• 2014topalbums

    Top 100 Albums of 2014

    Honorable Mention: #100: Get Hurt by The Gaslight Anthem #99: They Want My Soul by Spoon #98: Motion by Calvin Harris #97: The Joy of Motion by Animals as Leaders #96: Dialects by Snowmine #95: Emmaar by Tinariwen #94: The Fire is Gone by Midnight Faces #93: The Endless River by Pink Floyd #92: Count […]

  • oscars2015a

    The 87th Oscars recap through tweets …

    I’m not sure why I keep filling myself with false hope that the Oscars will one day be an entertaining show to watch. The optimism is almost completely unfounded by this point. Whether they go weird (Anne Hathaway and James Franco), safe (Billy Crystal), hip (Seth MacFarlane), or try and steal another show’s success (Neil […]

  • mostviolentyear01

    REVIEW: A Most Violent Year [2014]

    “You’ll never do anything harder than staring someone in the eye and telling them the truth” I remember being surprised when Margin Call—the little movie that could—came out. Writer/director J.C. Chandor earned an Oscar nomination for his screenplay before heading to virtual silence with his harrowing sophomore effort, the Robert Redford-starring All is Lost, a […]

  • selma01

    REVIEW: Selma [2014]

    “God was the first to cry” A civil war waged on Alabaman soil in 1965 whether President Lyndon B. Johnson felt holding off on a bill negating the South’s tactics to bar African American citizens from voting would prevent one or not. It was fought under his and the country’s eyes in the streets, on […]

  • wild01

    REVIEW: Wild [2014]

    “Cold mush dreams” The cinematic adaptation of Cheryl Strayed‘s memoir Wild: From Lost to Found on the Pacific Crest Trail seems to be getting pigeonholed hard as being solely a tale of female empowerment. It most definitely is, but I’m not sure critics should necessarily call it a day with such a generic categorization. There’s […]



film reviews

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REVIEW: Tusen ganger god natt [1,000 Times Good Night] [2013]

“I’ve been waiting for that call since I met you” Being an embedded photojournalist is a concept I cannot quite wrap my head around. To willingly go into a war zone and risk your life to get a shot, not for plaudits, but to educate the world about atrocities we’d rather turn a blind eye […]

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REVIEW: Berenice [2014]

“I wanted it to hurt” One chapter from the horror anthology Creepers, Jeremiah Kipp‘s adaptation of Edgar Allen Poe‘s disturbing short story Berenice finds itself hindered by what I can only guess was a shoestring budget. A director who has excelled at creating stunning pitch-black tone with ambiguously delicious mystery in carefully composed thrillers, this […]

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REVIEW: The Minions [2014]

“I shouldn’t have went there” Director Jeremiah Kipp once again amps up the mood with his latest short The Minions to follow his similarly aesthetically-constructed The Days God Slept. From the camera angles catching his actors’ expressions in a way that cultivates mystery, the score pulsing along with the imagery as though everything is set […]

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REVIEW: The Living [2014]

“All we got in life are choices” An interesting choice was made on Jack Bryan‘s film The Living—one that occurred before the camera rolled. If you’re familiar with Fran Kranz‘s emotionally fractured science nerd Topher from “Dollhouse” and Kenny Wormald‘s coolly confident Ren from the Footloose remake, you’d probably have a pretty good idea of […]

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REVIEW: The Life Aquatic with Steve Zissou [2004]

“Esteban was eaten!” It’s ambitious, hilarious, visually complex, and kind of … boring. I hoped that last adjective was merely the distant memory of a twenty-two year old expecting more out of Wes Anderson‘s The Life Aquatic with Steve Zissou when first released in theaters due to his infinite love for The Royal Tenenbaums two […]

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REVIEW: The Good Lie [2014]

“I’m thinking about that chicken” It isn’t easy to write a film around a tragic hot-button issue such as the “Lost Boys of Sudan” without coming across as either exploitative or manipulative. Making the result human is an even loftier goal. I won’t say screenwriter Margaret Nagle and director Philippe Falardeau were flawless in their […]

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REVIEW: St. Vincent [2014]

“It is what it is” The Toronto International Film Festival appears to be embracing the quasi-family friendly odd couple comedy with R-rated color after last year’s Bad Words and this year’s St. Vincent, written and directed by Theodore Melfi and currently receiving theatrical release a month after its debut. Whereas the former went all-in with […]

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REVIEW: The Royal Tenenbaums [2001]

“How interesting. How bizarre!” Nothing Wes Anderson does will ever match the brilliance of his third film, The Royal Tenenbaums. A lot of this has to do with when I first saw it back in the winter of 2002, but I say it objectively too. I was still in college, still in the midst of […]

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REVIEW: The Equalizer [2014]

“Change your world” It may be because I knew beforehand that Antoine Fuqua‘s The Equalizer was based on an old 80s TV show (from Michael Sloan and Richard Lindheim), but it felt very episodic in a way that made it utterly boring. There’s that time Robert McCall (Denzel Washington) helps his coworker lose weight. That […]

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REVIEW: The Overnighters [2014]

“Just because you tough enough” The easiest thing I could say about The Overnighters is that director Jesse Moss got lucky. He looked to tell the story about a pastor doing God’s will against his congregation’s trepidation to house over a thousand strangers arrived in Williston, ND seeking employment within the area’s oil boom. Through […]

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REVIEW: Gone Girl [2014]

“Everything else is background noise” Director David Fincher‘s Gone Girl falls prey to the one thing that often prevents me from truly loving a cinematic adaptation of a novel—unquestionable faithfulness. Gillian Flynn does a wonderful job distilling her pulpy thriller into a fast-paced 149 minutes and Fincher stays true to the back and forth vantage […]

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REVIEW: Alexander and the Terrible, Horrible, No Good, Very Bad Day [2014]

“His pox is your gain” I’m a little disappointed I never read Judith Viorst‘s Alexander and the Terrible, Horrible, No Good, Very Bad Day because it seems exactly the type of book I would have read as a child. If you’ve had the pleasure (it was published in 1972) and wonder how a feature length […]

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REVIEW: In Da Street [2014]

“We’re two cops in the hood, man” For a crowdfunded French short shot in two days on only a $1,500 budget, In Da Street looks fantastic. This shouldn’t be surprising coming from writer/director Damien Kazan—a filmmaker whose last work Whisper was nothing if not an attractive visual poem. Building on that film’s stylistic construction, this […]

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REVIEW: The Zero Theorem [2014]

“Making sense of the good things in life” If the end were empty—as was the beginning—wouldn’t life be meaning in itself? Why do we constantly ask the question and seek its answer if so many believe our present existence is merely a stepping-stone towards eternity? If that’s truly the case one could label life as […]

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REVIEW: The Boxtrolls [2014]

“We’re exterminating justice!” If it didn’t take Laika so long to produce a feature film due to the meticulous process inherent with their stop-motion aesthetic, I have to believe they’d be as prolifically successful as Pixar. I might say I even like their sensibilities more because while they too deal with morality lessons every child […]