• conjuring201

    REVIEW: The Conjuring 2 [2016]

    “This is the closest to Hell I ever want to go” When a formula succeeds as well as that of James Wan‘s The Conjuring and its real life subjects have as extensive a Rolodex of haunting investigations as Ed and Lorraine Warren, the prospect of a sequel arrives as both inevitability and an initial pause. […]

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    REVIEW: Holy Hell [2016]

    “Maybe it’s worth it” Every story containing religious or spiritual content inherently brings with it supporters and detractors beholden to personal agendas either from experience or unwavering positions of faith. It’s difficult subject matter to truly expose objectively because religion and spirituality are by definition subjective when compared against an infinite number of other similar […]

  • midnightspecial01

    REVIEW: Midnight Special [2016]

    “Where do you belong?” Is young Alton Meyer (Jaeden Lieberher) the savior of the human race, born to unsuspecting parents inside a cult known as The Ranch in order to bring them salvation? Is he somehow an expert hacker infiltrating the NSA’s foolproof satellite transmissions courtesy of an uncanny technokinetic power no one can explain? […]

  • wingsofdesire01

    REVIEW: Der Himmel über Berlin [Wings of Desire] [1987]

    “Why am I me, and why not you?” What does it mean to be human? This is the question the Angel Damiel (Bruno Ganz) wonders from his eternal perch on high surveying, subtly steering, and always listening. He sees humanity’s joy and laughter, jealous of their ability to live, feel, and touch. Even amongst the […]

  • paristexas01

    REVIEW: Paris, Texas [1984]

    “Don’t go yet” The first word my mind conjured after watching Wim Wenders‘ Paris, Texas was honesty. It’s delivered from lead Harry Dean Stanton all the way down to Robby Müller‘s gorgeous cinematography of untouched Mojave Desert isolation and graffiti-filled urban concrete. Nothing appears inauthentic and that’s not an easy accomplishment when you think about […]



film reviews

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REVIEW: Shopping [1994]

“Don’t get caught” I don’t know what it is about Paul W.S. Anderson, but I very rarely dislike his flicks no matter the critical consensus or fandom drubbings. He isn’t the best director out there but he has created some interesting vehicles despite it—enough to accept the fact that Hollywood studios will continue giving him […]

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REVIEW: O Menino e o Mundo [Boy & the World] [2014]

Writer/director Alê Abreu‘s O Menino e o Mundo [Boy & the World] is nothing if not a breath of fresh air against the animation medium’s otherwise stagnant aesthetic of glossy computerized fare. Not only does he dive back into a traditional hand-drawn style, he does so with an un-polished rough-edged crayon texture to make it […]

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REVIEW: Poison [1991]

“I’ve just captured the sex drive” Winner of the Grand Jury Prize at Sundance, Todd Haynes‘ directorial debut Poison is a wild, outside-the-box ride. It reminded me of David Lynch‘s Eraserhead with a surreally experimental aesthetic and odd relationships sparked between over-the-top and perhaps parodied “freaks” standing-in as metaphors for humanity’s intolerance towards the “different”. […]

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REVIEW: Fear and Desire [1953]

“Rafts always float” I love that legendary filmmaker Stanley Kubrick began his career with a dud so misguided he was rumored to have tried to destroy every print in existence. In his words it was a “bumbling amateur film exercise” and he’s not wrong. But that isn’t necessarily a bad thing considering he was a […]

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REVIEW: How to Change the World [2015]

“Ecology is flow” Using the unplanned creation of Greenpeace by a group of hippie ecologists in the 1970s trying to stop nuclear bomb testing in Alaska as its backdrop, Jerry Rothwell‘s documentary How to Change the World shows us the trials, tribulations, fame, ego, and success of doing exactly that. It’s a savvy mix of […]

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REVIEW: The Runaround Club [2016]

“What exactly is your father capable of doing up there?” Directed by Matt Rindini and written Andrew Gleeson, The Runaround Club shows a lot of promise. The former has a good visual sense and paces the dramatic thriller well; the latter weaves a web of complex characters crossing paths and interacting in ways conventional thinking […]

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REVIEW: Faust: Eine deutsche Volkssage [Faust] [1926]

“The greatest miracle of all is man’s freedom to choose between good and evil” Director F.W. Murnau left Germany with a bang thanks to his big budget visual masterpiece Faust. Adapted like so many other versions from Johann Wolfgang von Goethe‘s classic take (Gerhart Hauptmann and Hans Kyser provide the titles), this rendition sets itself […]

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REVIEW: Last Day of Freedom [2015]

“And then one day it came knocking on my door” Directors Dee Hibbert-Jones and Nomi Talisman have quite the story on their hands thanks to the bravery of Bill Babbitt to allow his catharsis to be captured in a public forum such as film. A religious and loving man who watched his younger brother Manny […]

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REVIEW: Chau, Beyond the Lines [2015]

“I’m starting to get the confidence” Agent Orange still affects the Vietnamese population four decades after its dispersal because it’s taken that long to find a mode with which to begin destroying its remnants. South Vietnam with American help sprayed the herbicide (US Air Force’s own initiative Operation Ranch Hand later continued) looking to take […]

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REVIEW: Velvet Goldmine [1998]

“It’s funny how beautiful people look when they’re walking out the door” What if Citizen Kane wasn’t about Charlie’s Foster Kane but instead the interviewer tasked with speaking to those in Kane’s life, mining for the meaning of “Rosebud”? This is sort of where director Todd Haynes (co-written with James Lyons) begins his fictional account […]

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REVIEW: Army of Darkness [1993]

“Well hello, Mr. Fancy Pants” Only Sam Raimi knows how you travel from The Evil Dead‘s straight low-budget horror to the campy “ultimate experience of medieval horror” ten years later, but it’s obviously worked for him considering the series jump-started his promising career to the heights of Hollywood’s Spider-Man. Even so, that original trilogy is […]

girlintheriver

REVIEW: A Girl in the River: The Price of Forgiveness [2015]

“Because they had sworn on the Quran, I had no fear in my heart” When you read that Sharmeen Obaid-Chinoy‘s documentary short A Girl in the River: The Price of Forgiveness concerns a Pakistani girl shot and left for dead who survived to become a beacon of strength and bravery, do not simply dismiss it […]

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REVIEW: Claude Lanzmann: Spectres of the Shoah [2015]

“Claude used to be a friend of mine—he no longer is.” Claude Lanzmann: Spectres of the Shoah is a document of a documentarian: a time capsule of the twelve-year gestation of what’s possibly the greatest non-fiction works in cinematic history. Shoah‘s a ten-hour look at the Holocaust’s devastation via survivors and perpetrators in varying modes […]

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REVIEW: Body Team 12 [2015]

“My life is a sacrifice for the country to succeed” For Americans the Ebola scare was a handful of cases and nurses who weren’t as careful as they should have been. To the world it was thousands upon thousands of dead bodies—loved ones that family members can’t normally mourn because every second the deceased’s blood […]

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REVIEW: Panique au village [A Town Called Panic] [2009]

“Your car is completely broken” Based on the animated series of the same name, Stéphane Aubier and Vincent Patar‘s feature length Panique au village [A Town Called Panic] is a far cry from short five-minute skits. With that said, it’s easy to see how it was born from such a format considering the irreverent humor […]