• Top 100 Albums of 2016

    Honorable Mention: #100: Above Water by Gibbz #99: Muzik by Delorean #98: Lonely Is a Lifetime by The Wild Feathers #97: iii by Miike Snow #96: Let Them Eat Chaos by Kate Tempest #95: Good Will Prevail by GRiZ #94: Blackstar by David Bowie #93: Everything You’ve Come To Expect by The Last Shadow Puppets […]

  • REVIEW: Get Out [2017]

    “Magic isn’t real” If you ever watched “Key & Peele” you’d know the line between comedy and horror is very fine. Their sketches would often devolve into a horrific situation that you’d have to cry about if you weren’t already laughing. I think of “Aerobics Meltdown” where there’s this hilarious conceit of Keegan-Michael Key and […]

  • The 89th Oscars recap through tweets …

    pic.twitter.com/oGJkXytnQ2 — PwC LLP (@PwC_LLP) February 27, 2017 So that actually happened. Warren Beatty opened the Best Picture envelope, furrowed his brow, and looked for another card. He’s thinking, “This is wrong.” He stalls—his body language coming off as a joke in the moment, the audience and his co-presenter Faye Dunaway laughing at what appears […]

  • REVIEW: Toni Erdmann [2016]

    “That was real fear” I wasn’t sure what to think upon realizing it was Maren Ade who directed Toni Erdmann, the wild comedy that took Cannes by storm. Her previous film Alle Anderen was very much a drama—a fantastic one at that—and this switch brought intrigue. Now that I’ve finally seen it, however, it’s easy […]

  • REVIEW: Logan [2017]

    “Does she remind you of anybody?” Calling any X-Men adaptation a gamble seems stupid considering the mass appeal comic book movies still hold at the box office, but Hollywood has a way of making those sentiments true when artists start bandying about the R-rated label. The standalone Wolverine films have seen what shying away from […]



film reviews

REVIEW: Dog Eat Dog [2016]

“It’s death or victory” After forty odd years as a career criminal in-and-out of jail, Edward Bunker changed his life by writing fictionalized accounts of his experiences for a lucrative career as novelist, screenwriter, and eventually actor. He got Danny Trejo a part on a project he wrote entitled Runaway Train after spending time with […]

REVIEW: The Birth of a Nation [2016]

“I pray you sing to the Lord a new song” It’s impossible to watch Nate Parker‘s The Birth of a Nation today without making note of the controversy surrounding him. Emotions have run high and the first-time director has met a backlash of calls for boycott stemming from a 1999 rape case of which he […]

REVIEW: Audrie & Daisy [2016]

“u don’t know what it’s like to be a girl” There’s a great moment towards the end of Bonni Cohen and Jon Shenk‘s documentary Audrie & Daisy where Sheriff Darren White starts preaching how boys can be victims and girls at fault as easy as the other way around. He’s not wrong and Cohen’s voice […]

REVIEW: The Accountant [2016]

“You deserve wow” This is one of those cases where a film might have benefited from a smaller budget. Where you wish Warner Bros.’s independent shingle didn’t shutter in 2008. It’s not like $44 million is a huge sum of money—not by Hollywood standards anyway—but if you cut it in half, maybe lose the star […]

REVIEW: Jack Goes Home [2016]

“Artists write poetry. Assholes just complain.” There’s no question that Thomas Dekker‘s sophomore effort as writer/director is a head-scratcher. What you as a viewer must decide is whether or not to keep scratching. I don’t think anyone outside of Dekker himself can truly unpack the type of psychological chaos occurring within Jack Goes Home and […]

BIFF16 REVIEW: Mercy [2016]

“Why would you let her suffer?” It’s practically impossible to talk about what’s happening in Chris Sparling‘s latest thriller Mercy without spoiling it. The writer/director knows, splitting it into three pieces as a result: the first third completely shrouded in mystery, the next a replay from alternative perspectives, and the last the truth of the […]

BIFF16 REVIEW: Off the Rails [2016]

“I’m volunteering my time” It starts as a lark: Darius McCollum led away in handcuffs with smile ear-to-ear. We think this is a guy having fun pretending to be a Metropolitan Transportation Authority (MTA) employee. He knows what he’s doing, never hurts a soul, and gets people where they’re going on time whether by subway […]

BIFF16 REVIEW: 2307: Winter’s Dream [2016]

“I guess Hell finally froze over” The year is 2307 and Earth is three centuries removed from climate change transforming its surface to glacial ice. Humanity has evolved to living underground, improving technology to help sustain their tenuous ecosystem outside of the subzero temperatures. This includes insulation injections to combat cold for up to 48-hours, […]

BIFF16 REVIEW: Tony Conrad: Completely in the Present [2016]

“No LSD needed” When Tony Conrad passed away in April 2016, I knew of him as an experimental filmmaker. It’s hard to be an art student at the University at Buffalo—despite his teaching in Media Studies rather than Fine Art—and not know his name at the very least. But that was all I knew: a […]

REVIEW: A Wedding [1978]

“Death is a four letter word” It’s unfathomable to think that a film as elaborately sprawling as Robert Altman‘s A Wedding was given birth out of a joke, but that’s exactly what happened. Having some fun with an interviewer during publicity on 3 Women, the director exclaimed that his next work would be “a great […]

REVIEW: Coming Through the Rye [2016]

“Everyone loves Mercutio” Emmy-winning director James Steven Sadwith makes his feature theatrical debut with a story close to his heart. Coming Through the Rye fictionalizes his experiences as a 1969 boarding school teen and his adventure finding reclusive author J.D. Salinger. We assume liberties were taken considering the opening caption loquaciously elongates the usual “inspired […]

REVIEW: Sam [2016]

“I kinda like being the only guy in New York with a gynecologist” Even though Nicholas Brooks is about thirty years too late for his gender-swapping, chauvinistic rom-com Sam, he does end up successfully subverting expectations. Don’t get me wrong: it’s not a good movie. There are enough fades to black to make me drowsy […]

REVIEW: The Girl on the Train [2016]

“I’m not the girl I used to be” I like unreliable narrators because it’s fun to witness actions unfolding without knowing whether anything onscreen is real. The person could be a liar, schizophrenic, a secondary source ignorant to pertinent facts, or simply mistaken. So I got excited upon learning of Paula Hawkins‘ The Girl on […]

BIFF16 REVIEW: Tower [2016]

“Stay away from the university area” My first experience with rotoscope animation was probably Richard Linklater‘s Waking Life in 2001. I found it a fascinating technique retaining the live action movement and reality while allowing the room to add dream-like flourishes of fantasy that fit the frame aesthetically. You don’t care when someone’s head becomes […]

BIFF16 REVIEW: Gold Star [2016]

“I wish I could stop worrying about everything” I know what Victoria Negri‘s debut feature Gold Star is about even if it never quite finds the footing to fulfill its promise. It’s about a young woman trapped in a life she never thought she’d lead as a part-time fitness club employee who’s lost the nerve […]