REVIEW: Buffalo ’66 [1998]

“Just look like we are a married couple … spanning time” In 2004 Christina Ricci was quoted in Time Out magazine as saying, “Buffalo ’66 was the most beautiful example of self-absorption I’ve ever seen in my life.” She’s not wrong. Even if she had a good experience on set and didn’t loathe writer/director/star Vincent Gallo like most involved on the film, she’d still not be wrong. Gallo’s character Billy Brown is the epitome of self-centered aggression mixed with an absolute lack of self-esteem—a description that describes Buffalo, NY in…

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REVIEW: Queen City [2013]

“You have any hot water left, Mr. Bubbles?” The second film in writer/director Peter McGennis‘ Buffalo trilogy, Queen City is a very different beast than his first. Where Buffalo Bushido utilized the locale as a backdrop to the personal story of loss at hand, his newest appears to have been written around its inside jokes dripping nostalgia. With photographs by famed artist Milton Rogovin spliced throughout, a never ending slew of name drops, and one of the best utilizations of the city’s underrated architecture, one can’t help but wonder whether…

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REVIEW: Essential Killing [2010]

“Wrong way. Turn left for main route, then turn right.” Being from Buffalo generally has a way of making people forgive Renaissance man Vincent Gallo’s abrasive nature and constant ability to put his foot firmly in mouth. His feature length works—Buffalo ‘66 and The Brown Bunny—are generally seen as love it/hate it types and his acting work has never been within films possessing wide appeal, save perhaps Tetro. In 2010, however, Gallo was finally awarded some of the praise hometown folks have been lauding for years. Performing a veritable one-man…

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