• buffalo66a

    REVIEW: Buffalo ’66 [1998]

    “Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent […]

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    INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of Spring

    Sometimes the festival experience has a way of making you overrate films. The excitement of seeing things early with like-minded individuals, listening to filmmakers talk before and after their screenings, and the general festival aura are hard to separate from the work itself. So I won’t lie and say I didn’t re-watch Aaron Moorhead and […]

  • top10_2014

    Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

    I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

  • wildtales01

    REVIEW: Relatos salvajes [Wild Tales] [2014]

    “Crime of passion?” Best. Wedding. Ever. And trip to the bureaucratic black hole that is government sanctioned towing. And expertly planned, faux fateful airline flight this side of “Lost”. I mean it. Damián Szifrón‘s Relatos salvejes [Wild Tales] is a twisted cousin of Krzysztof Kieslowski‘s The Decalogue, a sextet of darkly comic morality plays where […]

  • faults01

    REVIEW: Faults [2015]

    “What did you lose?” There’s an inherent paradox to the universally held idea of cults being destructive. So quick to deem what occurs within them unnatural—namely a leader using his charisma to indoctrinate the weak into a “family” that understands them—we forget to acknowledge how much of our own lives follow the same pattern. As […]



film reviews

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REVIEW: Foxcatcher [2014]

“John du Pont is … kind of a mentor to me” Now here’s a film with immaculate construction in production design, sound design, acting, and direction. The only thing Foxcatcher lacks is the breathing room to stand as a cohesive whole worthy of the talent pouring its heart and soul in. The story of John […]

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REVIEW: Nymphomaniac: Vol. II [2014]

“I’m a virgin. I’m innocent.” I had heard there was a drop off in quality with Nymphomaniac: Vol. II compared to the first half, but I wasn’t quite prepared for how far. A much crueler portion of the tale, the second part of Lars von Trier‘s sex epic is also more outlandish as new characters […]

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REVIEW: Nymphomaniac: Vol. I [2014]

“Mea Vulva. Mea Maxima Vulva.” I don’t intend it to be a smirk at those who think otherwise, but Lars von Trier‘s Nymphomaniac: Vol. I is much tamer than I expected. I’m not sure why I thought it would simply be gratuitous sex from start to finish—I guess I let the hype surrounding it taint […]

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REVIEW: Top Five [2014]

“What did the room smell like?” I’m prefacing this review with an admission anyone who reads my thoughts already knows: I think Chris Rock is a pretty terrible actor. Love the guy’s stand-up, find him hilarious in real life and on paper, but stick him in a movie and he almost looks scared. The only […]

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REVIEW: Blue Ruin [2014]

“I don’t think he did” The fact Jeremy Saulnier‘s Blue Ruin came together because of a $35,000 Kickstarter only proves how viable crowdsourcing is for cool, effective art to get made for mass consumption. It’s a down and dirty revenge flick written, directed, and lensed by one man who along with his production team maxed […]

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REVIEW: Wild [2014]

“Cold mush dreams” The cinematic adaptation of Cheryl Strayed‘s memoir Wild: From Lost to Found on the Pacific Crest Trail seems to be getting pigeonholed hard as being solely a tale of female empowerment. It most definitely is, but I’m not sure critics should necessarily call it a day with such a generic categorization. There’s […]

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REVIEW: The Guest [2014]

“Don’t feel bad” With my enjoyment of You’re Next and resounding positivity on the internet concerning its follow-up, I was excited to finally sit down and watch director Adam Wingard and writer Simon Barrett‘s latest genre hybrid The Guest. Whether this fact tainted my overall enjoyment is a toss up, but it’s not like I […]

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REVIEW: Night at the Museum: Secret of the Tomb [2014]

“They’ll burn up like tiny scarabs in Sinai” It appears director Shawn Levy and new screenwriters David Guion and Michael Handelman have thrown the jokey nature of Thomas Lennon and Robert Ben Garant‘s Battle of the Smithsonian away to bring the Night at the Museum series back to what first made it a success. Secret […]

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REVIEW: The Gambler [2014]

“I think you’re the kind of guy who likes to lose” I was very surprised to see James Toback‘s name as Executive Producer on The Gambler remake after reading a 2011 editorial explaining how he found out about the project secondhand after it was already announced that William Monahan was adapting his original script for […]

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REVIEW: Castello Cavalcanti [2013]

“Tarred, feathered, and spit-roasted …” I can get behind Wes Anderson‘s Castello Cavalcanti being considered a short film. Yes, it’s a Prada ad like Candy before it, but this one actually has a story fun enough to make you forget. There is humor in the camera movements (with one pan brilliantly hitching at the scream […]

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REVIEW: Night at the Museum: Battle of the Smithsonian [2009]

“Like a Golden Fleece” While Night at the Museum is by no means a great film above family friendly theatrics, it did have heart. There was a story at its back—one steeped in magic that dealt with redemption and self-worth against insurmountable odds. A cool premise too wherein the exhibits at the Natural Museum of […]

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REVIEW: Citizenfour [2014]

“It’s scary but at the same time liberating” Some films cannot be judged solely on form because their content is too crucial to be swept underneath ideas of aesthetic. Laura Poitras‘ Citizenfour is a perfect example. Its visuals are monotonously static with a majority of sequences depicting conversations between a whistleblower and a reporter inside […]

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REVIEW: Unbroken [2014]

“If you can take it you can make it” Universal Pictures has possessed the rights to Louie Zamperini’s life story since 1957 with good cause considering its scope spanning a troubled childhood, Olympic glory, and POW torture at the hands of the Japanese during WWII. Only when Laura Hillenbrand‘s mouthful of a book Unbroken: A […]

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REVIEW: Into the Woods [2014]

“… And home before dark.” The involvement of Disney on any adaptation of beloved source material can’t help being a double-edged sword. On the one hand their clout and financial backing will ensure the production looks fantastic and attracts the type of talent worthy of the property. On the other their brand brings with it […]

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REVIEW: Night at the Museum [2006]

“Keep a lid on it, Butterscotch” While based on a 1993 children’s book by Milan Trenc portraying a museum security guard discovering how he must protect the people outside from the dinosaur skeletons that come to life inside, Robert Ben Garant and Thomas Lennon‘s cinematic adaptation of Night at the Museum bears more of a […]