TIFF16 REVIEW: City of Tiny Lights [2017]

“Death weighs heavier than heartbreak” Small-time private detective Tommy Akhtar (Riz Ahmed) has all the swagger of a hard-boiled snoop: leather jacket on his shoulders and cigarette in his mouth, leaning against London architecture in the darkened night. His office resides above some shops, he makes friendly with local convenience store owner Mrs. Elbaz (Myriam Acharki), and asks new clients where they found him because he’s not advertising in the paper. But while he’s good at his work and enjoys the struggle if only to get out of his father’s…

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REVIEW: Demon [2015]

“Goodbye, Python. Hello, Piotr.” Nothing’s allowed to derail the guests of a Polish wedding from having fun, not even the groom’s epileptic seizure. You just pick him up and cart him out. Send the ambulance away so it won’t scare the crowd, pump him full of meds to even him out, and simply bring out more vodka to spike the punch and confuse everyone’s equilibrium when the revelers start spreading rumors that he’s been possessed by a Jewish demon. We aren’t celebrating the union of man and wife after all,…

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REVIEW: The 9th Life of Louis Drax [2016]

“More than all the fish in the sea” Ten years after Anthony Minghella optioned Liz Jensen‘s The 9th Life of Louis Drax to develop cinematically, it was his son Max who saw it begin production. The younger Minghella’s first credited screenplay, probably brought to director Alexandre Aja on set of their previous collaboration Horns, it would ultimately take another two for the finished film’s release. If I were to wager a guess as to why I’d say the distributors found themselves painted in a corner unable to figure out how…

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REVIEW: Imperium [2016]

“Just because you’re not looking at something doesn’t mean it’s not there” People forget that before 9/11 our idea of a terrorist was a lone wolf type: domestic white Neo Nazis with agendas that warped their intellect into working towards creating chaos to spark a cleansing. It’s therefore interesting to look at the constituency of Donald Trump, a candidate running on a ticket that not only incites race wars but also ensures white Catholics’ safety becomes synonymous with the “nation’s safety.” I guess the idea posed in The Turner Diaries…

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REVIEW: Level Up [2016]

“See if you can get off the sofa today” You watch enough hero-backed-into-a-corner action films like Crank, Taken, or The Equalizer and you start to find your mind drifting away from the sheer monotony of their progression. Their characters are built to survive these situations no matter how dire because people want to see the good guy win. They want to see him risk everything, travel in the murky areas of morality, and be the badass society doesn’t allow them to be, but that ultimate victory is key because escapism…

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REVIEW: Sun Choke [2016]

“I think you need to clear your mind” Something happened to Janie (Sarah Hagan). Something bad. This cataclysmic event—wherein quick flashes of screams by the pool mixing with bloody red liquid screens of abstraction are all we ever see—has led her to an agreed upon house arrest. Cared for by long-time nanny Irma (Barbara Crampton), this young woman must fulfill psychological tests with colored pencils and flowers, engage in yoga centering techniques, and consume a regimented series of medication. Every day she gets better. Every day she’s more like herself.…

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REVIEW: The Grifters [1990]

“He was so crooked he could eat soup with a corkscrew” My first Stephen Frears film was High Fidelity and I loved it. A couple years later came Dirty Pretty Things and my reaction was the same. Here was a director I must keep tabs on as well as peer back towards everything pre-2000 to make sure I knew which titles to search out. The one that popped out most—despite still taking me twelve years to finally watch it—was The Grifters. Its pedigree was impeccable with a pulpy noir style…

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REVIEW: Jason Bourne [2016]

“And I heard you got hacked” In the nine years since Matt Damon last played amnesiac black ops assassin Jason Bourne, (eleven movie years considering the character exclaims he’s been running for three in The Bourne Ultimatum after The Bourne Identity bowed in 2002), there’s been a lot of chatter about making a reunion work only to have the actor and director Paul Greengrass emphatically say, “No.” It was with good reason too because they knew throwing a sequel together without a quality story that did justice to the original…

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FANTASIA16 REVIEW: I Am Not a Serial Killer [2016]

“Nightmares are nothing, man. Those pictures gave me a therapist.” Often lumped into the Young Adult category to the chagrin of author Dan Wells, I’m not sure I know many parents who would like to have their fourteen-year old child heading to theaters with friends for the cinematic adaptation of his debut I Am Not a Serial Killer. The first of what has now spiraled into a quintet of books surrounding John Wayne Cleaver; its story introduces the character as a clinically diagnosed sociopath attempting to survive adolescence within a…

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REVIEW: Our Kind of Traitor [2016]

“What am I doing here?” We received two John le Carré adaptations this year, each delivering high production value, effective performances, and somewhat weak plotting. Susanne Bier‘s The Night Manager provides a “hero” between worlds—not a bona fide spy as in A Most Wanted Man or Tinker Tailor Solider Spy, not a regular man at his rope’s end willing to do whatever’s necessary a la The Constant Gardener. Surface appearances presume to be the latter except for the fact he has military training and a penchant for killing despite a…

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REVIEW: The Invitation [2016]

“I’ve been waiting to die since the moment it happened” Death plays a large role in our lives, mortality seemingly out of reach but never forgotten. For some it knocks early—or at least earlier than we’d hope to believe. Disease, accident, and fate remind us how precious our time on Earth is. We grieve, pray, repress, and overcome, the inevitable sorrow bringing as much strength to move on as agony to stop everything. And nothing is more heartbreaking or painful than the passing of a child taken too soon and…

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