REVIEW: Rogue One: A Star Wars Story [2016]

“Rebellions are built on hope” George Lucas used to say years ago that the original Star Wars trilogy was but three chapters of an epic nine-part saga. It dealt with the Skywalker family, beginning in the middle to introduce a passing of the “Force” from father to son. Lucas would eventually make the first three […]

REVIEW: Arrival [2016]

“A desire for more cows” While Arrival is very much a Denis Villeneuve film right down to the similarities between his lead Dr. Louise Banks (Amy Adams)—thrust into an overwhelming military-run situation and doing her best to hold it accountable—with that of Sicario‘s Kate Macer as well as a visually surreal callback to the much-talked […]

REVIEW: Prêt-à-Porter [Ready to Wear] [1994]

“Taking advantage of others’ insecurities” I didn’t love The Player as much as I thought I would. Sometimes Robert Altman utilizes too many characters within a story that cannot sustain them as perfectly as we’d hope. It often works best in one-locale work like A Wedding and Gosford Park where the satirized theme is cohesive […]

REVIEW: The Crying Game [1992]

“He believes in the future” It’s amazing how different a film can feel when you put close to two decades behind your first viewing. When I watched Neil Jordan‘s The Crying Game as a teenager I did so to see what all the fuss was about. I already knew the “secret” and found it difficult […]

REVIEW: Southpaw [2015]

“This is the talk you get when you lose not when you win” The origins of Southpaw are interesting because it was born from screenwriter Kurt Sutter‘s want to collaborate with Eminem. Now try to picture Marshall Mathers after peering upon any of the bloodied and crazed publicity stills of his replacement Jake Gyllenhaal without […]

REVIEW: Lee Daniel’s The Butler [2013]

“To serving our country” I’d like to say it’s surprising how an Oscar nominated director like Lee Daniels can find trouble financing a film with the type of sprawling depiction of the civil rights movement The Butler (sorry Warner Bros., I’m ignoring your lawsuit) possesses, but one doesn’t have to look past the fact everything […]

REVIEW: Out of the Furnace [2013]

“Let me make this right” I think Scott Cooper’s Out of the Furnace has been given a bad rap by the critical world. It’s slow, laborious, and perhaps not possessed with the freshest of plots, but there is still a palpable power driving it forward courtesy of fantastic performances and a starkly authentic depiction of […]

Posterized Propaganda August 2013: ‘Elysium,’ ‘The World’s End,’ ‘Short Term 12′ & More

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill […]

REVIEW: The Hire [2001-2002]

“BMW recommends that you always wear your seatbelt” After watching the Parallel Lines series, my desire to revisit BMW’s The Hire was too much to contain. This thing was a cultural phenomenon, doing what no one had ever done, with a medium still untested at the time. Back in 2001, households across America were still […]

REVIEW: Repo Men [2010]

“Ask me about my lips” I had been waiting for over a year to finally see Repo! The Genetic Opera and while I enjoyed it thoroughly, it wasn’t the masterpiece I had hoped it’d be. Very easily a cult classic in its eccentricity, I thought maybe Hollywood decided to piggyback the concept and make a […]

REVIEW: Our Family Wedding [2010]

“You know you just said that out loud” And then the bottom drops out. All paint-by-number comedies of this ilk eventually hit the point where everything appears to be destroyed. Relationships are ended, love gone in a flash, and those who were thick-as-thieves are now unable to look at each other let alone speak. A […]