• whiplash01

    REVIEW: Whiplash [2014]

    “I belong here” And here I naively thought the dinner sequence from The Riot Club would end up proving my favorite scene of the year despite the film itself leaving a lot to be desired. It just goes to show that you can never be sure until every prospective entry is counted because the final […]

  • interstellar01

    REVIEW: Interstellar [2014]

    “Who’s they?” Say what you will about Christopher Nolan, the man knows how to make resonate blockbusters. He knows movies—plain and simple. There has always been a power in cinema that hits us at an emotionally deep level, a window into our souls through the characters onscreen we have learned to cherish as though extensions […]

  • clockworkorange01

    REVIEW: A Clockwork Orange [1971]

    “No time for the old in-out, love, I’ve just come to read the meter.” It didn’t take long for the theatrical experience to prove essential when watching A Clockwork Orange on the big screen. As Henry Purcell‘s March from “Funeral Music for Queen Mary” plays, the frame is filled with a solid bright orange so […]

  • birdman01

    REVIEW: Birdman or (The Unexpected Virtue of Ignorance) [2014]

    “The truth is always interesting” It’s true what the film’s Times‘ theater critic (Lindsay Duncan) says: an artist should bleed for his craft. Physically, spiritually, metaphorically—blood must be spilt so the world knows he was here, selflessly (selfishly?) making us laugh, cry, and reflect on lives well lived and squandered. This is why those who […]

  • gonewiththewind01

    REVIEW: Gone with the Wind [1939]

    “All we’ve got is cotton and slaves and … arrogance” For years I’ve thought Gone with the Wind some grand, epic romance. How else could anyone take its smoldering poster of Clark Gable ready to ravish Vivien Leigh as her dress falls helplessly from her shoulders? This advert proves as manipulative as the woman positioned […]



film reviews

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REVIEW: The Boxtrolls [2014]

“We’re exterminating justice!” If it didn’t take Laika so long to produce a feature film due to the meticulous process inherent with their stop-motion aesthetic, I have to believe they’d be as prolifically successful as Pixar. I might say I even like their sensibilities more because while they too deal with morality lessons every child […]

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REVIEW: Lilting [2014]

“Kissing is kissing” There’s no better title for Hong Khaou‘s feature debut than the one given: Lilting. It describes the pacing and aesthetic as guilt and grief intertwine with memory and reality fading together within a single camera pan for a joltingly emotive effect. It also illustrates each character’s cautious trepidation amidst tragedy and their […]

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REVIEW: The Maze Runner [2014]

“Wicked is good” There’s really no better way to start The Maze Runner than Wes Ball‘s opening. I’ve not read James Dasher‘s novels and probably knew less than the trailer foretold since it’s been so long since I last saw it. So watching the pitch-black screen stare at me while scrapping metal creaked until a […]

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REVIEW: Björk: Biophilia Live [2014]

“If you feel like dancing, don’t stop yourself” Icelandic musician Björk has always been somewhat uncategorizable with a career that’s uniquely evolved to the beat of her own electronic drum. There was the infamous swan dress, her critically acclaimed foray into acting for Lars von Trier‘s Dancer in the Dark, collaborations with cutting edge artists […]

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TIFF14 REVIEW: Beats of the Antonov [??]

“Laughter is like a new birth” Sudanese director Hajooj Kuka‘s documentary Beats of the Antonov is smartly constructed in a way that eases us into the political message and hope for peace lying underneath the music and laughter initially portrayed. Beginning with a look at the people residing in the Blue Nile and the Nuba […]

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REVIEW: This is Where I Leave You [2014]

“Secrets are cancer to a family” Get ready because I’m going to throw some hyperbole your way. Here it is: This Is Where I Leave You is Franny and Zooey meets The Big Chill. Now hold on a second and let me explain. Jonathan Tropper is not J.D. Salinger and Shawn Levy isn’t Lawrence Kasdan. […]

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REVIEW: Tusk [2014]

“I believe we’re all tea people” I want to dismiss Kevin Smith‘s second foray into horror as total bullshit. I really do. Not only was Tusk created on a lark because one of his and Scott Mosier‘s internet Smodcasts recorded them discussing a crazy Gumtree ad offering a room for rent if the lodger agreed […]

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TIFF14 REVIEW: The Riot Club [2014]

“People like us don’t make mistakes” I’ll bet Laura Wade’s 2010 play Posh is something special to see on stage. A fictionalized take on Oxford University’s exclusive Bullingdon Club—sons of wealthy Brits who attended the best boarding/prep schools before following in their patriarchy’s footsteps to enjoy vandalizing college rooms as an initiation ploy and restaurants […]

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TIFF14 REVIEW: Loin des hommes [Far From Men] [??]

“I’m not taking you anywhere. Tomorrow you’re leaving.” Writer/director David Oelhoffen has a special film on his hands because its powerful tale begs audience members to learn more about the subject. I’m not talking about the fictional character of Daru (Viggo Mortensen) secluding himself in the mountains to teach young Arab children how to read […]

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TIFF14 REVIEW: Adult Beginners [2015]

“What? Never seen a kid in a suitcase before?” No one is ever going to say Ross Katz‘s Adult Beginners is original. The opening implosion for Jake’s (Nick Kroll) multi-million dollar investment project was done in Elizabethtown, his frightened guilt in not being there when his mother died of cancer is Garden State, and the […]

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REVIEW: Calvary [2014]

“I’ve always found forgiveness to be underrated” I’m not a religious man—hell, I’m barely agnostic. I’m also not sure if that truth helps my finding John Michael McDonagh‘s Calvary as powerful as I believe it to be or simply evidence of it’s universality for both churchgoers and not. A reflection on faith, God, and ourselves […]

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TIFF14 REVIEW: Still [2014]

“See? Told you everything would be fine.” Co-written with Kaveh Mohebbi and directed by Slater Jewell-Kemker, the psychological science fiction Still is a captivating yarn I initially believed was done a disservice by being too short. I found myself wondering about these characters—Emily Piggford‘s Sadie and Giacomo Gianniotti‘s Jake—and what their dynamic was before getting […]

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TIFF14 REVIEW: Spring [??]

“I’m not drunk enough to sleep in your mother’s deathbed” The first words in Colin Geddes’ TIFF description for Vanguard selection Spring are, “Before Sunrise gets a supernatural twist.” You read that as a cinephile and you push everything aside to check out what it could mean. A horror romance co-director Aaron Moorhead described in […]

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TIFF14 REVIEW: Kill Me Three Times [2014]

“Quality always costs” Director Kriv Stenders left the audience seated for his latest film Kill Me Three Times with the words, “I hope you have as much fun watching as we had making it”. I doubt I did, but I cannot deny it wasn’t the sort of entertaining romp that keeps you on your toes […]

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TIFF14 REVIEW: Bang Bang Baby [2015]

“I am that. I am the service station.” Harkening back to the era of its setting, Bang Bang Baby embraces the over-the-top aesthetic of 1963 entertainment with small town girl Stepphy (Jane Levy) dreaming big for a chance at stardom in New York City. Overproduced, old-timey vocals emanate from her mouth as faux backdrops provide […]