REVIEW: Bloody Nose, Empty Pockets [2020]

This place sucked anyways. If ever there’s a case to stop singling documentaries out as a different entity when compared to fictional narratives, Bill Ross IV and Turner Ross‘ Bloody Nose, Empty Pockets is a prime contender. Despite categorization that started at Sundance (much to the filmmakers’ own surprise), plenty of viewers have been quick to refute its place under the “documentary” banner because it doesn’t uphold their idea of journalistic (investigative, editorialized, or vérité) documentation. They’re correct. But just as many are throwing their weight to uphold the designation…

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REVIEW: Contemporary Color [2017]

“Stage this way” You have to give David Byrne credit. He stumbled upon the idea of color guards, looked into the excitement and spectacle of their “sport of the arts,” and sought to open their world to the rest of us ignorant to their craft outside of football halftime shows. So he called upon modern music luminaries (Lucius, Nico Muhly + Ira Glass, Nelly Furtado, Devonté Hynes, St. Vincent, How to Dress Well, Money Mark + Ad Rock, Zola Jesus, tUnE-y-ArDs, and himself) to compose wholly original pieces that would…

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