REVIEW: Alienated [2015]

“Which one of the men is going to see the light?” Who isn’t self-centered? If you find someone, please let me know because I don’t think that person exists. Even when we are at our most compassionate, empathetic, or charitable, our actions are still our own. We do what we do out of love—molding our lives as society or religion deems moral. Action or inaction is a choice no one can make for us. Our weakness or strength allows us to be manipulated or stand tall, not the other person’s…

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TIFF15 REVIEW: High-Rise [2016]

“I think he’s lost his focus” As soon as the voice of Tom Hiddleston‘s Dr. Robert Laing was heard speaking narration above his weathered and crazed visage manically moving from cluttered, dirty room to darkened feverish corner, my mind started racing. Terry Gilliam‘s Fear and Loathing in Las Vegas popped into my consciousness and then his Brazil after a quick title card shoves us back in time to watch as Laing enters his new concrete behemoth of a housing structure oppressively standing above a vast and still parking lot. Add…

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TIFF15 REVIEW: Into the Forest [2016]

“It reveals character” The farther we advance towards a world of complete convenience, the further we distance ourselves from self-sufficiency. Every new generation loses more skills and know-how of what humanity was capable of for millennia to survive. We choose careers in dance and the arts, leave books collecting dust when the internet is at our fingertips, and take comfort in the assumption we’re only minutes away from acquiring what we need so technology can continue sustaining us into the future. So what happens when the power goes out? What’s…

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TIFF15 REVIEW: Mænd & høns [Men & Chicken] [2015]

“In fact, they hadn’t been dealt any cards” While I’m not familiar with Anders Thomas Jensen‘s solo work, I am with the films he has collaborated on opposite Susanne Bier. So to see images of his latest Mænd & høns [Men & Chicken] with a weirdly disfigured and hair lipped Mads Mikkelsen readying for a badminton strike was to be unprepared for the dark comedy of pratfalls a la Klovn it provides. A perverse genetic-minded fairy tale about family—warts and more warts—its lead duo consisting of one brother who must…

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FANTASIA15 REVIEW: リアル鬼ごっこ [Riaru onigokko] [Tag] [2015]

“Watch the ripple” If リアル鬼ごっこ [Tag] were any indication of writer/director Sion Sono‘s warped mind, I’d almost believe he films without rhyme or reason besides excess. Based upon the Japanese novel Riaru onigokko by Yûsuke Yamada—coined by some as the Stephen King of Japan—this surreal tale of three girls in one traversing a nightmarish landscape of evil pursuers taking whatever form is most absurd lives on the edge of falling into complete randomness. You have to embrace the ride or else you’ll check out very early on because while watching…

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FANTASIA15 REVIEW: Crumbs [2015]

“People say the spaceship has been rusting in the sky since the beginning of the war” Spanish writer/director Miguel Llansó‘s independent film company Lanzadera Films explains its mission as a firm that focuses on “undiscovered countries, experimental, weird, hallucinatory, poetic fiction and documentary films”. I’d say his feature debut Crumbs is the epitome of exactly that. A self-proclaimed apocalyptic surreal science fiction, it posits a world centuries removed from a great war that’s all but extinguished life. Only the oft mistaken birth from that time remains: a new generation completely…

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FANTASIA15 REVIEW: Ava’s Possessions [2016]

“Did anyone call in sick for me?” When the industry is inundated with supernatural horror redundancies like it has for the past two decades, work like Edgar Wright and Simon Pegg‘s Shaun of the Dead or Justin Benson and Aaron Moorhead‘s Spring are necessary to kept things from going stale. A point when audiences simply stop caring does exist. It’s apparently much farther out from the fad’s onset than you’d think America’s attention-deficiency would tolerate, but it will eventually arrive. Perhaps this extended longevity can be attributed to just such…

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FANTASIA15 REVIEW: Hwasangorae [Crimson Whale] [2014]

“It is an offense to feed the apes” A product of the Korean Academy of Film Arts’ Advanced Program, writer/director Park Hye-mi‘s Hwasangorae [Crimson Whale] is a fascinating little sci-fi adventure. The hand-drawn character design is cutesy with young faces and oversized clothing dwarfing stature, but the 2070 Busan in which they reside is brutally dilapidated. Looking at young Ha-Jin or even older, bumbling explosives expert Lee carries presumptions that this might be a kid’s film, but that’s definitely not the case once the first f-bomb is delivered. Just because…

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REVIEW: Ant-Man [2015]

“Just a tall-tale” You can tell as soon as it happens where the Marvel machine broke Edgar Wright and Joe Cornish, the two guys who had been developing Ant-Man to their singular vision since before the Cinematic Universe’s cohesive arc began. It’s a funny cameo with an Avenger, one where Scott Lang (Paul Rudd) attempts to steal a device that’s supposedly important to burgling the main prize for which Hank Pym (Michael Douglas) recruited him in the first place. Cute, entertaining, and paid off by the second of two brilliantly…

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REVIEW: Terminator Genisys [2015]

“If there was another way I would have taken it” Much of the success attributed to “Terminator: The Sarah Connor Chronicles” stems from it using its time travel-centric mythology to erase the franchise’s failures—mainly Terminator 3: Rise of the Machines. You’d think Terminator Salvation would have followed suit, but for whatever reason it held onto that sub-par entry if only through the character of Kate Brewster, otherwise known as Mr. Savior of Humanity John Connor’s wife. The real issue, however, was that it also retained a desire for big theatrics…

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REVIEW: Трудно быть богом [Hard to Be a God] [2014]

“Don’t drink. I only sniff now.” There’s a plot inside Aleksey German‘s final film Трудно быть богом [Hard to Be a God]—an audacious sci-fi epic slinging mud and feces in our faces while everyone onscreen sniffs them like drugs until we’re involuntarily following suit. No really, there is. Well, maybe a lingering vestige of what Arkadiy and Boris Strugatskiy‘s original novel contained that the 74-year old auteur (who’d wanted to adapt it since the 60s before finally completing it after a decade-long production process ultimately ending in his death from…

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