• jalmarihelander-interview01

    INTERVIEW: Jalmari Helander, writer/director of Big Game

    After finding success from his debut feature Rare Exports: A Christmas Tale—an expansion of a world he created through two previous shorts all released together by Oscilloscope—Finnish writer/director Jalmari Helander did what many European filmmakers do and went English-language for his sophomore effort. But he did so on his terms by once again writing his […]

  • davidgordongreen-interview01

    INTERVIEW: David Gordon Green, director of Manglehorn

    In the six years between Snow Angels and Prince Avalanche, writer/director David Gordon Green became a collaborator on a string of comedies of which he was not credited as a writer. In the two years since he’s utilized that process with drama Joe and now Manglehorn. He’s said in other interviews that it’s a way […]

  • patherpanchali01

    REVIEW: pɔt̪ʰer pãtʃali [Pather Panchali] [Song of the Little Road] [1955]

    “Go ask him for money” The story behind Satyajit Ray‘s debut film pɔt̪ʰer pãtʃali [Pather Panchali] [Song of the Little Road] is one you cannot separate from the work itself. It’s an underdog tale full of hardship and financial woe—incidents that dragged production along for three years before finally bringing India to the world in […]

  • insideout01

    REVIEW: Inside Out [2015]

    “I call it the Happy Core Memory Development Program” The simplest ideas really are the greatest and Pixar’s made a legacy built on just such an ideal. They brought toys to life as living companions caring for our children. They humanized the monsters in our closets, conjured a spark of love in the circuitry of […]

  • madmax401

    REVIEW: Mad Max: Fury Road [2015]

    “Our babies will not be warlords” It’s not often delays, financial dissolutions, and waning interest make a film better, but I don’t want to know what Mad Max: Fury Road might have been without them. In its current form the film embodies a logical escalation of what director George Miller began over three decades ago […]



film reviews

barelylethal01

REVIEW: Barely Lethal [2015]

“Like, totem pole” Much like director Kyle Newman‘s first theatrical release Fanboys, his sophomore effort Barely Lethal is built for a niche audience with minimal wiggle room to capture the excitement of casual viewers just stopping by. You don’t need to travel farther than the backlash-riddled comments section of its YouTube trailers to understand this. […]

avengers201

REVIEW: Avengers: Age of Ultron [2015]

“It wasn’t a nightmare. It was a legacy.” He may not have been there at the start, but Joss Whedon stewarded the Marvel Cinematic Universe through its make or break stage. It was one thing to give the world high-tech flying fun via a sarcastic playboy, otherworld fantasy come to earth courtesy of a haughty […]

reality01

REVIEW: Réalité [Reality] [2015]

“The insides serve no purpose” This is what it’s like to go insane. Writer/director Quentin Dupieux loves the surreal and absurd, but Réalité [Reality] takes his penchant for humorous oddity to another level. With Philip Glass‘ “Music with Changing Parts” boring a hole into your temple and fluid sequences of characters meeting in real time […]

kumiko01

REVIEW: Kumiko, the Treasure Hunter [2015]

“Solitude? Just fancy loneliness.” It’s easy to assume Kumiko, the Treasure Hunter will be a humorous adventure of cultural dissonance upon reading its synopsis. The conceit is ripe for comedy and David and Nathan Zellner do mine that arena throughout their drama when it suits the story, but it’s a nuanced tragedy that’s ultimately delivered. […]

stay01

REVIEW: Stay [2005]

“Your troubles will cease and fortune will smile upon you” **POTENTIAL SPOILERS** I remember my head spinning about Stay after leaving the theatre. Not because David Benioff‘s script or Marc Forster‘s direction proved nuanced enough to shield the “reality” of what’s going on for any authentic surprise, but due to its visceral impact. The Guess […]

lostriver01

REVIEW: Lost River [2015]

“Here in my deep purple dream” You cannot watch Ryan Gosling‘s directorial debut Lost River without recalling the divisive surrealism of Only God Forgives. He’s the first to admit how much of an influence Nicolas Winding Refn was, pitting the Dane’s heightened realities against the emotive authenticity of another favorite collaborator in Derek Cianfrance. Gosling […]

jackrabbit01

TFF15 REVIEW: Jackrabbit [2015]

“Rebuilding Our Future Today” Dystopian sci-fi is trendy. Anyone who has any knowledge of today’s pop culture could tell you that and it’s no surprise Hollywood has jumped on its collective consciousness with The Hunger Games, Divergent, and The Maze Runner. I enjoy them all, don’t get me wrong, but the reality of their monumental […]

whilewereyoung01

REVIEW: While We’re Young [2015]

“She is a mess. And an ugly eater.” I hated While We’re Young—a fact that actually increases my already healthy dose of respect for writer/director Noah Baumbach. He’s a filmmaker with the type of style, tone, and air of not quite tongue-in-cheek pretension you could pick out from across the room as his and his […]

exmachina01

REVIEW: Ex Machina [2015]

“The history of man? That’s the history of Gods.” Artificial intelligence isn’t new. It’s in video games, toys, software platforms—most computer systems we interact with daily possess it in some capacity. The idea that one day someone will code a manufactured consciousness capable of becoming sentient, however, is still in the realm of science fiction. […]

manfromreno01

REVIEW: Man From Reno [2015]

“Every time I sit down to write” The best part of Dave Boyle‘s Man From Reno is its construction. He introduces Aki Akahori (Ayako Fujitani) and Sheriff Del Moral (Pepe Serna) separately, each contending with their own mystery man in a way that gives us pause to think whether their stories are concurrent. For all […]

borderingonbadbehavior01

REVIEW: Bordering on Bad Behavior [2015]

“No. I don’t need a piss now.” You know that highly politicized stoner comedy about a Jew, Arab, and Christian locked together for six hours in an Israeli communications base on the Lebanese border you’ve been craving? Well, director Jac Mulder and writer Ziggy Darwish have delivered it with a punchline that pretty much writes […]

home01

REVIEW: Home [2015]

“I’m the interrupting cow! Moo!” While it didn’t need help on its way to a fifty million dollar opening weekend, Home may have benefited from a G-rating. Its journey in search of family taken by Oh the Boov (Jim Parsons) and Tip the Human (Rihanna) skews very young in message and comedic style—unexpectedly so for […]

goneinsixtyseconds01

REVIEW: Gone in Sixty Seconds [2000]

“Two Rogers don’t make a right” There are more than a few unexpected things concerning the Gone in Sixty Seconds remake that surprised me. One was the huge cast of familiar faces. Another the full embracement of its spectacular levels of cheese. And despite marketing materials and especially the poster, Angelina Jolie is far from […]

lasttimeyouhadfun01

REVIEW: The Last Time You Had Fun [2015]

“You want to throw me a divorce party?” After watching the trailer and reading the synopsis, it’s hard not to see The Last Time You Had Fun in a sort of “been there, done that” light. We’ve seen it before countless times—that meet-cute of thirty-somethings at known and unknown crossroads in their lives letting loose […]

buffalo66a

REVIEW: Buffalo ’66 [1998]

“Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent […]