• jalmarihelander-interview01

    INTERVIEW: Jalmari Helander, writer/director of Big Game

    After finding success from his debut feature Rare Exports: A Christmas Tale—an expansion of a world he created through two previous shorts all released together by Oscilloscope—Finnish writer/director Jalmari Helander did what many European filmmakers do and went English-language for his sophomore effort. But he did so on his terms by once again writing his […]

  • davidgordongreen-interview01

    INTERVIEW: David Gordon Green, director of Manglehorn

    In the six years between Snow Angels and Prince Avalanche, writer/director David Gordon Green became a collaborator on a string of comedies of which he was not credited as a writer. In the two years since he’s utilized that process with drama Joe and now Manglehorn. He’s said in other interviews that it’s a way […]

  • patherpanchali01

    REVIEW: pɔt̪ʰer pãtʃali [Pather Panchali] [Song of the Little Road] [1955]

    “Go ask him for money” The story behind Satyajit Ray‘s debut film pɔt̪ʰer pãtʃali [Pather Panchali] [Song of the Little Road] is one you cannot separate from the work itself. It’s an underdog tale full of hardship and financial woe—incidents that dragged production along for three years before finally bringing India to the world in […]

  • insideout01

    REVIEW: Inside Out [2015]

    “I call it the Happy Core Memory Development Program” The simplest ideas really are the greatest and Pixar’s made a legacy built on just such an ideal. They brought toys to life as living companions caring for our children. They humanized the monsters in our closets, conjured a spark of love in the circuitry of […]

  • madmax401

    REVIEW: Mad Max: Fury Road [2015]

    “Our babies will not be warlords” It’s not often delays, financial dissolutions, and waning interest make a film better, but I don’t want to know what Mad Max: Fury Road might have been without them. In its current form the film embodies a logical escalation of what director George Miller began over three decades ago […]



film reviews

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REVIEW: Big Game [2015]

“Life is just too damn short not to have a cookie when you want one” Despite being rated PG-13 in America, Jalmari Helander‘s Big Game should target audiences between 10-15 like Dan Smith’s Young Adult novelization of the film. Being a Finnish production—the most expensive in the country’s history—probably means it did just that abroad. […]

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REVIEW: Kung Fury [2015]

“Yeah. That’s my bicep.” After earning three times its goal on Kickstarter, the thirty-minute short Kung Fury went into production in hopes of melting minds with Heavy Metal synth ballads and gratuitous gore like only the 80s could provide. The brainchild of Swedish commercial and music video director David Sandberg, this opus to over-the-top cheesy […]

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REVIEW: The Case Against 8 [2014]

“You are the case … it all flows through you” It’s a landmark case with civil rights reverberations that have shaken the country on its way to a current thirty-seven states legalizing same-sex marriage and counting. But that doesn’t mean the public knows what happened since the US Supreme Court barred cameras from allowing them […]

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REVIEW: Terminator 2: Judgment Day [1991]

“You’re really real” Oh what seven years can accomplish through cinematic technological achievement. While The Terminator still looks good today, Terminator 2: Judgment Day looks amazing. Director James Cameron acknowledges his evolutionary leap by opening the follow-up with a near-replica 2029 Los Angeles prologue as the first to showcase exactly how far forward. These new […]

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REVIEW: San Andreas [2015]

“Played a little tug-of-war with a car” Can you call a movie a disaster flick without the President of the United States declaring a state of emergency? While I ask in jest, we do expect such a sobering announcement to arrive with music soaring and heroic platitudes raining down. It never comes here, though, and […]

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REVIEW: The Terminator [1984]

“It’s just him and me” Sometimes the road to success hinges on a series of happenstances and whom you know. Just ask James Cameron: on-set special effects director for Piranha II: The Spawning (former boss Roger Corman produced the first) before it became his directorial debut due to creative differences between his predecessor and producer […]

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REVIEW: How to Save Us [2014]

“Have you seen mom and dad yet since they’ve died?” A plague has decimated Tasmania to the point where everyone is either dead or evacuated. Everyone but Sam Everett (Coy Jandreau), the youngest of three siblings yet to cope with the death of his parents, present to visit his family’s old vacation home on the […]

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REVIEW: Roar [1981]

“They’re not trained cats. They’re just my friends.” Disparaging Roar as a film means nothing in the grand scheme of things when no one will ever watch it as a movie above the near-deadly document of misguided, Hollywood liberal stupidity it is. Drafthouse Films knew this when they decided to rerelease the infamous action/adventure thirty-five […]

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REVIEW: Entourage [2015]

“I don’t worry. I win.” I was a big fan of “Entourage”—loved the first four seasons and remained entertained until the end. The fact Doug Ellin received backing for eight seasons is a success story in itself because you can only recycle the same story beats so often before the audience loses interest. Who cares […]

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REVIEW: Tomorrowland [2015]

“Which wolf wins?” The only constant the future holds is how today’s will look nothing like tomorrow’s. It would have been an amazing experience to see the vision Walt Disney had for his Experimental Prototype Community of Tomorrow in Orlando, but he of course sadly passed away in 1966 and that land became the Magic […]

madmax401

REVIEW: Mad Max: Fury Road [2015]

“Our babies will not be warlords” It’s not often delays, financial dissolutions, and waning interest make a film better, but I don’t want to know what Mad Max: Fury Road might have been without them. In its current form the film embodies a logical escalation of what director George Miller began over three decades ago […]

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REVIEW: Pitch Perfect 2 [2015]

“And there are the props” A surprise hit from 2012, Pitch Perfect was more than hype. It was good. Good enough for a sequel? Sure. I was excited to see what might happen until the trailer dropped. Boy did that thing look like a train wreck attempt at capturing lightning in a bottle by mimicking […]

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REVIEW: Mad Max Beyond Thunderdome [1985]

“He can beat most men with his breath” It’s said that Mad Max Beyond Thunderdome is based (without credit) on Russell Hoban‘s science fiction novel Riddley Walker. This could be true, but to my eye the finished product bears a striking resemblance to the 80s fantasy aesthetic thus far utilized during the decade. More of […]

madmax201

REVIEW: Mad Max 2: The Road Warrior [1981]

“I’m just here for the gasoline” Welcome to the “Wastelands”. This is the Mad Max I remember—a desolate post-apocalyptic future riddled with mohawk-toting, S&M leather-wearing marauders bearing teeth and chaining submissives/human guard dogs on leashes until the fight needs some extra wild. It’s no surprise Hollywood changed the name from Mad Max 2 to The […]

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REVIEW: Mad Max [1979]

“I’m a fuel-injected suicide machine” You couldn’t turn on the television without seeing Mad Max Beyond Thunderdome when I was growing up. I couldn’t tell you anything about it besides the fact Tina Turner co-starred, but I remember the whole terminally crazed aesthetic of George Miller‘s post-apocalyptic world. So much so that I always assumed […]