Top Ten Films of 2014: A deluge of sci-fi doppelgängers and one-word titles

I don’t want to label 2014 as a good, bad, or average year. I want to call it inventive, original, and delightfully dark. Whether it’s doppelgänger paradoxes leading to murderous rage, the bleak carnage of war, prison violence, or psychologically debilitating struggles to be great, my favorite films had an edge that cut to the bone by credits’ end. The best thing I can say about 2014 is that my top ten (heck, maybe my top twenty-five) could be re-organized and re-listed without making me too angry about what is…

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Posterized Propaganda September 2014: ‘The Zero Theorem,’ ‘The Boxtrolls’, ‘Eleanor Rigby,’ and More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. It’s festival season time—a time when I scour the internet for posters of films I’ll be seeing at TIFF only to come up empty-handed for a lot. That’s okay, though,…

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REVIEW: 20,000 Days on Earth [2014]

“And if that doesn’t do it—you shoot the clown” I must have been nineteen or twenty when I was first introduced to Nick Cave‘s music. As a college kid trying to broaden my horizons cinematically with “classics” from foreign auteurs, I popped in Wim Wenders‘ Wings of Desire for reasons I no longer recall. While a brilliant film regardless, I could not shake the violence in Cave’s stage presence or the intensity of his songs against the romantic plot thrusting my ears into its wake. So even though I knew…

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