REVIEW: Bordering on Bad Behavior [2015]

“No. I don’t need a piss now.” You know that highly politicized stoner comedy about a Jew, Arab, and Christian locked together for six hours in an Israeli communications base on the Lebanese border you’ve been craving? Well, director Jac Mulder and writer Ziggy Darwish have delivered it with a punchline that pretty much writes itself. The film’s called Bordering on Bad Behavior and it’s a surprisingly introspective view on Middle East relations as well as the stubborn denial to admit wrongdoing by each side involved. Centering on an angry…

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REVIEW: Une Libération [2015]

“The Americans are coming” ***Possible Spoilers*** The sheer number of different stories that have been told out of the atrocities committed during World War II never ceases to amaze me. It shouldn’t—such a large-scale assault on humanity is nothing if not complex. When you think about breadth of the countries, cultures, and languages involved, the tally of uniquely personal tales brought home in its aftermath is infinite. While Hollywood focuses its attention on epics of artillery or repurposed accounts told through the eyes of comic book superheroes, though, such a…

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REVIEW: American Sniper [2014]

“Dude, that’s evil like I’ve never seen before” It doesn’t matter if you’re Chris Kyle or any one of the countless war veterans readjusting to civilian life stateside, half the country will call you a hero and the other a killer. While the reality lies somewhere in between, it’s almost impossible to find a war film focused on a single soldier or specific group of soldiers that doesn’t skew towards jingoistic territory or lynch mob mentality respectively. It’s therefore a welcome sight to see Clint Eastwood‘s American Sniper—based on Kyle’s…

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REVIEW: Libertador [The Liberator] [2014]

“I am the people” I think I may have snorted a bit when the short list for foreign film Academy Award nominations came out with Libertador [The Liberator] as one of its paltry ten. They wouldn’t have placed the movie with those melodramatic character posters shrouded in a dark brooding atmosphere above critical darlings like Mommy and Two Days, One Night, would they? It just goes to show how you truly cannot judge a book by its cover because even I, the hater of sprawling epics hitting checkpoint after checkpoint…

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REVIEW: Unbroken [2014]

“If you can take it you can make it” Universal Pictures has possessed the rights to Louie Zamperini’s life story since 1957 with good cause considering its scope spanning a troubled childhood, Olympic glory, and POW torture at the hands of the Japanese during WWII. Only when Laura Hillenbrand‘s mouthful of a book Unbroken: A World War II Story of Survival, Resilience, and Redemption came out in 2010 was traction finally found assumedly in large part due to her previous adaptation at the hands of Hollywood, Seabiscuit, earning seven Oscar…

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REVIEW: The Imitation Game [2014]

“Shall we leave the children alone with their new toy?” It’s highly unusual for me to get invested in a biography, so when one comes along that enthralls me as fully as The Imitation Game it’s difficult to know whether I’m simply overreacting. Director Morten Tyldum and screenwriter Graham Moore have done what so few seem to want to attempt despite it so often resonating: focus on a moment their subject is known for rather than the person himself. To give us a glimpse into his childhood for psychological markers…

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REVIEW: Fury [2014]

“Are you saved?” I can relate when people look at David Ayer‘s Fury and shake their heads saying, “We get it. War is brutal.” I can because I remember sitting down to watch The Reader in 2008 only to think how completely over Holocaust movies I was that year. I believe I saw four or five—each good, relevant, and powerful on its own terms if not overwhelming when put together. That’s kind of the point, though, isn’t it? At the end of the day the truth of the matter is…

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REVIEW: Gone with the Wind [1939]

“All we’ve got is cotton and slaves and … arrogance” For years I’ve thought Gone with the Wind some grand, epic romance. How else could anyone take its smoldering poster of Clark Gable ready to ravish Vivien Leigh as her dress falls helplessly from her shoulders? This advert proves as manipulative as the woman positioned at the film’s center because it’s Scarlett O’Hara’s (Leigh) tale from start to finish, complete with every tragic morsel of life’s lemons both unwitting and a result of her own doing. A spoiled brat believing…

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REVIEW: 300: Rise of an Empire [2014]

“Fear his freedom!” This is what a copy of a copy looks like. It pretends to be equal to the original—and in some aspects proves to be exactly the same—yet arrives seven years after everything its groundbreaking ancestor provided was expanded and evolved upon. I loved 300 and gave it a perfect score despite some issues because it was so fresh and exhilarating. It showed how the capabilities of cinema could be pushed even further than Frank Miller‘s other adaptation Sin City, breathing life into a dark and gruesome graphic…

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REVIEW: The Monuments Men [2014]

“Present company expected” There was real potential for George Clooney‘s The Monuments Men to turn into a broad comedy about a hapless band of seven working their way through Europe in search of the stolen masterpieces Adolf Hitler hid away for his own personal collection of greed. It had the hokey score sounding like a vintage WWII newsreel, threatening to show each actor mugging for the camera while looking just beyond the lens with a huge, infectious smile; over-the-top performances straight out of the 50s complete with dated cadence; jokey…

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REVIEW: Aquel no era yo [That Wasn’t Me] [2013]

“With your guns, people will respect you” If someone told me they didn’t see Esteban Crespo‘s Aquel No Era Yo [That Wasn’t Me] as more than a contrived piece of melodrama tugging at heartstrings I’d believe them and understand completely. However, for me it was an affecting work brilliantly encapsulating the climate we now find our planet caught within. This is war devoid of rules, civil unrest placing automatic weapons into children’s hands, and the naively idealistic foreigners who believe they can enact change with a friendly smile. Crespo doesn’t…

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