REVIEW: Terminator 2: Judgment Day [1991]

“You’re really real” Oh what seven years can accomplish through cinematic technological achievement. While The Terminator still looks good today, Terminator 2: Judgment Day looks amazing. Director James Cameron acknowledges his evolutionary leap by opening the follow-up with a near-replica 2029 Los Angeles prologue as the first to showcase exactly how far forward. These new sentient machines are carbon copies of the old moving with marginal hitching to physically belong next to their human adversaries. Besides the sequences inside cars with flat projections whooshing by (Hollywood still hasn’t perfected this…

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REVIEW: Crave [2013]

“Forgive me for the things I’ve done and the things I’ve yet to do” When you take a look at Charles de Lauzirika‘s filmography to see the myriad behind the scenes featurettes and home video productions he’s accomplished for the likes of Ridley Scott, David Lynch, and Mark Romanek, it’s no surprise that his directoral debut Crave would prove as dark as it does. Co-written by Robert Lawton, the story follows an increasingly deranged, freelance crime scene photographer as the rage-fueled fantasies in his head begin to crawl out into…

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REVIEW: Assault on Wall Street [Bailout: The Age of Greed] [2013]

“Grenades are fun. You take it easy.” Despite the appeal of rubbernecking at a car wreck, I have never seen an Uwe Boll film. Whether back when the infamous German tax break scheme was in effect on his videogame adaptations or more recently with extreme violence and attempted social satire, I’ve always found something better to view. But when his newest thriller Assault on Wall Street (previously known as Bailout: The Age of Greed) came across my desk, I thought maybe the “auteur” had found his stride. Maybe he was…

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