“… And home before dark.” The involvement of Disney on any adaptation of beloved source material can’t help being a double-edged sword. On the one hand their clout and financial backing will ensure the production looks fantastic and attracts the type of talent worthy of the property. On the other their brand brings with it a very specific morality code and target demographic. What this means is that something as dark as Into the Woods and its satirical take on all our favorite fairy tales playing up the lecherous sexuality…
Read MoreREVIEW: Into the Woods [2014]
