a direct result of the genre simply having been exhausted beyond originality. Who knew a film like Noah Buschel’s Sparrows Dance would surprise me today by proving this thought wrong? Perhaps it isn’t the genre that has become stale, but instead the audience flocking to theatres for the same hamfisted love conquers all story repackaged ad infinitum by Hollywood. Luckily…

REVIEW: 3 Days of Normal [2013]

2013/08/142013/08/20 Jared Mobarak

“Have a super day!!” The romantic comedy is derivative as a point of fact—there are only so many ways an unsuspecting boy and girl can meet and thaw before falling desperately in love. Settings change, periphery characters provide the big laughs, and you hope the spark is realistic and sweet enough to get you through the inevitability of their union. Add in a fish-out-of-water trope done to death across all genres, though, and you’d assume the end result would be nothing short of an obnoxious waste of your time. Well,…

REVIEW: I Give It a Year [2013]

2013/07/252013/08/01 Jared Mobarak

“I’d ruin Bieber” Clumsy and cute—that’s my concise review of regular Sacha Baron Cohen collaborator Dan Mazer’s directorial debut I Give It a Year. It’s actually a perfect embodiment of the central marriage for which the bride’s sister indifferently declares the titular sentiment. They bore each other in equal measure while providing the one thing they each thought they desired. Josh (Rafe Spall) is the type of security Nat (Rose Byrne) covets at this time in her life and she is the perfect woman he’s been bred to want through…

NYAFF13 REVIEW: 은교 [A Muse] [2012]

2013/06/242013/08/08 Jared Mobarak

“How do you know what he means to me?” Breeding our youth to dream of happily ever afters with an allure of fairy tale romance may do them a disservice by completely ignoring love’s equally prevalent loneliness. We hope to shelter their innocence until they discover the truth themselves, but maybe the pain would be less if they knew. Those we desire won’t always feel the same as platonic affection can be mistaken with sexual flirtation, our fantasies finding themselves scandalous or worse. Such barriers may even increase our feelings…

REVIEW: Much Ado About Nothing [2013]

2013/06/222013/07/13 Jared Mobarak

“Get thee a wife!” Writer/director Joss Whedon finished principal photography on the most expensive and complex project of his career only to find himself starring a contractually obligated vacation in the face before beginning post-production. The Avengers had him contending with multiple superstar celebrities inside a computer-effects heavy world the likes of which a television career that utilized much of the same talent never came close to reaching. While no one would have blamed him for holing up on some beach to relax with his family, Whedon had other ideas.…

REVIEW: Before Midnight [2013]

2013/06/182013/07/14 Jared Mobarak

“To passing through” With another nine years gone, true loves Celine (Julie Delpy) and Jesse (Ethan Hawke) return to the big screen to update us on romance and relationship struggles for their current, more cynically pragmatic time. Gone is the ability to shirk responsibilities on a whim and roam European with a cute twenty-something guy or girl. Gone is the normalcy of a career-building trajectory as a thirty-something to create a life hopefully in possession of the vitality necessary to endure. The now includes second-guessing, introspective regret, and an all-too…

REVIEW: The Blue Umbrella [2013]

2013/06/172013/07/17 Jared Mobarak

The biggest impediment to Pixar’s short film The Blue Umbrella is how close its release is to that of sister studio Disney’s Paperman last year. Its story set in an evening downpour depicts the love at first site of the titular colored parasol and his red counterpart bobbing over a city sidewalk. With an unspoken attraction and embarrassed stolen glances, their would be union’s demise is simply due to their owners traveling in different directions. But much like the paper airplanes of John Kars’ 2012 film, destiny wins out with…