REVIEW: Twin Peaks: Fire Walk with Me [1992]

“And the angels wouldn’t help you cause they’ve all gone away” Without European money, American auteur David Lynch wouldn’t have many features to his name. His style isn’t necessarily conducive to our general population’s tastes, its surrealistic and highly sexualized depictions of the darkness underlying American society’s false façade of harmony a hard sell. So […]

REVIEW: Blue Velvet [1986]

“Now it’s dark” After finding critical and commercial success with The Elephant Man—earning his first Oscar nominations for directing and screenplay—David Lynch became bankable enough to mount what would end up a large-scale disaster in Dune. Whereas many would probably count the latter as a failure across the board, the truth is that the sci-fi […]

REVIEW: Land of My Dreams [2012]

“I want to be gorgeous” The above quote says everything. As do the lyrics to the titular song (originated by Aretha Franklin with Anna Domino providing vocals for the version used in the film) enhancing the melancholic atmosphere presented by writer/director Yann Gonzalez. His Land of My Dreams is just that: a dream. It’s a […]

REVIEW: The Unbelievable Truth [1990]

“Are you a priest or something?” The satire in Hal Hartley‘s debut The Unbelievable Truth is so over-the-top that you almost have to read it as a straight comedy. He’s constantly repeating dialogue through straight-faced actors, breaking up scenes with unnecessary title cards delineating arbitrary time lapses, and makes his characters so over-wrought that we […]

REVIEW: Poison [1991]

“I’ve just captured the sex drive” Winner of the Grand Jury Prize at Sundance, Todd Haynes‘ directorial debut Poison is a wild, outside-the-box ride. It reminded me of David Lynch‘s Eraserhead with a surreally experimental aesthetic and odd relationships sparked between over-the-top and perhaps parodied “freaks” standing-in as metaphors for humanity’s intolerance towards the “different”. […]

REVIEW: P’tit Quinquin [Li’l Quinquin] [2014]

“The dung flies are afraid of moo cows” Comparisons to “Twin Peaks” are easy when it comes to Bruno Dumont’s miniseries P’tit Quinquin [Li’l Quinquin] because there’s definitely an evil running wild within his small French town (or big if it’s up to the kindly, Asperger’s-lite slaughterhouse hired-hand). Unlike David Lynch’s “Bob” who inhabits residents […]

TIFF15 REVIEW: Der Nachtmahr [2016]

“What do you want from me?” In great Lost Highway-era David Lynch fashion, visual artist turned filmmaker Akiz‘s Der Nachtmahr switches from linear reality to seamlessly disorienting crosscuts between life and dream. It occurs when soon-to-be eighteen year old Tina (Carolyn Genzkow) passes out drunk while peeing in the woods outside a secret rave full […]

FANTASIA15 REVIEW: Observance [2016]

“Just watch and report back” You know you’ve seen something special when your only thought upon completion is whether to watch again or scour the internet for possible interpretations. This is what Joseph Sims-Dennett‘s Observance did for me. A horror/suspense filled to the brim with atmosphere and mood, its tension gradually rises like the dark […]

REVIEW: Tusk [2014]

“I believe we’re all tea people” I want to dismiss Kevin Smith‘s second foray into horror as total bullshit. I really do. Not only was Tusk created on a lark because one of his and Scott Mosier‘s internet Smodcasts recorded them discussing a crazy Gumtree ad offering a room for rent if the lodger agreed […]

TIFF14 REVIEW: Bang Bang Baby [2015]

“I am that. I am the service station.” Harkening back to the era of its setting, Bang Bang Baby embraces the over-the-top aesthetic of 1963 entertainment with small town girl Stepphy (Jane Levy) dreaming big for a chance at stardom in New York City. Overproduced, old-timey vocals emanate from her mouth as faux backdrops provide […]

Posterized Propaganda February 2014: ‘RoboCop’, ‘The LEGO Movie’, ‘Non-Stop’ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]