REVIEW: Citizen Kane [1941]

It’ll probably turn out to be a very simple thing. Of all the classics of black and white cinema during the sound age, Orson Welles‘ Citizen Kane has always been the one to me that was easiest to shortchange. That’s what being saddled with the label “Best Movie of All-time” does. It provides a target. If you agree with those sentiments, you’re going along with the crowd. If you disagree, you’re merely trying too hard to be contrarian. And there are plenty of reasons to do both. I personally refused…

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REVIEW: All That Heaven Allows [1955]

“To thine own self be true” I shouldn’t be surprised that it took almost a half-century for Douglas Sirk‘s 1955 social comment on suburban gossip and image amongst the wealthy elite, All That Heaven Allows, to be appreciated as the masterpiece it is considering those watching in theaters upon its release were exactly those types of people. This is an artist working with the time period in which he lives, mocking the people with the disposable income to see his film in order to turn the mirror on how vain…

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