• buffalo66a

    REVIEW: Buffalo ’66 [1998]

    “Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent […]

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    INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of Spring

    Sometimes the festival experience has a way of making you overrate films. The excitement of seeing things early with like-minded individuals, listening to filmmakers talk before and after their screenings, and the general festival aura are hard to separate from the work itself. So I won’t lie and say I didn’t re-watch Aaron Moorhead and […]

  • top10_2014

    Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

    I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

  • wildtales01

    REVIEW: Relatos salvajes [Wild Tales] [2014]

    “Crime of passion?” Best. Wedding. Ever. And trip to the bureaucratic black hole that is government sanctioned towing. And expertly planned, faux fateful airline flight this side of “Lost”. I mean it. Damián Szifrón‘s Relatos salvejes [Wild Tales] is a twisted cousin of Krzysztof Kieslowski‘s The Decalogue, a sextet of darkly comic morality plays where […]

  • faults01

    REVIEW: Faults [2015]

    “What did you lose?” There’s an inherent paradox to the universally held idea of cults being destructive. So quick to deem what occurs within them unnatural—namely a leader using his charisma to indoctrinate the weak into a “family” that understands them—we forget to acknowledge how much of our own lives follow the same pattern. As […]



film reviews

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REVIEW: Track [2015]

“I probably should have picked up your gun” There have been many iterations of the dark morality tale known most recently as “The Scorpion and the Frog”. Before its take around 1954, however, came similar fables from Aesop (“The Farmer and the Viper” and “The Snake and the Farmer”) as well as that of Arab/West […]

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SXSW15 REVIEW: Deep Web [2015]

“We are the darkness” Alex Winter‘s new documentary Deep Web provides many unanswered questions the future will certainly shed light on soon. This is its point. While also giving a layman’s education on its subject matter—the Dark Net within, Tor as a means to access it, Silk Road and other illegal marketplaces utilizing it, etc.—the […]

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REVIEW: Lucid [2015]

“In my dreams you’re trying to kill me” As a proof of concept for what is currently in development as an episodic series, Kevin K. Shah‘s short film Lucid provides a psychological wallop of quick cuts and disorientation. It’s ending reveals itself as a beginning for something larger—an unexplained answer to the questions we’ve been […]

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REVIEW: It Follows [2015]

“How about that woman in the yellow dress?” It was only a matter of time before horror literally made an STD monster. With the trope of sex leading to one’s demise so prevalent in the genre, it makes sense to create a predator that jumps from one potential victim to the next via intercourse. What […]

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REVIEW: Cinderella [2015]

“Have courage and be kind” For anyone who cannot stand singing, Disney’s latest iteration of the timeless Cinderella is catered to you. I know Chris Weitz and the other screenwriters on the project before him poured through the fairy tale’s vast lineage for every detail they could cull together into what they surely believe to […]

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REVIEW: Frozen Fever [2015]

“Dry Banana Hippy Hat” I liked Frozen as much as the next person for telling a familiar story in a new way with emotion, surprises, and a cute little snowman named Olaf (Josh Gad). However, I can’t imagine even the staunchest supporter of its legacy doesn’t possess some fatigue. Elsa and Anna are everywhere, “Let […]

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REVIEW: Faults [2015]

“What did you lose?” There’s an inherent paradox to the universally held idea of cults being destructive. So quick to deem what occurs within them unnatural—namely a leader using his charisma to indoctrinate the weak into a “family” that understands them—we forget to acknowledge how much of our own lives follow the same pattern. As […]

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REVIEW: The Fast and the Furious: Tokyo Drift [2006]

“I thought you loved me?” The Justin Lin/Chris Morgan era begins with The Fast and the Furious: Tokyo Drift and it’s a welcome improvement. Not only does the visual style evolve to be less cartoonish in its power zooms, but the sense of humor finds a happy medium between The Fast and the Furious‘ severity […]

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REVIEW: Chappie [2015]

“I want to go home” I understand the general public not wanting to go as far into sci-fi as Neill Blomkamp goes with Chappie—although they loved the similar lengths of District 9—but it’s hard to believe the critical sphere has taken such a hard stance against it. Actually, maybe it’s not too difficult to believe […]

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REVIEW: A Girl Walks Home Alone at Night [2014]

“Are you a good boy or not?” The comparisons are so spot-on that I knew critics before me had made the same parallels before even looking. Ana Lily Amirpour‘s debut feature A Girl Walks Home Alone at Night is Jim Jarmusch cool with Quentin Tarantino swagger—an Iranian Vampire Western calling to mind Dead Man and […]

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REVIEW: Run All Night [2015]

“Me and you” There’s something to be said about knowing exactly what you’re getting and Jaume Collet-Serra is proving consistent enough to deliver that promise through his films. Whereas Luc Besson spins a revolving door of directors to helm his actioners—mostly tongue-in-cheek, over-the-top fare (besides the original hit-maker Taken) he doesn’t deem worthy of his […]

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REVIEW: The DUFF [2015]

“Can I have some peaches and pears?” CBS Films and Lionsgate are using an interesting approach to pitch The DUFF. Watching their first trailer made me check the calendar, wondering if I had somehow been transported back in time. Not only were they openly calling someone a Designated Ugly Fat Friend to her face as […]

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REVIEW: 2 Fast 2 Furious [2003]

“I’m not going back to Barstow” It would appear that we have Michael Brandt and Derek Haas to blame (thank?) for the sudden change from overwrought melodrama to self-aware comedy I would attribute to giving the Fast and the Furious franchise its longevity. Being that I had only ever seen the first, fifth, and sixth […]

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REVIEW: Power/Rangers [2015]

“Bullshit is an ugly color on you” I watched “Voltron” growing up so I was never a huge proponent of “Mighty Morphin Power Rangers” when they arrived on the scene. There was always a sense of facsimile in my mind and the goofiness of the whole thing didn’t help recruit me into their legion of […]

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REVIEW: Левиафан [Leviafan] [Leviathan] [2014]

“These animals are not the whole town” It doesn’t get much bleaker or more cynical than Andrey Zvyagintsev‘s Левиафан [Leviathan]. He and cowriter Oleg Negin were inspired by many stories—”killdozer” rampage orchestrator Marvin Heemeyer, the Bible’s Job and King Ahab, and Heinrich von Kleist’s novella Michael Kohlhaas—all of which I know nothing about. Reading a […]