REVIEW: Dough [2016]

“How can you lose trousers?” Think of John Goldschmidt‘s latest film Dough (his first in the director’s chair since 1987) as a cinematic peace pipe for race relations and religious zealots. Rather than tobacco and herbs mixed into kinnikinnick for a clay vessel, however, screenwriters Jonathan Benson and Jez Freedman use marijuana and challah. The concoction sells through the roof, has London’s East End overrun by patrons like never before, and gets its unwitting purveyor remembering what it’s like to live. Just when Jewish baker Nat Dayan (Jonathan Pryce) thought…

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TIFF11 REVIEW: Lipstikka [2012]

“This is my life. I might as well live it.” Dealing with the tenuousness and unreliability of memory, Jonathan Sagall has crafted a sophomore feature that isn’t easy to shake. An Israeli-raised, Canadian-born filmmaker, many at the Toronto International Film Festival were interested to discover why he chose to tell a story about two Palestinian women. Attempting to remain as politically correct and honest as possible, his response was a resounding, “This is a story about people”. To Sagall, his work doesn’t deal with two sides of a never-ending war…

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