TIFF15 REVIEW: High-Rise [??]


“I think he’s lost his focus” As soon as the voice of Tom Hiddleston‘s Dr. Robert Laing was heard speaking narration above his weathered and crazed visage manically moving from cluttered, dirty room to darkened feverish corner, my mind started racing. Terry Gilliam‘s Fear and Loathing in Las Vegas popped into my consciousness and then […]

TIFF15 REVIEW: Into the Forest [??]


“It reveals character” The farther we advance towards a world of complete convenience, the further we distance ourselves from self-sufficiency. Every new generation loses more skills and know-how of what humanity was capable of for millennia to survive. We choose careers in dance and the arts, leave books collecting dust when the internet is at […]

TIFF15 REVIEW: Mænd & høns [Men & Chicken] [2015]


“In fact, they hadn’t been dealt any cards” While I’m not familiar with Anders Thomas Jensen‘s solo work, I am with the films he has collaborated on opposite Susanne Bier. So to see images of his latest Mænd & høns [Men & Chicken] with a weirdly disfigured and hair lipped Mads Mikkelsen readying for a […]

FANTASIA15 REVIEW: リアル鬼ごっこ [Riaru onigokko] [Tag] [2015]


“Watch the ripple” If リアル鬼ごっこ [Tag] were any indication of writer/director Shion Sono‘s warped mind, I’d almost believe he films without rhyme or reason besides excess. Based upon the Japanese novel Riaru onigokko by Yûsuke Yamada—coined by some as the Stephen King of Japan—this surreal tale of three girls in one traversing a nightmarish landscape […]

FANTASIA15 REVIEW: Crumbs [2015]


“People say the spaceship has been rusting in the sky since the beginning of the war” Spanish writer/director Miguel Llansó‘s independent film company Lanzadera Films explains its mission as a firm that focuses on “undiscovered countries, experimental, weird, hallucinatory, poetic fiction and documentary films”. I’d say his feature debut Crumbs is the epitome of exactly […]

FANTASIA15 REVIEW: Ava’s Possessions [2015]


“Did anyone call in sick for me?” When the industry is inundated with supernatural horror redundancies like it has for the past two decades, work like Edgar Wright and Simon Pegg‘s Shaun of the Dead or Justin Benson and Aaron Moorhead‘s Spring are necessary to kept things from going stale. A point when audiences simply […]

FANTASIA15 REVIEW: Hwasangorae [Crimson Whale] [2014]


“It is an offense to feed the apes” A product of the Korean Academy of Film Arts’ Advanced Program, writer/director Park Hye-mi‘s Hwasangorae [Crimson Whale] is a fascinating little sci-fi adventure. The hand-drawn character design is cutesy with young faces and oversized clothing dwarfing stature, but the 2070 Busan in which they reside is brutally […]

REVIEW: Ant-Man [2015]


“Just a tall-tale” You can tell as soon as it happens where the Marvel machine broke Edgar Wright and Joe Cornish, the two guys who had been developing Ant-Man to their singular vision since before the Cinematic Universe’s cohesive arc began. It’s a funny cameo with an Avenger, one where Scott Lang (Paul Rudd) attempts […]

REVIEW: Terminator Genisys [2015]


“If there was another way I would have taken it” Much of the success attributed to “Terminator: The Sarah Connor Chronicles” stems from it using its time travel-centric mythology to erase the franchise’s failures—mainly Terminator 3: Rise of the Machines. You’d think Terminator Salvation would have followed suit, but for whatever reason it held onto […]

REVIEW: Трудно быть богом [Hard to Be a God] [2014]


“Don’t drink. I only sniff now.” There’s a plot inside Aleksey German‘s final film Трудно быть богом [Hard to Be a God]—an audacious sci-fi epic slinging mud and feces in our faces while everyone onscreen sniffs them like drugs until we’re involuntarily following suit. No really, there is. Well, maybe a lingering vestige of what […]

REVIEW: Terminator 3: Rise of the Machines [2003]


“Anger is more useful than despair” There’s one great moment in Jonathan Mostow‘s Terminator 3: Rise of the Machines: its end. I’m not being snarky in some jokey “because it was finally over” kind of way either. It is legitimately good. Half twist, half bittersweet salvation in the face of apocalyptic nightmare where a hero […]