• starredup01

    REVIEW: Starred Up [2014]

    “Single cell. High risk.” The hype on Jack O’Connell is real. And I’m only basing that sentiment on one film. Something tells me, though, that Unbroken in a couple weeks and ’71 next year will succeed at corroborating the notion because his turn in David Mackenzie‘s Starred Up is simultaneously fierce and vulnerable like few […]

  • whiplash01

    REVIEW: Whiplash [2014]

    “I belong here” And here I naively thought the dinner sequence from The Riot Club would end up proving my favorite scene of the year despite the film itself leaving a lot to be desired. It just goes to show that you can never be sure until every prospective entry is counted because the final […]

  • interstellar01

    REVIEW: Interstellar [2014]

    “Who’s they?” Say what you will about Christopher Nolan, the man knows how to make resonate blockbusters. He knows movies—plain and simple. There has always been a power in cinema that hits us at an emotionally deep level, a window into our souls through the characters onscreen we have learned to cherish as though extensions […]

  • clockworkorange01

    REVIEW: A Clockwork Orange [1971]

    “No time for the old in-out, love, I’ve just come to read the meter.” It didn’t take long for the theatrical experience to prove essential when watching A Clockwork Orange on the big screen. As Henry Purcell‘s March from “Funeral Music for Queen Mary” plays, the frame is filled with a solid bright orange so […]

  • birdman01

    REVIEW: Birdman or (The Unexpected Virtue of Ignorance) [2014]

    “The truth is always interesting” It’s true what the film’s Times‘ theater critic (Lindsay Duncan) says: an artist should bleed for his craft. Physically, spiritually, metaphorically—blood must be spilt so the world knows he was here, selflessly (selfishly?) making us laugh, cry, and reflect on lives well lived and squandered. This is why those who […]



film reviews

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REVIEW: Prada: Candy [2013]

“I baked a cake” The message appears to be that Prada will make you irresistible as well as vain enough to yearn for the attention it demands. I guess this means it’s a job well done being that Prada: Candy is a commercial, but as a short film it’s lacking in showing us something other […]

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REVIEW: Cousin Ben Troop Screening with Jason Schwartzman [2012]

“Why? Why? I don’t know.” A Funny or Die exclusive promoting the release of Moonrise Kingdom, Cousin Ben Troop Screening with Jason Schwartzman is a two-minute piece directed by the feature’s Wes Anderson with co-writing duties from Roman Coppola. Schwartzman reprises his role as Cousin Ben while the children paying admission to watch his tented […]

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REVIEW: The Mule [2014]

“Who doesn’t want a veranda, eh?” Directors Tony Mahony and Angus Sampson‘s The Mule is not at all what I expected. The marketing materials draw it up as a B-movie romp, something the involvement of Sampson and Saw co-creator Leigh Whannell (they co-wrote this one together from a story by Jaime Browne) helps corroborate. Besides […]

whiplash01

REVIEW: Whiplash [2014]

“I belong here” And here I naively thought the dinner sequence from The Riot Club would end up proving my favorite scene of the year despite the film itself leaving a lot to be desired. It just goes to show that you can never be sure until every prospective entry is counted because the final […]

dodgeball01

REVIEW: Dodgeball: A True Underdog Story [2004]

“So what are you dying from that’s keeping you from the finals?” I’m usually the guy who watches the trailer for a stupid raunchy comedy and instantaneously declares it unworthy of my time. For some reason, however, Rawson Marshall Thurber‘s Dodgeball: A True Underdog Story hit every mark necessary to have me believing it could […]

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REVIEW: Thou Wast Mild & Lovely [2014]

“My lover knows how to love me” She is not kidding when she says: “To those who feel that their cruelty is too cruel, their sadness too sad, I dedicate this film: an embrace.” Writer/director Josephine Decker means every single word because she herself has laid bare her own cruelty and sadness with Thou Wast […]

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REVIEW: Butter on the Latch [2014]

“Because she sat on Pinocchio’s head” I’m going to run with this quote from director Josephine Decker: “I think an ending is much more exciting if even I don’t know what it ‘means’.” For all intents and purposes she’s giving permission for me to make of her fiction narrative feature debut Butter on the Latch […]

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REVIEW: Dumb and Dumber To [2014]

“I don’t even know cursive” Nope. Not even the movie that started it all can save the fledgling career of the Farrelly Brothers. Despite reading an interview of them speaking about how great the sequel’s script was due to its being almost identical to the first, I entered their last film with an open mind. […]

interstellar01

REVIEW: Interstellar [2014]

“Who’s they?” Say what you will about Christopher Nolan, the man knows how to make resonate blockbusters. He knows movies—plain and simple. There has always been a power in cinema that hits us at an emotionally deep level, a window into our souls through the characters onscreen we have learned to cherish as though extensions […]

radheradhe01

REVIEW: RADHE RADHE: Rites of Holi [2014]

“Oh Radha, you are voluptuous, pure and always forgiving, the source of life itself, our beloved, delightful as a blossoming lotus.” An art piece bridging Vijay Iyer‘s newest energetic composition as played by the International Contemporary Ensemble and stunning footage of Holi celebrations in the Braj region of India, RADHE RADHE: Rites of Holi proves […]

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REVIEW: Dumb and Dumber [1994]

“You sold my dead bird to a blind kid?” It’s the film that brought us the high concept, gross-out comedy sensibilities of Peter and Bobby Farrelly and it has some of the most memorable laughs of the 90s. The filmmaking brothers would go on to create a mixed bag of obnoxious, offensive, and hit or […]

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REVIEW: Always Woodstock [2014]

“Don’t love anyone that makes you hate your art” The feature debut of writer/director Rita Merson is mired in convention. Think to yourself about five cinematic tropes that could be found in a romantic dramedy and I’ll bet you at least four are present in Always Woodstock. But that’s not telling you anything you wouldn’t […]

clockworkorange01

REVIEW: A Clockwork Orange [1971]

“No time for the old in-out, love, I’ve just come to read the meter.” It didn’t take long for the theatrical experience to prove essential when watching A Clockwork Orange on the big screen. As Henry Purcell‘s March from “Funeral Music for Queen Mary” plays, the frame is filled with a solid bright orange so […]

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REVIEW: Turist [Force Majeure] [2014]

“You can’t run in snow boots?” Very rarely does an international name change occur for the better, but few titles are more perfect for their respective film than Force Majeure. The original Swedish moniker was Turist, a succinct and appropriate label considering the entire piece portrays a family’s five-day ski vacation in French Alps. Force […]

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REVIEW: Maps to the Stars [2014]

“… Liberty” There are many versions of Hollywood I would never wish to live within—including the real one—but it appears those crafted by Bruce Wagner might be the most nightmarishly hedonistic, vile, and depressingly pathetic. A man who grew up in Los Angeles via Wisconsin and probably experienced many of the selfish acts of depravity […]