• conjuring201

    REVIEW: The Conjuring 2 [2016]

    “This is the closest to Hell I ever want to go” When a formula succeeds as well as that of James Wan‘s The Conjuring and its real life subjects have as extensive a Rolodex of haunting investigations as Ed and Lorraine Warren, the prospect of a sequel arrives as both inevitability and an initial pause. […]

  • holyhell01

    REVIEW: Holy Hell [2016]

    “Maybe it’s worth it” Every story containing religious or spiritual content inherently brings with it supporters and detractors beholden to personal agendas either from experience or unwavering positions of faith. It’s difficult subject matter to truly expose objectively because religion and spirituality are by definition subjective when compared against an infinite number of other similar […]

  • midnightspecial01

    REVIEW: Midnight Special [2016]

    “Where do you belong?” Is young Alton Meyer (Jaeden Lieberher) the savior of the human race, born to unsuspecting parents inside a cult known as The Ranch in order to bring them salvation? Is he somehow an expert hacker infiltrating the NSA’s foolproof satellite transmissions courtesy of an uncanny technokinetic power no one can explain? […]

  • wingsofdesire01

    REVIEW: Der Himmel über Berlin [Wings of Desire] [1987]

    “Why am I me, and why not you?” What does it mean to be human? This is the question the Angel Damiel (Bruno Ganz) wonders from his eternal perch on high surveying, subtly steering, and always listening. He sees humanity’s joy and laughter, jealous of their ability to live, feel, and touch. Even amongst the […]

  • paristexas01

    REVIEW: Paris, Texas [1984]

    “Don’t go yet” The first word my mind conjured after watching Wim Wenders‘ Paris, Texas was honesty. It’s delivered from lead Harry Dean Stanton all the way down to Robby Müller‘s gorgeous cinematography of untouched Mojave Desert isolation and graffiti-filled urban concrete. Nothing appears inauthentic and that’s not an easy accomplishment when you think about […]



film reviews

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REVIEW: Blue Velvet [1986]

“Now it’s dark” After finding critical and commercial success with The Elephant Man—earning his first Oscar nominations for directing and screenplay—David Lynch became bankable enough to mount what would end up a large-scale disaster in Dune. Whereas many would probably count the latter as a failure across the board, the truth is that the sci-fi […]

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REVIEW: Presenting Princess Shaw [2016]

“Why am I going in the same direction with no direction?” Even though Presenting Princess Shaw isn’t a film about filmmaking, you can’t help wondering about the logistics of its creation considering director Ido Haar is listed as the project’s sole cinematographer. The story of Princess (Samantha Montgomery) and Kutiman (Ophir Kutiel) focuses on music […]

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REVIEW: Alice Through the Looking Glass [2016]

“Everyone parts with everything eventually, my dear” Now that the whole “should we reboot or create a sequel or just go ahead and do both at once” debacle is over thanks to Tim Burton‘s misguided Alice in Wonderland, maybe Disney’s desire to create an imaginative and surprisingly dark franchise of the absurd could find creative […]

holyhell01

REVIEW: Holy Hell [2016]

“Maybe it’s worth it” Every story containing religious or spiritual content inherently brings with it supporters and detractors beholden to personal agendas either from experience or unwavering positions of faith. It’s difficult subject matter to truly expose objectively because religion and spirituality are by definition subjective when compared against an infinite number of other similar […]

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REVIEW: Человек с киноаппаратом [Chelovek s kinoapparatom] [Man with a Movie Camera] [1929]

Labeled the best documentary of all time by Sight & Sound in 2014, Dziga Vertov‘s Человек с киноаппаратом [Chelovek s kinoapparatom] [Man with a Movie Camera] lives up to its pedigree thanks in no small part to the level of cinematic innovation somehow utilized as far back as 1929. Besides the obvious period clothing and […]

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REVIEW: Sing Street [2016]

“Happy sad” Writer/director John Carney emotionally stripped ex-The Frames bandmate Glen Hansard bare in his 2007 feature film Once and now he does it to himself. The hiccup that was an attempt to recreate lightning in a bottle despite the conscious addition of polish and star appeal with Begin Again is thankfully a distant memory […]

midnightspecial01

REVIEW: Midnight Special [2016]

“Where do you belong?” Is young Alton Meyer (Jaeden Lieberher) the savior of the human race, born to unsuspecting parents inside a cult known as The Ranch in order to bring them salvation? Is he somehow an expert hacker infiltrating the NSA’s foolproof satellite transmissions courtesy of an uncanny technokinetic power no one can explain? […]

l01

REVIEW: L [2012]

“From your blood, reckless car drivers!” A bankrupt nation suffering from severe depression that’s ripe for surrealistic cinematic escape, Greece has spawned some wild films lately. Whereas Dogtooth possessed a plot you could dig into as an outsider, however, I’m at somewhat of a loss with Babis Makridis‘ L. There’s definitely a strain of social […]

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REVIEW: The Nice Guys [2016]

“You will never be happy :)” Even a huge Shane Black fan like myself won’t necessarily tell you his style has nuance. You watch his directorial debut Kiss Kiss Bang Bang (released almost a decade after his previous screenwriting credit) and you feel its kinship to his scripting debut Lethal Weapon. His most recent assignment […]

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REVIEW: Elstree 1976 [2016]

“There wasn’t a lot of certainty as to what it would be” Everybody knows Harrison Ford, Mark Hamill, and Carrie Fisher. When Disney bought Lucasfilm from George Lucas and announced they’d be producing a new Star Wars trilogy and spin-off features, everyone knew those three would be back in the fold. Even guys like Peter […]

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REVIEW: Welcome to Happiness [2016]

“But then …” When you think of short stories like W.W. Jacobs‘ “The Monkey’s Paw” or Richard Matheson‘s “Button, Button” (adapted to the small screen for “The Twilight Zone” and big for Richard Kelly‘s underrated The Box), dark images of death are conjured. The consequences of earning personal reward come at great cost to those […]

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REVIEW: Money Monster [2016]

“It’s time to throw some punches” The show must and will go on. This is the lesson Jodie Foster‘s latest thriller Money Monster provides above its suspense-fueled look into corporate greed and Wall Street’s seemingly Teflon-covered skin. I don’t know if it was written this way by Alan DiFiore, Jim Kouf, and Jamie Linden or […]

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REVIEW: Sueñan los androides [Androids Dream] [2015]

“I see many tears” Back in 1962 author Philip K. Dick asked the question, “Do androids dream of electric sheep?” From there director Ridley Scott brought Blade Runner to life in 1982 and today we have Spaniard Ion De Sosa commenting on the query himself with Sueñan los androids [Androids Dream]. For him the answer […]

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REVIEW: Cash Only [2016]

“Albanian hell is cold” An arson insurance scam attempt gone tragically wrong leaves low-rent criminal Elvis Martini (Nickola Shreli) with little to hold onto besides his young daughter Lena (Ava Simony) in Cash Only. Unfortunately, he also has little to provide her despite two years having passed since the incident. Money woes mount as Albanian […]

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REVIEW: El futuro [The Future] [2015]

“For change” The best thing I can say about Luis López Carrasco‘s El futuro [The Future] is that it got me researching Spain’s 1982 general elections. How could it not? With an opening of just a pitch-black screen as archival voices sound out victory for the Spanish Socialist Worker’s Party (PSOE) and the systemic change […]