• exmachina01

    REVIEW: Ex Machina [2015]

    “The history of man? That’s the history of Gods.” Artificial intelligence isn’t new. It’s in video games, toys, software platforms—most computer systems we interact with daily possess it in some capacity. The idea that one day someone will code a manufactured consciousness capable of becoming sentient, however, is still in the realm of science fiction. […]

  • buffalo66a

    REVIEW: Buffalo ’66 [1998]

    “Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent […]

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    INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of Spring

    Sometimes the festival experience has a way of making you overrate films. The excitement of seeing things early with like-minded individuals, listening to filmmakers talk before and after their screenings, and the general festival aura are hard to separate from the work itself. So I won’t lie and say I didn’t re-watch Aaron Moorhead and […]

  • top10_2014

    Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

    I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

  • wildtales01

    REVIEW: Relatos salvajes [Wild Tales] [2014]

    “Crime of passion?” Best. Wedding. Ever. And trip to the bureaucratic black hole that is government sanctioned towing. And expertly planned, faux fateful airline flight this side of “Lost”. I mean it. Damián Szifrón‘s Relatos salvejes [Wild Tales] is a twisted cousin of Krzysztof Kieslowski‘s The Decalogue, a sextet of darkly comic morality plays where […]



film reviews

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REVIEW: Lilting [2014]

“Kissing is kissing” There’s no better title for Hong Khaou‘s feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with memory and reality fading together within a single camera pan for a joltingly emotive effect. It also illustrates each character’s cautious trepidation amidst tragedy and their […]

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REVIEW: The Maze Runner [2014]

“Wicked is good” There’s really no better way to start The Maze Runner than Wes Ball‘s opening. I’ve not read James Dasher‘s novels and probably knew less than the trailer foretold since it’s been so long since I last saw it. So watching the pitch-black screen stare at me while scrapping metal creaked until a […]

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REVIEW: Björk: Biophilia Live [2014]

“If you feel like dancing, don’t stop yourself” Icelandic musician Björk has always been somewhat uncategorizable with a career that’s uniquely evolved to the beat of her own electronic drum. There was the infamous swan dress, her critically acclaimed foray into acting for Lars von Trier‘s Dancer in the Dark, collaborations with cutting edge artists […]

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TIFF14 REVIEW: Beats of the Antonov [2014]

“Laughter is like a new birth” Sudanese director Hajooj Kuka‘s documentary Beats of the Antonov is smartly constructed in a way that eases us into the political message and hope for peace lying underneath the music and laughter initially portrayed. Beginning with a look at the people residing in the Blue Nile and the Nuba […]

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REVIEW: This is Where I Leave You [2014]

“Secrets are cancer to a family” Get ready because I’m going to throw some hyperbole your way. Here it is: This Is Where I Leave You is Franny and Zooey meets The Big Chill. Now hold on a second and let me explain. Jonathan Tropper is not J.D. Salinger and Shawn Levy isn’t Lawrence Kasdan. […]

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REVIEW: Tusk [2014]

“I believe we’re all tea people” I want to dismiss Kevin Smith‘s second foray into horror as total bullshit. I really do. Not only was Tusk created on a lark because one of his and Scott Mosier‘s internet Smodcasts recorded them discussing a crazy Gumtree ad offering a room for rent if the lodger agreed […]

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TIFF14 REVIEW: The Riot Club [2014]

“People like us don’t make mistakes” I’ll bet Laura Wade’s 2010 play Posh is something special to see on stage. A fictionalized take on Oxford University’s exclusive Bullingdon Club—sons of wealthy Brits who attended the best boarding/prep schools before following in their patriarchy’s footsteps to enjoy vandalizing college rooms as an initiation ploy and restaurants […]

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TIFF14 REVIEW: Loin des hommes [Far From Men] [2015]

“I’m not taking you anywhere. Tomorrow you’re leaving.” Writer/director David Oelhoffen has a special film on his hands because its powerful tale begs audience members to learn more about the subject. I’m not talking about the fictional character of Daru (Viggo Mortensen) secluding himself in the mountains to teach young Arab children how to read […]

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TIFF14 REVIEW: Adult Beginners [2015]

“What? Never seen a kid in a suitcase before?” No one is ever going to say Ross Katz‘s Adult Beginners is original. The opening implosion for Jake’s (Nick Kroll) multi-million dollar investment project was done in Elizabethtown, his frightened guilt in not being there when his mother died of cancer is Garden State, and the […]

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REVIEW: Calvary [2014]

“I’ve always found forgiveness to be underrated” I’m not a religious man—hell, I’m barely agnostic. I’m also not sure if that truth helps my finding John Michael McDonagh‘s Calvary as powerful as I believe it to be or simply evidence of it’s universality for both churchgoers and not. A reflection on faith, God, and ourselves […]

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TIFF14 REVIEW: Still [2014]

“See? Told you everything would be fine.” Co-written with Kaveh Mohebbi and directed by Slater Jewell-Kemker, the psychological science fiction Still is a captivating yarn I initially believed was done a disservice by being too short. I found myself wondering about these characters—Emily Piggford‘s Sadie and Giacomo Gianniotti‘s Jake—and what their dynamic was before getting […]

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TIFF14 REVIEW: Spring [2015]

“I’m not drunk enough to sleep in your mother’s deathbed” The first words in Colin Geddes’ TIFF description for Vanguard selection Spring are, “Before Sunrise gets a supernatural twist.” You read that as a cinephile and you push everything aside to check out what it could mean. A horror romance co-director Aaron Moorhead described in […]

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TIFF14 REVIEW: Kill Me Three Times [2014]

“Quality always costs” Director Kriv Stenders left the audience seated for his latest film Kill Me Three Times with the words, “I hope you have as much fun watching as we had making it”. I doubt I did, but I cannot deny it wasn’t the sort of entertaining romp that keeps you on your toes […]

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TIFF14 REVIEW: Bang Bang Baby [2015]

“I am that. I am the service station.” Harkening back to the era of its setting, Bang Bang Baby embraces the over-the-top aesthetic of 1963 entertainment with small town girl Stepphy (Jane Levy) dreaming big for a chance at stardom in New York City. Overproduced, old-timey vocals emanate from her mouth as faux backdrops provide […]

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TIFF14 REVIEW: The Cobbler [2015]

“I’m not gonna eat you!” Adults need fairy tales too and Thomas McCarthy—with cowriter Paul Sado—deliver one in The Cobbler. They don’t try to pretend it’s something more either as its opening prologue can attest thanks to older tradesmen on the Lower East Side speaking Yiddish around a table to think up a way to […]