• REVIEW: O.J.: Made in America [2016]

    “I’m not black. I’m O.J.” I was enjoying the summer between 6th and 7th grade when O.J. Simpson and A.C. Cowlings infamously drove a white Ford Bronco down a California interstate. Despite being only a year removed from the Buffalo Bills’ four straight Super Bowl loses, my lack of local football knowledge here in the […]

  • REVIEW: Arrival [2016]

    “A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked […]

  • REVIEW: Cameraperson [2016]

    “You’re making me cry even though I don’t understand the language” The camera doesn’t lie. It captures private moments, immortalizes public, and adds ten pounds (so maybe it does). It shows a world we can never see: at once untouched perfection and fabricated by the operator’s gaze. And as those among us age and forget, […]

  • REVIEW: The Fits [2016]

    “Home of the Lionesses” For those who like to declare how there’s no original cinema these days: I present you Anna Rose Holmer‘s coming-of-age dance drama The Fits. Yes, the most over-used genre of all received a uniquely wonderful rendition in 2016 through the eyes of an eleven-year old girl trying to find her way […]

  • REVIEW: American Honey [2016]

    “What about you? What’s your dream?” Welcome to our disenfranchised youth. That’s exactly what Andrea Arnold puts front and center with her latest film American Honey: miscreants getting high, road tripping, and lying their way to a few bucks meant to continue the nomadic journey’s unending party. Led by outside-the-box entrepreneur Krystal (Riley Keough), this […]



film reviews

REVIEW: Sully [2016]

“A delay is better than a disaster” I found myself siding with snarky detractors when Clint Eastwood announced he was tackling a biopic about Chesley ‘Sully’ Sullenberger because it seemed rather anticlimactic. Could you truly find a captivating feature length film in the paltry 208-seconds from engine failure to splash landing? We already know everyone […]

REVIEW: Blue Jay [2016]

“You leaving room for Jesus?” While we wait the requisite nine years hoping for another installment in Richard Linklater‘s seminal Before saga, Mark Duplass is here to fill the void early with his own intimate, two person reunion of past love and current strife entitled Blue Jay. Many will scoff at this declaration and say […]

REVIEW: En man som heter Ove [A Man Called Ove] [2015]

“Sometimes, however, honesty needs a little assistance” Despite being rated PG-13 due to a liberal use of the word “shit,” En man som heter Ove [A Man Called Ove] is still one of the most full-hearted family-friendly dramedies of the year. I’d even say it’s the live action version of Up you’ve waited for since […]

REVIEW: L’ultimo bacio [The Last Kiss] [2001]

“With pounds of cellulite and all your insecurities” I really want to love Gabriele Muccino‘s Italian blockbuster of a rom-com L’ultimo bacio [The Last Kiss] because it is funny, charming, complicated, and hopeful. My issue lies in the fact that it’s also awful in its depictions of selfish ego and weak indifference. Maybe this is […]

REVIEW: Dog Eat Dog [2016]

“It’s death or victory” After forty odd years as a career criminal in-and-out of jail, Edward Bunker changed his life by writing fictionalized accounts of his experiences for a lucrative career as novelist, screenwriter, and eventually actor. He got Danny Trejo a part on a project he wrote entitled Runaway Train after spending time with […]

REVIEW: The Birth of a Nation [2016]

“I pray you sing to the Lord a new song” It’s impossible to watch Nate Parker‘s The Birth of a Nation today without making note of the controversy surrounding him. Emotions have run high and the first-time director has met a backlash of calls for boycott stemming from a 1999 rape case of which he […]

REVIEW: Audrie & Daisy [2016]

“u don’t know what it’s like to be a girl” There’s a great moment towards the end of Bonni Cohen and Jon Shenk‘s documentary Audrie & Daisy where Sheriff Darren White starts preaching how boys can be victims and girls at fault as easy as the other way around. He’s not wrong and Cohen’s voice […]

REVIEW: The Accountant [2016]

“You deserve wow” This is one of those cases where a film might have benefited from a smaller budget. Where you wish Warner Bros.’s independent shingle didn’t shutter in 2008. It’s not like $44 million is a huge sum of money—not by Hollywood standards anyway—but if you cut it in half, maybe lose the star […]

REVIEW: Jack Goes Home [2016]

“Artists write poetry. Assholes just complain.” There’s no question that Thomas Dekker‘s sophomore effort as writer/director is a head-scratcher. What you as a viewer must decide is whether or not to keep scratching. I don’t think anyone outside of Dekker himself can truly unpack the type of psychological chaos occurring within Jack Goes Home and […]

BIFF16 REVIEW: Mercy [2016]

“Why would you let her suffer?” It’s practically impossible to talk about what’s happening in Chris Sparling‘s latest thriller Mercy without spoiling it. The writer/director knows, splitting it into three pieces as a result: the first third completely shrouded in mystery, the next a replay from alternative perspectives, and the last the truth of the […]

BIFF16 REVIEW: Off the Rails [2016]

“I’m volunteering my time” It starts as a lark: Darius McCollum led away in handcuffs with smile ear-to-ear. We think this is a guy having fun pretending to be a Metropolitan Transportation Authority (MTA) employee. He knows what he’s doing, never hurts a soul, and gets people where they’re going on time whether by subway […]

BIFF16 REVIEW: 2307: Winter’s Dream [2016]

“I guess Hell finally froze over” The year is 2307 and Earth is three centuries removed from climate change transforming its surface to glacial ice. Humanity has evolved to living underground, improving technology to help sustain their tenuous ecosystem outside of the subzero temperatures. This includes insulation injections to combat cold for up to 48-hours, […]

BIFF16 REVIEW: Tony Conrad: Completely in the Present [2016]

“No LSD needed” When Tony Conrad passed away in April 2016, I knew of him as an experimental filmmaker. It’s hard to be an art student at the University at Buffalo—despite his teaching in Media Studies rather than Fine Art—and not know his name at the very least. But that was all I knew: a […]

REVIEW: A Wedding [1978]

“Death is a four letter word” It’s unfathomable to think that a film as elaborately sprawling as Robert Altman‘s A Wedding was given birth out of a joke, but that’s exactly what happened. Having some fun with an interviewer during publicity on 3 Women, the director exclaimed that his next work would be “a great […]

REVIEW: Coming Through the Rye [2016]

“Everyone loves Mercutio” Emmy-winning director James Steven Sadwith makes his feature theatrical debut with a story close to his heart. Coming Through the Rye fictionalizes his experiences as a 1969 boarding school teen and his adventure finding reclusive author J.D. Salinger. We assume liberties were taken considering the opening caption loquaciously elongates the usual “inspired […]