• exmachina01

    REVIEW: Ex Machina [2015]

    “The history of man? That’s the history of Gods.” Artificial intelligence isn’t new. It’s in video games, toys, software platforms—most computer systems we interact with daily possess it in some capacity. The idea that one day someone will code a manufactured consciousness capable of becoming sentient, however, is still in the realm of science fiction. […]

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    REVIEW: Buffalo ’66 [1998]

    “Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent […]

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    INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of Spring

    Sometimes the festival experience has a way of making you overrate films. The excitement of seeing things early with like-minded individuals, listening to filmmakers talk before and after their screenings, and the general festival aura are hard to separate from the work itself. So I won’t lie and say I didn’t re-watch Aaron Moorhead and […]

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    Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

    I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the […]

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    REVIEW: Relatos salvajes [Wild Tales] [2014]

    “Crime of passion?” Best. Wedding. Ever. And trip to the bureaucratic black hole that is government sanctioned towing. And expertly planned, faux fateful airline flight this side of “Lost”. I mean it. Damián Szifrón‘s Relatos salvejes [Wild Tales] is a twisted cousin of Krzysztof Kieslowski‘s The Decalogue, a sextet of darkly comic morality plays where […]



film reviews

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REVIEW: Beverly Hills Cop [1984]

“We got cocaine and coffee here. We’re gonna get wired and have a big party.” It isn’t difficult to believe why Beverly Hills Cop received an Oscar nomination for Best Original Screenplay. The laughs are huge, the characters more complex than simply facilitators of plot progression, and the central mystery a solid criminal investigation despite […]

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REVIEW: The Theory of Everything [2014]

“The little one has done it” To me Stephen Hawking has always been synonymous with physics I will never understand and that ubiquitous computerized voice cracking snide jokes. Until I saw the trailer for James Marsh‘s The Theory of Everything I never even knew he was once able to walk. It was kind of a […]

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REVIEW: The Hunger Games: Mockingjay – Part 1 [2014]

“If we met up at midnight in the hanging tree” Welcome to the bait and switch. If you’ve read Suzanne Collins‘ Hunger Games Trilogy you know that Mockingjay is by far the meatiest and most resonate installment of the series despite diverting from the blueprint that brought people in. So rich in the politics, revolution, […]

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REVIEW: Open Windows [2014]

“I’m just getting even” The first thing I think of when I hear the name Nacho Vigalondo is “high concept”. From his fantastic time traveling debut thriller Timecrimes to a romantic dramedy set against the backdrop of an alien invasion with Extraterrestrial, you know you’re in for a unique genre treat whenever the Spaniard goes […]

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REVIEW: Prada: Candy [2013]

“I baked a cake” The message appears to be that Prada will make you irresistible as well as vain enough to yearn for the attention it demands. I guess this means it’s a job well done being that Prada: Candy is a commercial, but as a short film it’s lacking in showing us something other […]

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REVIEW: Cousin Ben Troop Screening with Jason Schwartzman [2012]

“Why? Why? I don’t know.” A Funny or Die exclusive promoting the release of Moonrise Kingdom, Cousin Ben Troop Screening with Jason Schwartzman is a two-minute piece directed by the feature’s Wes Anderson with co-writing duties from Roman Coppola. Schwartzman reprises his role as Cousin Ben while the children paying admission to watch his tented […]

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REVIEW: The Mule [2014]

“Who doesn’t want a veranda, eh?” Directors Tony Mahony and Angus Sampson‘s The Mule is not at all what I expected. The marketing materials draw it up as a B-movie romp, something the involvement of Sampson and Saw co-creator Leigh Whannell (they co-wrote this one together from a story by Jaime Browne) helps corroborate. Besides […]

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REVIEW: Whiplash [2014]

“I belong here” And here I naively thought the dinner sequence from The Riot Club would end up proving my favorite scene of the year despite the film itself leaving a lot to be desired. It just goes to show that you can never be sure until every prospective entry is counted because the final […]

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REVIEW: Dodgeball: A True Underdog Story [2004]

“So what are you dying from that’s keeping you from the finals?” I’m usually the guy who watches the trailer for a stupid raunchy comedy and instantaneously declares it unworthy of my time. For some reason, however, Rawson Marshall Thurber‘s Dodgeball: A True Underdog Story hit every mark necessary to have me believing it could […]

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REVIEW: Thou Wast Mild & Lovely [2014]

“My lover knows how to love me” She is not kidding when she says: “To those who feel that their cruelty is too cruel, their sadness too sad, I dedicate this film: an embrace.” Writer/director Josephine Decker means every single word because she herself has laid bare her own cruelty and sadness with Thou Wast […]

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REVIEW: Butter on the Latch [2014]

“Because she sat on Pinocchio’s head” I’m going to run with this quote from director Josephine Decker: “I think an ending is much more exciting if even I don’t know what it ‘means’.” For all intents and purposes she’s giving permission for me to make of her fiction narrative feature debut Butter on the Latch […]

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REVIEW: Dumb and Dumber To [2014]

“I don’t even know cursive” Nope. Not even the movie that started it all can save the fledgling career of the Farrelly Brothers. Despite reading an interview of them speaking about how great the sequel’s script was due to its being almost identical to the first, I entered their last film with an open mind. […]

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REVIEW: Interstellar [2014]

“Who’s they?” Say what you will about Christopher Nolan, the man knows how to make resonate blockbusters. He knows movies—plain and simple. There has always been a power in cinema that hits us at an emotionally deep level, a window into our souls through the characters onscreen we have learned to cherish as though extensions […]

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REVIEW: RADHE RADHE: Rites of Holi [2014]

“Oh Radha, you are voluptuous, pure and always forgiving, the source of life itself, our beloved, delightful as a blossoming lotus.” An art piece bridging Vijay Iyer‘s newest energetic composition as played by the International Contemporary Ensemble and stunning footage of Holi celebrations in the Braj region of India, RADHE RADHE: Rites of Holi proves […]

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REVIEW: Dumb and Dumber [1994]

“You sold my dead bird to a blind kid?” It’s the film that brought us the high concept, gross-out comedy sensibilities of Peter and Bobby Farrelly and it has some of the most memorable laughs of the 90s. The filmmaking brothers would go on to create a mixed bag of obnoxious, offensive, and hit or […]