REVIEW: Inmate #1: The Rise of Danny Trejo [2020]

My number was B948. I’ve always been fascinated by Danny Trejo‘s story because the first thing you discover after seeing him in a movie is that he’s a reformed criminal who served hard time for armed robbery. He went from a stint in San Quentin and pretty much every other prison in the greater Los Angeles region to giggling alongside children on the set of Robert Rodriguez‘s family-friendly adventure Spy Kids. How is that possible? In this America? As a formidable Chicano? You ask anyone and they’ll say it isn’t.…

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REVIEW: The Lion King [1994]

Remember who you are. The sun rises at the screen’s bottom as Lebo M. is heard singing in Zulu. We take a look at the wide-open expanse of an African savannah before slowly honing in on herds of animals moving towards a single spot: Pride Rock. There we find Mufasa (James Earl Jones) and Sarabi (Madge Sinclair) resting with new lion cub Simba (Jonathan Taylor Thomas) as trusted allies Zazu the hornbill (Rowan Atkinson) and Rafiki the baboon (Robert Guillaume) arrive to offer their services for what’s to be a…

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REVIEW: Ghostbusters II [1989]

“Death is but a door. Time is but a window. I’ll be back.” After its release in 1984, Ghostbusters became a national phenomenon. Giving the world a witty comedy inside a science fiction narrative was unique and the finished film found a way to transcend age by appealing to all. As a result, the studio decided to monetize the name by spawning an animated television show—“The Real Ghostbusters”—a plethora of toys, and even a neon green Hi-C juicebox in Ecto Cooler. Columbia Pictures had a goldmine on their hands and…

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REVIEW: The Perfect Game [2008]

“They’ve never seen real grass” The film The Perfect Game is a great story of the underdog defeating adversity at home and in public. This young team of Mexicans band together against all odds to form a Little League team in Monterey to be entered into the 1957 competition against the powerhouses of 12-year old baseball Americans. Not only must they overcome a novice at best skill at the game—helped enormously by their ex-Major League towel boy turned coach—but also the bigotry and racism of a segregated America not yet…

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REVIEW: From Dusk Till Dawn [1996]

“I’m Sex Machine, pleased to meet ya” This year’s Grindhouse was not the first of such collaborations between Robert Rodriguez and Quentin Tarantino. One could argue that their production of From Dusk Till Dawn laid the seeds for that schlock-fest extravaganza. I remember while watching Planet Terror thinking how overboard Rodriguez was going, and loving every minute of it. Revisiting this film, however, showed how he didn’t stray too far from where he had already been. Sure Tarantino’s dialogue is at the forefront for much of the film’s duration, but…

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