• huntforthewilderpeople01

    REVIEW: Hunt for the Wilderpeople [2016]

    “Find water. Go to high ground. And don’t get naked.” A Māori boy and a Pākehā man go forth into the New Zealand bush. It sounds like the start to a joke. But while Taika Waititi‘s latest Hunt for the Wilderpeople is hilarious, it’s far from being a trivial lark. There’s some weighty emotion involved […]

  • swissarmyman01

    REVIEW: Swiss Army Man [2016]

    “I don’t want to die alone” You can never be sure about a marketing campaign using a phrase like, “You’ve heard it a million times, but this time it’s true. You’ve never seen a movie like Swiss Army Man.” What type of ploy are they engaging in? We all know it’s been affectionately called (and […]

  • conjuring201

    REVIEW: The Conjuring 2 [2016]

    “This is the closest to Hell I ever want to go” When a formula succeeds as well as that of James Wan‘s The Conjuring and its real life subjects have as extensive a Rolodex of haunting investigations as Ed and Lorraine Warren, the prospect of a sequel arrives as both inevitability and an initial pause. […]

  • holyhell01

    REVIEW: Holy Hell [2016]

    “Maybe it’s worth it” Every story containing religious or spiritual content inherently brings with it supporters and detractors beholden to personal agendas either from experience or unwavering positions of faith. It’s difficult subject matter to truly expose objectively because religion and spirituality are by definition subjective when compared against an infinite number of other similar […]

  • midnightspecial01

    REVIEW: Midnight Special [2016]

    “Where do you belong?” Is young Alton Meyer (Jaeden Lieberher) the savior of the human race, born to unsuspecting parents inside a cult known as The Ranch in order to bring them salvation? Is he somehow an expert hacker infiltrating the NSA’s foolproof satellite transmissions courtesy of an uncanny technokinetic power no one can explain? […]



film reviews

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REVIEW: El futuro [The Future] [2015]

“For change” The best thing I can say about Luis López Carrasco‘s El futuro [The Future] is that it got me researching Spain’s 1982 general elections. How could it not? With an opening of just a pitch-black screen as archival voices sound out victory for the Spanish Socialist Worker’s Party (PSOE) and the systemic change […]

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REVIEW: Pelé: Birth of a Legend [2016]

“When in doubt: do what they do” It may be called Pelé: Birth of a Legend, but Jeff and Michael Zimbalist‘s film is really about Ginga soccer and Brazil at risk of losing its soul. The climax depicts the 1958 World Cup with the country’s unexpected run to the final on the back of a […]

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REVIEW: Keanu [2016]

“It’s like smoking crack with God” After the massive success of former “MADtv” comics Jordan Peele and Keegan-Michael Key’s eponymous sketch comedy show “Key & Peele” it was only a matter of time before the duo would grace the silver screen together. It’s actually surprising that it’s taken this long (the Comedy Central property went […]

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REVIEW: Green Room [2016]

“The energy doesn’t last” It’s official: Jeremy Saulnier‘s Blue Ruin was no fluke. That pulse-pounding thriller wowed audiences a couple years ago with good reason and his follow-up Green Room only advances that success further. It’s as though he looked upon the climax of his 2014 gem and wondered what it’d be like to mold […]

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REVIEW: Francofonia [2015]

“Why is art unable to teach us prescience?” In a sort of “This Is Your Life” for Paris, France’s Louvre, Aleksandr Sokurov‘s Francofonia exposes a history of artistic heroes you may not expect. The journey takes us through archival footage; re-enactments shown in a faux raw state with clapboards against post-produced visual artifacting; in-close, high-definition […]

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REVIEW: Being Charlie [2016]

“Most end up chasing it to the grave” After a string of hits in the 80s and 90s, director Rob Reiner has struggled to achieve the same success. Some of his projects post-2000 have made money and some have provided laughs, but none found staying power. It’s not all his fault. The best film during […]

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REVIEW: Captain America: Civil War [2016]

“Victory at the expense of the innocent is no victory at all” We’ve officially approached the apex of the Marvel Cinematic Universe wherein films cannot be about one single character anymore. The Infinity Wars being just around the corner means that time has been regulated. There’s an endgame as there always has been and the […]

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REVIEW: The Family Fang [2016]

“Let this be your trumpet call: life is sweet so taste it while you still can” No one knows Nicole Kidman‘s strength as an actor quite like Nicole Kidman. It’s no secret that the choices she’s made post-Oscar win for The Hours have been somewhat questionable, but there was at least one fantastic gem in […]

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REVIEW: I Am Belfast [2016]

“Brick then iron then mesh” Don’t spend too long deciphering the title to Mark Cousins‘ latest essay film on his hometown I Am Belfast because it’s meant to be taken at face value. The film itself is this Northern Ireland city and the narrator (Helena Bereen) is as well. Don’t try to project metaphors or […]

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REVIEW: A Hologram for the King [2016]

“Look. They are sweeping sand in the desert.” If you’re doubling-down on the existential content of your film as soon as it begins, you can do worse than Talking Heads classic “Once in a Lifetime”. Not only does it perfectly encapsulate the fallout of a mid-life crisis wherein everything you believed made you who you […]

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REVIEW: The Man Who Knew Infinity [2016]

“Like other great men he invented himself” A bit character in Matt Brown‘s affecting biographical drama The Man Who Knew Infinity chants “Din, Din, Din, Gunga Din” a couple times in friendly jest as a response to his employer G.H. Hardy’s (Jeremy Irons) decision to send for an uneducated South Indian man on the merits […]

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REVIEW: Prospero’s Books [1991]

“And yet I needs must curse” I have a hard enough time with William Shakespeare when the characters onscreen are speaking his words with relevant visual cues to cut through the iambic pentameter and present the stories for my eyes. Don’t ask me to comprehend anything while reading his plays because my mind is constantly […]

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REVIEW: Dough [2016]

“How can you lose trousers?” Think of John Goldschmidt‘s latest film Dough (his first in the director’s chair since 1987) as a cinematic peace pipe for race relations and religious zealots. Rather than tobacco and herbs mixed into kinnikinnick for a clay vessel, however, screenwriters Jonathan Benson and Jez Freedman use marijuana and challah. The […]

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REVIEW: Colby [2016]

“I don’t belong here” The fallacy of escape is thinking it’s possible to truly leave the past behind. You can travel thousands of miles away and put years in between, but the stuff forcing you to do so never disappears. It marks you and shapes you whether you like or not, for better or worse. […]

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REVIEW: The Pillow Book [1996]

“Itch to read. Scratch to understand.” There aren’t many auteurs quite as inventively unique as Peter Greenaway and his “inspired by” adaptation of Sei Shonagon‘s The Pillow Book is a perfect example of why. Sexual explicitness and ink on flesh fetish aside, the sheer formal construction of the film puts it on a level all […]