• REVIEW: O.J.: Made in America [2016]

    “I’m not black. I’m O.J.” I was enjoying the summer between 6th and 7th grade when O.J. Simpson and A.C. Cowlings infamously drove a white Ford Bronco down a California interstate. Despite being only a year removed from the Buffalo Bills’ four straight Super Bowl loses, my lack of local football knowledge here in the […]

  • REVIEW: Arrival [2016]

    “A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked […]

  • REVIEW: Cameraperson [2016]

    “You’re making me cry even though I don’t understand the language” The camera doesn’t lie. It captures private moments, immortalizes public, and adds ten pounds (so maybe it does). It shows a world we can never see: at once untouched perfection and fabricated by the operator’s gaze. And as those among us age and forget, […]

  • REVIEW: The Fits [2016]

    “Home of the Lionesses” For those who like to declare how there’s no original cinema these days: I present you Anna Rose Holmer‘s coming-of-age dance drama The Fits. Yes, the most over-used genre of all received a uniquely wonderful rendition in 2016 through the eyes of an eleven-year old girl trying to find her way […]

  • REVIEW: American Honey [2016]

    “What about you? What’s your dream?” Welcome to our disenfranchised youth. That’s exactly what Andrea Arnold puts front and center with her latest film American Honey: miscreants getting high, road tripping, and lying their way to a few bucks meant to continue the nomadic journey’s unending party. Led by outside-the-box entrepreneur Krystal (Riley Keough), this […]



film reviews

REVIEW: Storks [2016]

“We never stop” While a bunch of adults were definitely having a good time during Nicholas Stoller‘s Storks, I’m not sure about their children. It wasn’t restlessness, though. If anything they were catatonic, a similar state as myself. Now I did chuckle at a few of the higher concept stuff because the absurdity of a […]

TIFF16 REVIEW: Colossal [2017]

“I’m sorry. It was a mistake. It won’t happen again.” Whether the existence of time travel or an alien invasion, writer/director Nacho Vigalondo has proven king at dealing with large-scale concepts affecting small-scale characters. Always looking to portray how genre catastrophes are handled by nobodies on the ground without government credentials or scientific degrees, he […]

TIFF16 REVIEW: Bleed for This [2016]

“Christ and elephants” There’s something about boxing movies that gets butts in seats regardless of so many being practically the same story. The formula almost always concerns some type of personal and professional redemption and Ben Younger‘s Bleed for This is no exception. Being a true telling of Vinny Pazienza’s (Miles Teller) arduous journey back […]

TIFF16 REVIEW: Carrie Pilby [2017]

“Don’t be such a child” The synopsis for Carrie Pilby can sound atrocious on paper. Most films utilizing an eighteen-year old Harvard graduate do so as periphery color because the trope lends itself to obnoxious pedantry and an unsympathetic notion of “first world problems.” Having your titular lead (played by Bel Powley) be that person […]

REVIEW: Mr. Church [2016]

“I learned to turn away from the sun and face the moon” If you didn’t know what you were getting into upon sitting down for Bruce Beresford‘s Mr. Church, you will following this onscreen text: “Inspired by a True Friendship.” The vagueness of this statement notwithstanding, the words ooze enough schmaltz to prepare you for […]

REVIEW: Blair Witch [2016]

“Lisa, I’m so sorry” It was only sixteen months after the release of The Blair Witch Project that Joe Berlinger‘s sequel Book of Shadows bowed in an attempt at striking while the iron was hot. The film that was ultimately released into theaters wasn’t his cut—whether this fact has any bearing on quality remains to […]

REVIEW: The Blair Witch Project [1999]

“I think the legend is unsettling enough” It may not have been the first “found footage” film ever made, but for a seventeen year-old like me in 1999 The Blair Witch Project might as well have been exactly that. I still remember the marketing campaign, the newspaper ads and fictionalized legend trying to make us […]

TIFF16 REVIEW: ’76 [2016]

“Love has no boundaries” It appears my first foray into Nollywood (Nigerian cinema) was well selected being the latest from director Izu Ojukwu, one of the nation’s most ambitious artists. Add some heavy hitters in Ramsey Nouah, Rita Dominic, and Chidi Mokeme and ’76 delivers a wonderful sampler platter of the best talent this region […]

TIFF16 REVIEW: Boys in the Trees [2016]

“Can’t end a story without a dead body” We’ve all lost friends whether from naturally parting ways or an avoidable blow-up proving petty in hindsight. Age advances and tastes evolve—we don’t often think much of the phenomenon because they find peers more attuned to who they’ve become just like you. But sometimes the severed relationship […]

TIFF16 REVIEW: The Limehouse Golem [2017]

“Here we go again” It took fifteen years of perseverance—acquiring the rights, losing them, and reacquiring them at the behest of screenwriter Jane Goldman stoking the fire—but producer Stephen Woolley finally got Peter Ackroyd‘s 1994 novel on the big screen as The Limehouse Golem. There were some big names attached from Merchant Ivory originating plans […]

TIFF16 REVIEW: A United Kingdom [2016]

“I’ve never wanted anything like I want this” Who knew the power of love ultimately won independence for the democratic republic of Botswana? I sure didn’t. But this is the based on a true story film writer Guy Hibbert and director Amma Asante have delivered with A United Kingdom. It’s a tale of racial segregation, […]

TIFF16 REVIEW: Moonlight [2016]

“Chiron and trouble always found a way” What’s it like to be a young boy on the drug-filled streets of Miami: without friends, without family, without hope? As cliques begin to feign superiority by ganging up on the weak to prove themselves hard enough for what’s coming, Chiron (Alex R. Hibbert)—or “Little” as they call […]

TIFF16 REVIEW: Interchange [2016]

“This is not your story” Something’s happening in Kuala Lampur—something that cannot be explained. Deaths in the vein of Bryan Fuller‘s gorgeously ornate displays of murder from “Hannibal” have arrived without any leads or earthly reason. Detective Man (Shaheizy Sam) jokes that his forensic photographer needs to see a witch doctor after collapsing at the […]

TIFF16 REVIEW: Tramps [2017]

“Kids menu or appetizers?” The romantic comedy formula is one that can’t help but become redundant in premise. How many different scenarios are there for two people to converge? Even so, Adam Leon may have found a new one with his meet-cute during a dead-drop gone wrong called Tramps. It should have been a painless […]

TIFF16 REVIEW: Snowden [2016]

“Secrecy is security and security is victory” Remakes repackaging foreign films for American audiences are justifiable if done correctly. I’d hope our movie-going public would willingly read subtitles and experience the original artist’s vision, but we don’t live in a utopia. Dramatizing non-fiction work is equally acceptable in specific circumstances because a narrative built from […]