REVIEW: Dumb and Dumber To [2014]

“I don’t even know cursive” Nope. Not even the movie that started it all can save the fledgling career of the Farrelly Brothers. Despite reading an interview of them speaking about how great the sequel’s script was due to its being almost identical to the first, I entered their last film with an open mind. The same and more, they said? Come on—it’s been twenty years. They should have noticed by their diminishing box office returns this past decade that the comedy used to propel them towards A-list status in…

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Posterized Propaganda April 2012: Where Art and Commerce Meet

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably. There’s a good mix of work coming out in April and the posters do well to mirror such. I’m not quite sure how Chris Sparling could have his script for…

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The Most Anticipated Films of 2011

While Jon Favreau may say that 2011 looks to have a bloodbath summer on its hands with blockbusters galore taking 3D screens from each other, I’ll say right now that those aren’t the movies most intriguing me. Next year sees a return for Jack Sparrow, Lightning McQueen, Holmes and Watson, the Witwickys, Ethan Hunt, and, of course, everyone’s favorite Ghostface. Superheroes are king once more with Avengers, Mutants, and a delayed and beleaguered Black Beauty coming as well as our once beloved comedian Adam Sandler not only starring in a…

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REVIEW: Run, Fatboy, Run [2008]

“A son? Did you know he had a son?!” Do not let the Hollywood marketing machine fool you. Yes Simon Pegg stars in Run, Fatboy, Run and yes he has cowriter credit on it, however, this is not a Pegg/Wright/Park production like Hot Fuzz, Shaun of the Dead, and “Spaced.” No this is a story from the warped mind of Michael Ian Black, he of “The State” fame. It appears from the “story by” credit to Black that maybe Pegg came in late with some tweaks and rewrites after he…

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